- Writer, also producer
- 11 on MovieCove · 15 credits in all
What are Michael Thomas' films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 9
Light 4 · Serious 4 · Dark 3
Grounded 4 · Stylized 5 · Heightened 2
Gentle 0 · Charged 8 · Intense 3
Steady 4 · Shifting 5 · Whiplash 2
Straight-faced 7 · Some laughs 4 · Funny 0
Slow burn 2 · Even-paced 8 · Relentless 1
A split, not a type: Casual 5 · Engaged 4 · Full focus 2
Easy watch 3 · Affecting 4 · Heavy 4
Resolved 7 · Open-ended 3 · Ambiguous 1
Moods and endings
- Happy4
- Bittersweet3
- Tragic1
- Ambiguous2
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Michael Thomas' films?
As of October 24, 2026, 5 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Michael Thomas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 11 with a MovieCove page.
Pistenzauber (not in the MovieCove catalog yet)(2016)

The 33(2015)
Midcredits score: 71st percentile of all films
The Devil's Double(2011)
Midcredits score: 78th percentile of all films
All the Way(2003)
Midcredits score: 33rd percentile of all films
B. Monkey(1998)
Midcredits score: 40th percentile of all films
Welcome to Woop Woop(1997)
Midcredits score: 43rd percentile of all films
Backbeat(1994)
Midcredits score: 69th percentile of all films
Deception(1992)
Midcredits score: 15th percentile of all films
Till There Was You(1991)
Midcredits score: 14th percentile of all films
Scandal(1989)
Midcredits score: 58th percentile of all films
The McGuffin (not in the MovieCove catalog yet)(1986)

Burke & Wills (not in the MovieCove catalog yet)(1985)

Ladyhawke(1985)
Midcredits score: 80th percentile of all films
The Hunger(1983)
Midcredits score: 69th percentile of all films
Countryman (not in the MovieCove catalog yet)(1982)
Career shape
A full career of 14 titles from 1982 to 2016.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Michael Thomas' films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 59th percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th3
- Below 25th2
Shape of the crowd
6 of their 11 titles are Crowd Pleasers.
- Crowd Pleaser6
- Mixed5
Reviewers score the dialogue 46/100 and the plot and story 43/100 in their films, across 11 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Michael Thomas' work okay for kids?
Across up to 7 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Michael Thomas work with?
People who share at least 2 of Michael Thomas' MovieCove titles, grouped by what they did on them; Nik Powell shares the most, 5.
Actors
- Ian HartShared titles: B. Monkey (1998), Backbeat (1994)See all 2 shared titles with Ian Hart

Cinematographers and editors
- Martin WalshShared titles: Welcome to Woop Woop (1997), Backbeat (1994)See all 2 shared titles with Martin Walsh

- Mike MolloyShared titles: Welcome to Woop Woop (1997), Scandal (1989)See all 2 shared titles with Mike Molloy
Producers
- Nik PowellShared titles: All the Way (2003), B. Monkey (1998), Welcome to Woop Woop (1997), Backbeat (1994), Scandal (1989)See all 5 shared titles with Nik Powell

- Stephen WoolleyShared titles: B. Monkey (1998), Welcome to Woop Woop (1997), Backbeat (1994), Scandal (1989)See all 4 shared titles with Stephen Woolley

- Bob WeinsteinShared titles: B. Monkey (1998), Scandal (1989)See all 2 shared titles with Bob Weinstein

- Harvey WeinsteinShared titles: B. Monkey (1998), Scandal (1989)See all 2 shared titles with Harvey Weinstein




