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Bill Todman Jr.

Bill Todman Jr.

Producer

Bill Todman Jr. is an American media executive. He began his career working for his father, Hall of Fame television producer Bill Todman. In 1981, Todman moved to Goodson-Todman West in Los Angeles to concentrate on television production. He quickly transitioned to MGM/UA Television in 1982 as a programming executive working under the president, Thomas Tannenbaum. In 1984, Todman joined 20th Century Fox TV as a producer reporting to Leslie Moonves. He moved with Moonves to Lorimar-Telepictures, where Todman teamed up with Joel Simon to form a producing partnership called Todman/Simon Productions that spanned decades. Together, they produced eight television pilots, two series, and one made-for-television movie. While working in television, Todman and Simon ventured into feature films, producing hit Warner Bros. movies such as Married to the Mob and Hard to Kill. In 1995, Todman became president of Morgan Creek Productions. He served as executive producer on films including Two if by Sea, Ace Ventura: When Nature Calls, Diabolique, Incognito, Wild America, Bad Moon, Major League: Back to the Minors, Wrongfully Accused, and The King and I. In 1998, Todman produced the feature film Wild Wild West for Warner Bros. In 2000, he co-produced X-Men for 20th Century Fox. He joined forces with Kopelson Entertainment in 1999 for the ABC television program Thieves while simultaneously producing The In-Laws with Joel Simon at Warner Bros. In 2003, Todman and Edward L. Milstein formed Level 1 Entertainment. Together, they have produced and financed such motion pictures as Grandma's Boy for 20th Century Fox, Rendition for New Line Cinema, and Strange Wilderness for Paramount Pictures. Description above from the Wikipedia article Bill Todman Jr., licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Works as
Producer
Titles
15 on MovieCove · 17 credits in all
TMDB popularity, last 37 days to Oct 26Down 26% in 30 days

What are Bill Todman Jr.'s films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 15 films
ToneFeelDemandtheir average · filled zone: the category

Light 8 · Serious 3 · Dark 4

Grounded 5 · Stylized 8 · Heightened 2

A split, not a type: Gentle 3 · Charged 5 · Intense 7

Steady 3 · Shifting 8 · Whiplash 4

Straight-faced 5 · Some laughs 6 · Funny 4

Slow burn 2 · Even-paced 9 · Relentless 4

Casual 6 · Engaged 8 · Full focus 1

Resolved 12 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Absurd
5
Thrilling
5
Dread
5
Warm
5
Other
14

How their films end · 4 with a twist

  • Happy10
  • Bittersweet1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bill Todman Jr.'s films?

As of October 24, 2026, 12 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Bill Todman Jr.'s titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 15 with a MovieCove page.

  • Detour(2013)

    Executive Producer

    Midcredits score: 23rd percentile of all films
  • Strange Wilderness(2008)

    Executive Producer

    Midcredits score: 22nd percentile of all films
  • Rendition(2007)

    Executive Producer

    Midcredits score: 66th percentile of all films
  • Grandma's Boy(2006)

    Executive Producer

    Midcredits score: 73rd percentile of all films
  • The In-Laws(2003)

    Producer

    Midcredits score: 31st percentile of all films
  • X-Men(2000)

    Co-Producer

    Midcredits score: 89th percentile of all films
  • Wild Wild West(1999)

    Executive Producer

    Midcredits score: 12th percentile of all films
  • Major League: Back to the Minors(1998)

    Executive Producer

    Midcredits score: 9th percentile of all films
  • Incognito(1997)

    Executive Producer

    Midcredits score: 56th percentile of all films
  • Wild America(1997)

    Executive Producer

    Midcredits score: 60th percentile of all films
  • Bad Moon(1996)

    Executive Producer

    Midcredits score: 41st percentile of all films
  • Diabolique(1996)

    Executive Producer

    Midcredits score: 25th percentile of all films
  • Two If by Sea(1996)

    Executive Producer

    Midcredits score: 14th percentile of all films
  • The Owl (not in the MovieCove catalog yet)(1991)

    Producer

  • Hard to Kill(1990)

    Producer

    Midcredits score: 35th percentile of all films
  • Married to the Mob(1988)

    Executive Producer

    Midcredits score: 55th percentile of all films
  • Mini War (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 17 titles, 16 of them dated from 1988 to 2013.

By role

only this rolewith another role
Producing17 of 17: 17 only producing, 0 with another role · typical Midcredits score35th

By decade

1980s1 · crew1990s9 · crew2000s5 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Bill Todman Jr.'s films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 15; across their 15 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 15

Approval · how many liked their films

32ndpercentile
Typical film, the median of 15

Reach · how many have seen their films

88thpercentile
Typical film, the median of 15

Midcredits score across 15 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th4
  • Below 25th5

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Bill Todman Jr.'s work okay for kids?

Across up to 11 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles42–86 · median 65 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity11 titles27–69 · median 51 · moderateheavier than most filmsMedian of all films: 32
Profanity9 titles38–86 · median 58 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs7 titles29–86 · median 36 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense7 titles12–69 · median 58 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Bill Todman Jr. work with?

People who share at least 2 of Bill Todman Jr.'s MovieCove titles, grouped by what they did on them; Gary Barber shares the most, 6.

Actors

Composers and editors

Producers