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Camilla Toniolo

Editor, also producer

Primetime Emmy nominee

Works as
Editor, also producer
Titles
29 on MovieCove · 35 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 34% in 30 days

What are Camilla Toniolo's films like?

Across their 24 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Comedy13 titlesTypical Midcredits score: 32nd percentile
: browse their Comedy movies
Drama3 titlesTypical Midcredits score: 15th percentile
: browse their Drama movies
Action2 titlesTypical Midcredits score: 33rd percentile
: browse their Action movies
Biography2 titlesTypical Midcredits score: 66th percentile, at or above their average across these genres
: browse their Biography movies
Documentary2 titlesTypical Midcredits score: 78th percentile, at or above their average across these genres
: browse their Documentary movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
37%
Bonds
26%
Ideas
9%
Society
9%
Morality
8%
Survival
8%
Power
4%
Romantic love8 titles, browse their movies with this themePurpose6 titles, browse their movies with this themeAmbition5 titles, browse their movies with this themeArt3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeGrief2 titles, browse their movies with this themeObsession2 titles, browse their movies with this theme

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 16 · Serious 5 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 13 · Stylized 7 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 13 · Charged 8 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 14 · Shifting 6 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 10 · Funny 10

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 11 · Even-paced 11 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 12 · Engaged 10 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 16 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
10
Joyful
11
Contemplative
10
Tense
7
Absurd
6
Other
20

How their films linger

Feel-good11 titles, browse their movies with this aftertasteBittersweet7 titles, browse their movies with this aftertasteThought-provoking7 titles, browse their movies with this aftertasteHopeful7 titles, browse their movies with this aftertasteFun6 titles, browse their movies with this aftertasteWistful3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy6
  • Bittersweet13
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Camilla Toniolo's films?

As of October 24, 2026, 19 of their 29 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

Subscription and free streaming for Camilla Toniolo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 29 with a MovieCove page.

  • American Classic(2026)

    Show 3 episodes · Editor

    Midcredits score: 43rd percentile of all shows

  • Juliet & Romeo(2025)

    Editor

    Midcredits score: 9th percentile of all films

  • Palm Royale(2024)

    Show 2 episodes · Editor

    Midcredits score: 42nd percentile of all shows

  • Lost Girls(2020)

    Editor

    Midcredits score: 44th percentile of all films

  • Dickinson(2019)

    Show 4 episodes · Editor

    Midcredits score: 86th percentile of all shows

  • Write When You Get Work(2018)

    Producer

    Midcredits score: 19th percentile of all films

  • Final Portrait(2017)

    Editor

    Midcredits score: 53rd percentile of all films

  • Becoming Mike Nichols(2016)

    Editor

    Midcredits score: 83rd percentile of all films

  • I Don't Know How She Does It(2011)

    Editor

    Midcredits score: 13th percentile of all films

  • Mildred Pierce(2011)

    Show 5 episodes · Editor

    Midcredits score: 74th percentile of all shows

  • His Way(2011)

    Editor

    Midcredits score: 72nd percentile of all films

  • Blind Date(2007)

    Editor

    Midcredits score: 32nd percentile of all films

  • In Treatment(2008)

    Show 35 episodes · Co-Producer · Editor

    Midcredits score: 92nd percentile of all shows

  • Infamous(2006)

    Editor

    Midcredits score: 78th percentile of all films

  • Game 6(2005)

    Editor

    Midcredits score: 34th percentile of all films

  • Our Town (not in the MovieCove catalog yet)(2003)

    Editor

  • Power and Beauty(2002)

    Editor

    Midcredits score: 29th percentile of all films

  • Double Whammy(2001)

    Editor

    Midcredits score: 29th percentile of all films

  • Company Man(2000)

    Editor

    Midcredits score: 19th percentile of all films

  • The 24 Hour Woman(1999)

    Editor

    Midcredits score: 20th percentile of all films

  • The Real Blonde(1997)

    Editor

    Midcredits score: 37th percentile of all films

  • Box of Moonlight(1996)

    Editor

    Midcredits score: 85th percentile of all films

  • Boys(1996)

    Editor

    Midcredits score: 15th percentile of all films

  • Living in Oblivion(1995)

    Editor

    Midcredits score: 94th percentile of all films

  • The Night We Never Met(1993)

    Editor

    Midcredits score: 40th percentile of all films

  • My New Gun (not in the MovieCove catalog yet)(1992)

    Editor

  • Buffy the Vampire Slayer(1992)

    Editor

    Midcredits score: 32nd percentile of all films

  • Claude (not in the MovieCove catalog yet)(1992)

    Editor

  • Home (not in the MovieCove catalog yet)(1990)

    Editor

  • Bloodhounds of Broadway(1989)

    Editor

    Midcredits score: 31st percentile of all films

  • Tokyo Pop(1988)

    Editor

    Midcredits score: 70th percentile of all films

  • Swimming to Cambodia (not in the MovieCove catalog yet)(1987)

    Assistant Editor

  • Something Wild(1986)

    Associate Producer

    Midcredits score: 79th percentile of all films

  • The World of Don Camillo(1984)

    Editor

    Midcredits score: 33rd percentile of all films

  • American Playhouse (not in the MovieCove catalog yet)(1982)

    Show 1 episode · Editor

Career shape

A full career of 34 titles from 1982 to 2026.

Biggest box office

I Don't Know How She Does It (2011)

$31M worldwide

Highest rated

Living in Oblivion (1995)

Midcredits 94th

Most popular right now

American Classic (2026)

By role

only this rolewith another role
Producing2 of 34: 1 only producing, 1 with another roleEditing32 of 34: 31 only editing, 1 with another role · typical Midcredits score40thOther crew1 of 34: 1 only other crew, 0 with another role

By decade

1980s6 · crew1990s10 · crew2000s8 · crew2010s6 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for a Primetime Emmy in 2011, Outstanding Single-Camera Picture Editing for a Miniseries or a Movie.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Camilla Toniolo's films land?

Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 24; across their 23 films with reception data, the typical film sits in the 36th percentile for acclaim.

Acclaim · how much people like their films

36thpercentile
Typical film, the median of 23

Approval · how many liked their films

33rdpercentile
Typical film, the median of 23

Reach · how many have seen their films

69thpercentile
Typical film, the median of 23

Midcredits score across 29 titles, by percentile

  • 75th and up7
  • 50th to 74th4
  • 25th to 49th12
  • Below 25th6

Shape of the crowd

11 of their 29 titles are Mixed.

  • Universally Loved2
  • Divisive1
  • Cult Classic2
  • Crowd Pleaser8
  • Broadly Agreed5
  • Mixed11

Most divisive · editor

Juliet & Romeo (2025)

91st percentile spread · 61% rated it 4 or lower

Most loved · editor

Living in Oblivion (1995)

Midcredits 94th · 82% liked

Reviewers score the pacing 43/100 in their films, across 23 reviewed titles; fans 55, detractors 27. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Camilla Toniolo's work okay for kids?

Across up to 6 MovieCove titles with content scores, 1 of the 4 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 30 · mildMedian of all films: 44
Sex & Nudity6 titles25–50 · median 39 · moderatenear the median of all filmsMedian of all films: 32
Profanity3 titlesmedian 71 · intenseMedian of all films: 36
Alcohol & Drugs4 titlesmedian 36 · moderateMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Camilla Toniolo work with?

People who share at least 2 of Camilla Toniolo's MovieCove titles, grouped by what they did on them; Douglas McGrath shares the most, 5.

Directors

Actors

Composers and cinematographers

Producers

Mixed roles