Hannah Taylor Gordon

Actor · Born March 6, 1987 (39) · London, England, UK

From Wikipedia, the free encyclopedia Hannah Taylor-Gordon (born 6 March 1987) is an English actress. Best known for her role as the title character in Anne Frank: The Whole Story for which she received both an Emmy and a Golden Globe nomination. She has appeared with small roles in Academy Award-nominated movies like Four Weddings and a Funeral (1994) and Mary Shelley's Frankenstein (1994). She studies in LAMDA, an acting school of London. Description above from the Wikipedia article Hannah Taylor-Gordon, licensed under CC-BY-SA, full list of contributors on Wikipedia.

What are Hannah Taylor Gordon's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Ideas.

Themes

share of theme weight

Morality

22%

Ideas

22%

Bonds

18%

Self

13%

Survival

13%

Society

11%

Romantic love2

What they feel like to watch

their average across 4 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 0 · Wry 0 · Earnest 4

Serious

Tone · Weight

lightdark

Light 1 · Serious 2 · Dark 1

Stylized

Tone · Style

naturalisticheightened

Grounded 1 · Stylized 3 · Heightened 0

Charged

Feel · Intensity

gentleintense

Gentle 1 · Charged 3 · Intense 0

Shifting

Feel · Swings

steadyswings

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced

Feel · Humor

noneconstant

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn

Demand · Pace

slowrelentless

Slow burn 3 · Even-paced 1 · Relentless 0

Engaged

Demand · Attention

casualfull focus

Casual 1 · Engaged 3 · Full focus 0

Affecting

Demand · Emotional cost

easyheavy

Easy watch 1 · Affecting 2 · Heavy 1

Resolved

Demand · Resolution

resolvedambiguous

Resolved 3 · Open-ended 1 · Ambiguous 0

Roles they play

1 analyzed role

Heroas Mary Shelley in Frankenstein and the Vampyre: A Dark and Stormy Night (2014)

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense

3

Romantic

2

Melancholic

2

Contemplative

2

Bittersweet

1

Other

2

How their films linger

Bittersweet3 Thought-provoking2 Wistful2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hannah Taylor Gordon's films?

As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Also on these channels

Howdy1 title, show their title on Howdy
Marquee TV1 title, show their title on Marquee TV
Sony Pictures Core1 title, show their title on Sony Pictures Core
UP Faith & Family1 title, show their title on UP Faith & Family

Subscription and free streaming for Hannah Taylor Gordon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 8 with a MovieCove page.

Frankenstein and the Vampyre: A Dark and Stormy Night(2014)
as Mary Shelley
Midcredits score: 73rd percentile of all films
The Ten Commandments(2006)
Show 2 episodes · as Rachel
Midcredits score: 5th percentile of all shows
The Fine Art of Love: Mine Ha-Ha (not in the MovieCove catalog yet)(2005)
as Irene
Viper in the Fist (not in the MovieCove catalog yet)(2004)
as Fine
Secret Passage (not in the MovieCove catalog yet)(2004)
as Victoria
Anne Frank: The Whole Story (not in the MovieCove catalog yet)(2001)
Show 2 episodes · as Anne Frank
Mansfield Park(1999)
as Young Fanny
Midcredits score: 77th percentile of all films
Jakob the Liar(1999)
as Lina Kronstein
Midcredits score: 59th percentile of all films
Passion's Way(1999)
as Effie Leath
Midcredits score: 26th percentile of all films
Buffalo Girls (not in the MovieCove catalog yet)(1995)
as Janey
Mary Shelley's Frankenstein(1994)
as Young Elizabeth
Midcredits score: 53rd percentile of all films
Four Weddings and a Funeral(1994)
as Young Bridesmaid - Wedding Two
Midcredits score: 81st percentile of all films
Against All Odds (not in the MovieCove catalog yet)(1994)
Show 1 episode · as Pam
The House of the Spirits(1993)
as Blanca (child)
Midcredits score: 74th percentile of all films
The Tragedy of Macbeth (not in the MovieCove catalog yet)
as Lady Macbeth

Career shape

Star power in the 88^th percentile of 239,109 people with a billed film role, over a full career of 15 titles, 14 of them dated from 1993 to 2014; peak year 2005.

Biggest box office

Mansfield Park (1999)

$5.6M worldwide

Highest rated

Mansfield Park (1999)

Midcredits 77^th

Film career

19932014

Peak 2005 · their film career is on the way up. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.

1993Screen debut· The House of the Spirits

By role

only this rolewith another role

Acting15 of 15 · 66^th

By decade

1990s8 · acting2000s5 · acting2010s1 · acting

Billing

usually 4th · top billed in 0% of 6 roles

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.

How do Hannah Taylor Gordon's films land?

Their typical MovieCove film has a Midcredits score in the 73^rd percentile, the median of all 7; across a limited sample of 4 films with reception data, the typical film sits in the 64^th percentile for acclaim.

Acclaim · how much people like their films

64^thpercentile

Typical film, the median of 4

Approval · how many liked their films

60^thpercentile

Typical film, the median of 4

Reach · how many have seen their films

56^thpercentile

Typical film, the median of 4

Midcredits score across 8 titles, by percentile

75^th and up2
50^th to 74^th4
25^th to 49^th1
Below 25^th1

Shape of the crowd

5 of their 8 titles are Crowd Pleasers.

Crowd Pleaser5
Mixed3

Most divisive · actor

Passion's Way (1999)

61^st percentile spread · 24% rated it 4 or lower

Most loved · actor

Four Weddings and a Funeral (1994)

Midcredits 81^st · 72% liked

Reviewers score the acting 64/100 in their films, across 3 reviewed titles; fans 77, detractors 40. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.