Nancy Tenenbaum
- Producer
- 7 on MovieCove · 8 credits in all
What are Nancy Tenenbaum's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 3 · Serious 2 · Dark 1
Grounded 5 · Stylized 1 · Heightened 0
Gentle 1 · Charged 4 · Intense 1
Steady 2 · Shifting 3 · Whiplash 1
A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 3
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 4 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 2 · Heavy 1
Resolved 4 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Nancy Tenenbaum's films?
As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Nancy Tenenbaum's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
8 credits, 7 with a MovieCove page.

Focker-in-Law (not in the MovieCove catalog yet)(2026)

Little Fockers(2010)
Midcredits score: 17th percentile of all films
Meet the Fockers(2004)
Midcredits score: 50th percentile of all films
Meet the Parents(2000)
Midcredits score: 81st percentile of all films
The Daytrippers(1996)
Midcredits score: 86th percentile of all films
Mac(1992)
Midcredits score: 49th percentile of all films
The Rapture(1991)
Midcredits score: 57th percentile of all films
Sex, Lies, and Videotape(1989)
Midcredits score: 89th percentile of all films
Career shape
A full career of 8 titles, 7 of them dated from 1989 to 2010.

Biggest box office
Meet the Fockers (2004)

Highest rated
Sex, Lies, and Videotape (1989)

Most popular right now
Meet the Fockers (2004)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Nancy Tenenbaum's films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up3
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
4 of their 7 titles are Crowd Pleasers.
- Crowd Pleaser4
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Nancy Tenenbaum's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Nancy Tenenbaum work with?
People who share at least 2 of Nancy Tenenbaum's MovieCove titles, grouped by what they did on them; Jay Roach shares the most, 2.
Directors
- Jay RoachShared titles: Meet the Fockers (2004), Meet the Parents (2000)See all 2 shared titles with Jay Roach

Writers
- Greg GliennaShared titles: Meet the Fockers (2004), Meet the Parents (2000)See all 2 shared titles with Greg Glienna

- Jim HerzfeldShared titles: Meet the Fockers (2004), Meet the Parents (2000)See all 2 shared titles with Jim Herzfeld

- John HamburgShared titles: Meet the Fockers (2004), Meet the Parents (2000)See all 2 shared titles with John Hamburg

- Mary Ruth ClarkeShared titles: Meet the Fockers (2004), Meet the Parents (2000)See all 2 shared titles with Mary Ruth Clarke
Actors
- Ben StillerShared titles: Meet the Fockers (2004), Meet the Parents (2000)See all 2 shared titles with Ben Stiller

- Blythe DannerShared titles: Meet the Fockers (2004), Meet the Parents (2000)See all 2 shared titles with Blythe Danner

- Owen WilsonShared titles: Meet the Fockers (2004), Meet the Parents (2000)See all 2 shared titles with Owen Wilson

- Robert De NiroShared titles: Meet the Fockers (2004), Meet the Parents (2000)See all 2 shared titles with Robert De Niro

Composers and editors
- Jon PollShared titles: Meet the Fockers (2004), Meet the Parents (2000)See all 2 shared titles with Jon Poll

- Randy NewmanShared titles: Meet the Fockers (2004), Meet the Parents (2000)See all 2 shared titles with Randy Newman

Producers
- Amy SayresShared titles: Meet the Fockers (2004), Meet the Parents (2000)See all 2 shared titles with Amy Sayres
- Jane RosenthalShared titles: Meet the Fockers (2004), Meet the Parents (2000)See all 2 shared titles with Jane Rosenthal

- Nick WechslerShared titles: The Rapture (1991), Sex, Lies, and Videotape (1989)See all 2 shared titles with Nick Wechsler

Mixed roles
- Steven SoderberghShared titles: The Daytrippers (1996), Sex, Lies, and Videotape (1989)See all 2 shared titles with Steven Soderbergh

