Jean-Louis Valéro
- Composer
- 7 on MovieCove · 21 credits in all
Known for
What are Jean-Louis Valéro's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 4 · Serious 1 · Dark 1
Grounded 4 · Stylized 2 · Heightened 0
A split, not a type: Gentle 3 · Charged 2 · Intense 1
Steady 6 · Shifting 0 · Whiplash 0
Straight-faced 4 · Some laughs 2 · Funny 0
Slow burn 6 · Even-paced 0 · Relentless 0
Casual 1 · Engaged 4 · Full focus 1
A split, not a type: Easy watch 4 · Affecting 1 · Heavy 1
Resolved 2 · Open-ended 2 · Ambiguous 2
Moods and endings
- Happy2
- Bittersweet1
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jean-Louis Valéro's films?
As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Jean-Louis Valéro's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 7 with a MovieCove page.
The Law of Karma (not in the MovieCove catalog yet)(2026)
Les sept vies de Madeleine Riffaud (not in the MovieCove catalog yet)(2020)
Nouvelle Cordée (not in the MovieCove catalog yet)(2019)
Le Roundup face à ses juges (not in the MovieCove catalog yet)(2017)
Qu'est-ce qu'on attend ? (not in the MovieCove catalog yet)(2016)
Torture Made in USA (not in the MovieCove catalog yet)(2009)
Midcredits score: 59th percentile of all films
L'Europe des Fronts Populaires (not in the MovieCove catalog yet)(2006)
Infrarouge (not in the MovieCove catalog yet)(2006)
The Armenian Genocide (not in the MovieCove catalog yet)(2005)
Les amis de Ninon (not in the MovieCove catalog yet)(1998)
Berlin-Cinema(1997)
Midcredits score: 19th percentile of all films (provisional, few ratings)
Errors of Youth (not in the MovieCove catalog yet)(1989)
Midcredits score: 95th percentile of all films
Midcredits score: 94th percentile of all films
The Green Ray(1986)
Midcredits score: 95th percentile of all films
The Charles Bukowski Tapes (not in the MovieCove catalog yet)(1985)
Rosette vend des roses (not in the MovieCove catalog yet)(1985)
A Brutal Game(1983)
Midcredits score: 72nd percentile of all films
Pauline at the Beach(1983)
Midcredits score: 88th percentile of all films
Chassé-croisé (not in the MovieCove catalog yet)(1982)
Career shape
A full career of 20 titles from 1982 to 2026.
Biggest box office
Boyfriends and Girlfriends (1987)
Highest rated
The Green Ray (1986)
Most popular right now
Pauline at the Beach (1983)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Jean-Louis Valéro's films land?
Their typical MovieCove film has a Midcredits score in the 88th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 81st percentile for acclaim.
- 75th and up4
- 50th to 74th2
- Below 25th1
Shape of the crowd
3 of their 7 titles are Universally Loved.
- Universally Loved3
- Crowd Pleaser2
- Mixed2
Reviewers score the sound and music 47/100 in their films, across 3 reviewed titles; fans 50, detractors 20. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Jean-Louis Valéro work with?
People who share at least 2 of Jean-Louis Valéro's MovieCove titles, grouped by what they did on them; Éric Rohmer shares the most, 4.
Directors
- Éric RohmerShared titles: The Romance of Astrea and Celadon (2007), Boyfriends and Girlfriends (1987), The Green Ray (1986), Pauline at the Beach (1983)See all 4 shared titles with Éric Rohmer
Actors
- RosetteShared titles: The Romance of Astrea and Celadon (2007), The Green Ray (1986), Pauline at the Beach (1983)See all 3 shared titles with Rosette
- María Luisa GarcíaShared titles: Boyfriends and Girlfriends (1987), The Green Ray (1986), A Brutal Game (1983)See all 3 shared titles with María Luisa García
Cinematographers
- Sophie MaintigneuxShared titles: Berlin-Cinema (1997), The Green Ray (1986)See all 2 shared titles with Sophie Maintigneux
- Bernard LuticShared titles: Boyfriends and Girlfriends (1987), A Brutal Game (1983)See all 2 shared titles with Bernard Lutic
Producers
- Margaret MénégozShared titles: Boyfriends and Girlfriends (1987), The Green Ray (1986), A Brutal Game (1983), Pauline at the Beach (1983)See all 4 shared titles with Margaret Ménégoz
