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Danièle Thompson

Danièle Thompson

Writer and director, also producer · Born January 3, 1942 (84) · Monaco, Monaco

Danièle Thompson (born 3 January 1942 in Monaco) is a French film director and screenwriter. She is the daughter of film director Gérard Oury and actress Jacqueline Roma. She has written the screenplay for a number of highly successful films including Cousin, cousine, La Boum, Belphégor - Le fantôme du Louvre, La Reine Margot and Jet Lag which she also directed. She was nominated for the 1976 Academy Award for Writing Original Screenplay for Cousin, cousine. Her 2006 film Fauteuils d'orchestre was France's entrant for the 2006 Academy Award for Best Foreign Film. Description above from the Wikipedia article  Danièle Thompson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
January 3, 1942 (84)
From
Monaco, Monaco
Works as
Writer and director, also producer
Titles
25 on MovieCove · 41 credits in all

What are Danièle Thompson's films like?

Across their 25 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 24 films
ToneFeelDemandtheir average · filled zone: the category

Light 19 · Serious 4 · Dark 1

Grounded 10 · Stylized 11 · Heightened 3

Gentle 10 · Charged 10 · Intense 4

Steady 11 · Shifting 12 · Whiplash 1

A split, not a type: Straight-faced 3 · Some laughs 9 · Funny 12

Slow burn 6 · Even-paced 13 · Relentless 5

Casual 19 · Engaged 3 · Full focus 2

Resolved 21 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
16
Warm
12
Romantic
7
Tense
8
Absurd
5
Other
15

How their films end · 1 with a twist

  • Happy15
  • Bittersweet7
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Danièle Thompson's films?

As of October 24, 2026, 10 of their 25 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Danièle Thompson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

41 credits, 25 with a MovieCove page; 24 appearances as themselves are hidden until asked for.

  • Bardot(2023)

    Show 6 episodes · Director · Creator · Producer · Writer

    Midcredits score: 24th percentile of all shows
  • Un monde, un regard (not in the MovieCove catalog yet)(2021)

    Show 1 episode · Actor

  • Cezanne et Moi(2016)

    Director · Writer

    Midcredits score: 42nd percentile of all films
  • It Happened in Saint-Tropez(2013)

    Director · Writer

    Midcredits score: 26th percentile of all films
  • L'Amour, la Mort, les Fringues (not in the MovieCove catalog yet)(2011)

    Stage Director

  • Le code a changé(2009)

    Director · Writer

    Midcredits score: 31st percentile of all films
  • Orchestra Seats(2006)

    Director · Dialogue · Screenplay

    Midcredits score: 69th percentile of all films
  • The Giraffe's Neck (not in the MovieCove catalog yet)(2004)

    Adaptation

  • Jet Lag(2002)

    Director · Writer

    Midcredits score: 43rd percentile of all films
  • Midcredits score: 6th percentile of all films
  • The Blue Bicycle (not in the MovieCove catalog yet)(2000)

    Show 3 episodes · Adaptation

  • Season's Beatings (not in the MovieCove catalog yet)(1999)

    Director · Writer

  • Beautiful Mother(1999)

    Writer

    Midcredits score: 31st percentile of all films
  • Those Who Love Me Can Take the Train(1998)

    Idea · Screenplay

    Midcredits score: 59th percentile of all films
  • Paparazzi(1998)

    Writer

    Midcredits score: 18th percentile of all films
  • The Red and the Black(1997)

    Dialogue

    Midcredits score: 83rd percentile of all films
  • The Red and the Black (not in the MovieCove catalog yet)(1997)

    Show 2 episodes · Dialogue

  • Des gens si bien élevés (not in the MovieCove catalog yet)(1997)

    Writer

  • Queen Margot(1994)

    Adaptation · Dialogue · Screenplay

    Midcredits score: 92nd percentile of all films
  • The Groundhogs (not in the MovieCove catalog yet)(1993)

    Writer

  • Une famille formidable (not in the MovieCove catalog yet)(1992)

    Show 3 episodes · Writer

  • Snow and Fire (not in the MovieCove catalog yet)(1991)

    Writer

  • Vanille fraise(1989)

    Dialogue · Writer

    Midcredits score: 11th percentile of all films
  • The Student(1988)

    Writer

    Midcredits score: 40th percentile of all films
  • Malady of Love (not in the MovieCove catalog yet)(1987)

    Writer

  • Levy & Goliath (not in the MovieCove catalog yet)(1987)

    Dialogue

  • Le Tiroir secret (not in the MovieCove catalog yet)(1986)

    Show Creator

  • Midcredits score: 12th percentile of all films
  • The Party 2(1982)

    Writer · as Woman in restaurant, dining with François and Françoise (uncredited)

    Midcredits score: 58th percentile of all films
  • Ace of Aces(1982)

    Writer

    Midcredits score: 74th percentile of all films
  • The Party(1980)

    Writer

    Midcredits score: 74th percentile of all films
  • The Umbrella Coup(1980)

    Writer

    Midcredits score: 69th percentile of all films
  • Petit déjeuner compris (not in the MovieCove catalog yet)(1980)

    Show 6 episodes · Adaptation · Creator · Scenario Writer

  • The Escape(1978)

    Writer

    Midcredits score: 56th percentile of all films
  • Claudine (not in the MovieCove catalog yet)(1978)

    Show 4 episodes · Dialogue

  • Va voir maman, papa travaille(1978)

    Dialogue · Writer

    Midcredits score: 20th percentile of all films
  • Cousin, Cousine (not in the MovieCove catalog yet)(1975)

    Screenplay

  • Midcredits score: 92nd percentile of all films
  • Midcredits score: 90th percentile of all films
  • The Brain(1969)

    Writer

    Midcredits score: 78th percentile of all films
  • Don't Look Now... We're Being Shot At!(1966)

    Screenplay · as (uncredited)

    Midcredits score: 97th percentile of all films

Career shape

A full career of 40 titles from 1966 to 2023.

By role

only this rolewith another role
Acting3 of 40: 1 only acting, 2 with another roleDirecting7 of 40: 0 only directing, 7 with another role · typical Midcredits score37thWriting37 of 40: 27 only writing, 10 with another role · typical Midcredits score57thProducing1 of 40: 0 only producing, 1 with another roleOther crew4 of 40: 2 only other crew, 2 with another role

40 titles, 10 with more than one role — writing and directing overlap on 7 of them.

By decade

1960s2 · 1 acting · 2 crew1970s6 · crew1980s11 · 1 acting · 11 crew1990s10 · crew2000s6 · crew2010s3 · crew2020s2 · 1 acting · 1 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Danièle Thompson's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 24; across their 24 films with reception data, the typical film sits in the 61st percentile for acclaim.

Acclaim · how much people like their films

61stpercentile
Typical film, the median of 24

Approval · how many liked their films

46thpercentile
Typical film, the median of 24

Reach · how many have seen their films

75thpercentile
Typical film, the median of 24

Midcredits score across 25 titles, by percentile

  • 75th and up6
  • 50th to 74th7
  • 25th to 49th6
  • Below 25th6

Reviewers score the dialogue 61/100 and the plot and story 48/100 in their films, across 21 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Danièle Thompson work with?

People who share at least 2 of Danièle Thompson's MovieCove titles, grouped by what they did on them; Gérard Oury shares the most, 9.

Directors

Writers

Actors

Composers and editors

Producers