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Tran Anh Hung

Tran Anh Hung

Director, writer and producer · Born December 23, 1962 (63) · Đà Nẵng, Central Vietnam

3 Cannes awards · 2 Venice awards

Trần Anh Hùng (born December 23, 1962; Đà Nẵng) is a French filmmaker of Vietnamese ancestry. Hùng was born in Mỹ Tho, South Vietnam. Following the fall of Saigon at the end of the Vietnam War in 1975, he immigrated to France at age 12. He majored in philosophy at a university in France. By chance, he saw Robert Bresson's film A Man Escaped and decided to study film instead. He went on to study photography at the Louis Lumiere Academy, which trains cinematographers. Hùng has been at the forefront of a wave of acclaimed overseas Vietnamese cinema over the past two decades. His films have received international fame and acclaim, and his first three features were varied meditations on life in his home country Vietnam. Hùng's Oscar-nominated debut (for Best foreign film) was The Scent of Green Papaya (1993), which also won two top prizes at the Cannes Film Festival. His follow-up Cyclo (1995, which featured Hong Kong movie star Tony Leung Chiu-Wai), won the Golden Lion at the Venice International Film Festival. The Vertical Ray of the Sun, released in 2000, was the third film in his "Vietnam trilogy." After a sabbatical, Hùng returned with the noir psychological thriller I Come with the Rain (2009), which featured a star-studded international cast including Josh Hartnett and Elias Koteas. Hùng directed Norwegian Wood, an adaptation of Haruki Murakami's novel of the same name, which released in Japan in December 2010. After Eternity in 2016, his return in a French production, The The Pot-au-Feu, is announced in February 2022, with Juliette Binoche and Benoît Magimel in the cast.

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Biography from TMDB.

Born
December 23, 1962 (63)
From
Đà Nẵng, Central Vietnam
Works as
Director, writer and producer
Titles
9 on MovieCove · 14 credits in all
TMDB popularity, last 155 days to Oct 26Down 45% in 30 days

What are Tran Anh Hung's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 0 · Dark 4

Grounded 2 · Stylized 3 · Heightened 3

A split, not a type: Gentle 4 · Charged 2 · Intense 2

Steady 6 · Shifting 2 · Whiplash 0

Straight-faced 8 · Some laughs 0 · Funny 0

Slow burn 5 · Even-paced 3 · Relentless 0

Casual 3 · Engaged 4 · Full focus 1

A split, not a type: Easy watch 3 · Affecting 1 · Heavy 4

Resolved 2 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
4
Melancholic
4
Tense
3
Bittersweet
4
Warm
2
Other
3

How their films end

  • Bittersweet4
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tran Anh Hung's films?

As of October 24, 2026, 4 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Tran Anh Hung's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 9 with a MovieCove page.

  • The Taste of Things(2023)

    Director · Screenplay

    Midcredits score: 92nd percentile of all films
  • Rom(2019)

    Producer · Supervising Editor

    Midcredits score: 73rd percentile of all films
  • The Third Wife(2018)

    Art Department Assistant

    Midcredits score: 71st percentile of all films
  • Eternity(2016)

    Director · Writer

    Midcredits score: 36th percentile of all films
  • Flapping in the Middle of Nowhere (not in the MovieCove catalog yet)(2015)

    Consulting Producer

  • Bi, Don't Be Afraid (not in the MovieCove catalog yet)(2011)

    Co-Producer · Executive Producer

  • Norwegian Wood(2010)

    Director · Screenplay

    Midcredits score: 53rd percentile of all films
  • I Come with the Rain(2009)

    Director · Writer

    Midcredits score: 35th percentile of all films
  • A Sight for Sore Eyes (not in the MovieCove catalog yet)(2003)

    Thanks

  • The Vertical Ray of the Sun(2000)

    Director · Production Supervisor · Writer

    Midcredits score: 85th percentile of all films
  • Cyclo(1995)

    Director · Writer

    Midcredits score: 88th percentile of all films
  • The Scent of Green Papaya(1993)

    Director · Writer

    Midcredits score: 90th percentile of all films
  • Stone of Expectation (not in the MovieCove catalog yet)(1991)

    Director · Writer

  • The Married Woman of Nam Xuong (not in the MovieCove catalog yet)(1989)

    Director · Writer · Actor

Career shape

A full career of 14 titles from 1989 to 2023.

By role

only this rolewith another role
Acting1 of 14: 0 only acting, 1 with another roleDirecting9 of 14: 0 only directing, 9 with another role · typical Midcredits score85thWriting9 of 14: 0 only writing, 9 with another role · typical Midcredits score85thProducing3 of 14: 2 only producing, 1 with another roleEditing1 of 14: 0 only editing, 1 with another roleOther crew3 of 14: 2 only other crew, 1 with another role

14 titles, 10 with more than one role — directing and writing overlap on 9 of them.

By decade

1980s1 · 1 acting · 1 crew1990s3 · crew2000s3 · crew2010s5 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

5 major awards from 9 major nominations, 1993–2023.

WinNomination
  1. 2023
    • Cannes award, won
    • Cannes award, nominated
  2. 2010
    • Venice award, nominated
  3. 2000
    • Cannes award, nominated
  4. 1995
    • Venice award, won ×2
  5. 1993
    • Cannes award, won · French Film
    • Cannes award, won
    • Cannes award, nominated

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Tran Anh Hung's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 8

Approval · how many liked their films

80thpercentile
Typical film, the median of 8

Reach · how many have seen their films

81stpercentile
Typical film, the median of 8

Midcredits score across 9 titles, by percentile

  • 75th and up4
  • 50th to 74th3
  • 25th to 49th2

Reviewers score the atmosphere 83/100 and the pacing 31/100 in their films, across 8 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Tran Anh Hung work with?

People who share at least 2 of Tran Anh Hung's MovieCove titles, grouped by what they did on them; Nu Yên-Khê Tran shares the most, 5.

Actors

Composers, cinematographers and editors

Producers