- Writer and director, also producer
- 11 on MovieCove · 16 credits in all
What are Daniel Taplitz's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 8
Light 5 · Serious 5 · Dark 1
Grounded 8 · Stylized 3 · Heightened 0
Gentle 4 · Charged 6 · Intense 1
Steady 4 · Shifting 5 · Whiplash 2
Straight-faced 3 · Some laughs 6 · Funny 2
Slow burn 3 · Even-paced 8 · Relentless 0
Casual 7 · Engaged 4 · Full focus 0
A split, not a type: Easy watch 7 · Affecting 3 · Heavy 1
Resolved 8 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy3
- Bittersweet5
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniel Taplitz's films?
As of October 24, 2026, 4 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Daniel Taplitz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 11 with a MovieCove page.
Dybbuk (not in the MovieCove catalog yet)(2017)
Red Dog: True Blue(2016)
Midcredits score: 61st percentile of all films
Crap You! (not in the MovieCove catalog yet)(2016)
Midcredits score: 26th percentile of all films
Red Dog(2011)
Midcredits score: 89th percentile of all films
Chaos Theory(2007)
Midcredits score: 59th percentile of all films
Breakin' All the Rules(2004)
Midcredits score: 31st percentile of all films
WW 3(2001)
Midcredits score: 12th percentile of all films
Black River(2001)
Midcredits score: 38th percentile of all films
Little Richard(2000)
Midcredits score: 70th percentile of all films
Commandments(1997)
Midcredits score: 30th percentile of all films
Black Magic (not in the MovieCove catalog yet)(1992)
Nightlife(1989)
Midcredits score: 35th percentile of all films
The Squeeze(1987)
Midcredits score: 11th percentile of all filmsPerhaps Love (not in the MovieCove catalog yet)(1984)
The Paris Trap (not in the MovieCove catalog yet)
Career shape
A full career of 16 titles, 15 of them dated from 1984 to 2017.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Daniel Taplitz's films land?
Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 34th percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th5
- Below 25th2
Shape of the crowd
6 of their 11 titles are Mixed.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed6
Reviewers score the dialogue 48/100 and the plot and story 42/100 in their films, across 11 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Daniel Taplitz's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Daniel Taplitz work with?
People who share at least 2 of Daniel Taplitz's MovieCove titles, grouped by what they did on them; Kriv Stenders shares the most, 2.
Directors
- Kriv StendersShared titles: Red Dog: True Blue (2016), Red Dog (2011)See all 2 shared titles with Kriv Stenders
Composers, cinematographers and editors
- Cezary SkubiszewskiShared titles: Red Dog: True Blue (2016), Red Dog (2011)See all 2 shared titles with Cezary Skubiszewski
- Geoffrey HallShared titles: Red Dog: True Blue (2016), Red Dog (2011)See all 2 shared titles with Geoffrey Hall
- Jill BilcockShared titles: Red Dog: True Blue (2016), Red Dog (2011)See all 2 shared titles with Jill Bilcock
- J. Peter RobinsonShared titles: Black River (2001), WW 3 (2001)See all 2 shared titles with J. Peter Robinson
Producers
- Graham BurkeShared titles: Red Dog: True Blue (2016), Red Dog (2011)See all 2 shared titles with Graham Burke
- Joel PearlmanShared titles: Red Dog: True Blue (2016), Red Dog (2011)See all 2 shared titles with Joel Pearlman
- Marc van BuurenShared titles: Red Dog: True Blue (2016), Red Dog (2011)See all 2 shared titles with Marc van Buuren
- Nelson WossShared titles: Red Dog: True Blue (2016), Red Dog (2011)See all 2 shared titles with Nelson Woss
