Michael Taylor

What are Michael Taylor's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michael Taylor's films?

As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).

• Tubi4 titles, browse their movies on this service
  • Bottle Rocket (1996) · producer · free
  • Last Embrace (1979) · producer · free
  • Hider in the House (1989) · producer · free
  • The Pursuit of D.B. Cooper (1981) · producer · free
• Disney+1 title, browse their movies on this service
  • Phenomenon (1996) · producer
• MGM+1 title, browse their movies on this service
  • Last Embrace (1979) · producer
• Pluto TV1 title, browse their movies on this service
  • Last Embrace (1979) · producer · free

Subscription and free streaming for Michael Taylor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 8 with a MovieCove page.

• 

  Ablution (not in the MovieCove catalog yet)(2017)

  Executive Producer
• 

  Copying Beethoven(2006)

  Producer

  Midcredits score: 67th percentile of all films67^th
• 

  Princess of Thieves(2001)

  Executive Producer

  Midcredits score: 36th percentile of all films36^th
• 

  Instinct(1999)

  Producer

  Midcredits score: 60th percentile of all films60^th
• 

  Phenomenon(1996)

  Producer

  Midcredits score: 59th percentile of all films59^th
• 

  Bottle Rocket(1996)

  Executive Producer

  Midcredits score: 80th percentile of all films80^th
• 

  Hider in the House(1989)

  Producer

  Midcredits score: 40th percentile of all films40^th
• 

  The Pursuit of D.B. Cooper(1981)

  Producer

  Midcredits score: 24th percentile of all films24^th
• 

  Last Embrace(1979)

  Producer

  Midcredits score: 42nd percentile of all films42^nd

Career shape

A full career of 9 titles from 1979 to 2017.

Biggest box office

Phenomenon (1996)

$152M worldwide

Highest rated

Bottle Rocket (1996)

Midcredits 80^th

Most popular right now

Phenomenon (1996)

How do Michael Taylor's films land?

Their typical MovieCove film has a Midcredits score in the 51^st percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 52^nd percentile for acclaim.

Shape of the crowd

None of their 8 titles divides audiences: 4 are Crowd Pleasers.

431

• Crowd Pleaser4
• Broadly Agreed3
• Mixed1

Most loved · producer

Bottle Rocket (1996)

Midcredits 80^th · 71% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Michael Taylor work with?

People who share at least 2 of Michael Taylor's MovieCove titles, grouped by what they did on them; Barbara Boyle shares the most, 3.