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Finn Taylor

Finn Taylor

Writer and director, also producer · Born July 4, 1958 (68) · Oakland, California, USA

Taylor was born in Oakland, California, and lived in Norway for a few years in his childhood. He attended the University of Montana and later San Francisco State University. He studied poetry and play-writing at San Francisco State before moving into screenwriting in 1993. Taylor frequently works and produces films in the San Francisco bay area rather than for major studios in Hollywood and Los Angeles. Taylor told the San Francisco Chronicle, "I feel really strongly that I stay based up here. My roots in San Francisco go way back to when I ran a literary series at Intersection for the Arts. I see no reason to work anywhere else." Taylor has also cited the greater creative control and the ability to make unconventional films as a reason for remaining independent. In 1994, Taylor wrote his first feature film, Pontiac Moon. - IMDb Mini Biography By: yusufpiskin

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Biography from TMDB.

Born
July 4, 1958 (68)
From
Oakland, California, USA
Works as
Writer and director, also producer
Titles
6 on MovieCove
TMDB popularity, last 37 days to Oct 26Down 9% in 30 days

What are Finn Taylor's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 1 · Dark 2

Grounded 3 · Stylized 3 · Heightened 0

Gentle 2 · Charged 4 · Intense 0

A split, not a type: Steady 3 · Shifting 2 · Whiplash 1

Straight-faced 2 · Some laughs 2 · Funny 2

Slow burn 2 · Even-paced 4 · Relentless 0

Casual 5 · Engaged 1 · Full focus 0

A split, not a type: Easy watch 3 · Affecting 1 · Heavy 2

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
4
Hopeful
4
Absurd
2
Romantic
2
Contemplative
1
Other
2

How their films end · 1 with a twist

  • Happy3
  • Bittersweet3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Finn Taylor's films?

As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Finn Taylor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

  • Midcredits score: 78th percentile of all films
  • Unleashed(2016)

    Director · Writer

    Midcredits score: 55th percentile of all films
  • The Darwin Awards(2006)

    Director · Writer

    Midcredits score: 37th percentile of all films
  • Cherish(2002)

    Director · Writer

    Midcredits score: 64th percentile of all films
  • Dream with the Fishes(1997)

    Director · Writer

    Midcredits score: 77th percentile of all films
  • Pontiac Moon(1994)

    Producer · Screenplay · Story

    Midcredits score: 35th percentile of all films

Career shape

A full career of 6 titles from 1994 to 2026.

By role

only this rolewith another role
Directing5 of 6: 0 only directing, 5 with another role · typical Midcredits score64thWriting6 of 6: 1 only writing, 5 with another role · typical Midcredits score60th

6 titles, 5 with more than one role — writing and directing overlap on 5 of them.

By decade

1990s2 · crew2000s2 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Finn Taylor's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 6

Approval · how many liked their films

65thpercentile
Typical film, the median of 6

Reach · how many have seen their films

66thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th2

Reviewers score the dialogue 55/100 and the plot and story 51/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Finn Taylor work with?

People who share at least 2 of Finn Taylor's MovieCove titles, grouped by what they did on them; Rick LeCompte shares the most, 4.

Writers

Actors

Composers, cinematographers and editors

Producers