Stefano Strucchi
- Writer
- 6 on MovieCove · 26 credits in all
What are Stefano Strucchi's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 3 · Earnest 1
Light 3 · Serious 2 · Dark 0
Grounded 0 · Stylized 4 · Heightened 1
Gentle 2 · Charged 2 · Intense 1
Steady 2 · Shifting 2 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 3
Slow burn 0 · Even-paced 5 · Relentless 0
Casual 4 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 2 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet3
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Stefano Strucchi's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Stefano Strucchi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 6 with a MovieCove page.
Once Upon a Crime...(1992)
Midcredits score: 34th percentile of all films
Languidi baci... perfide carezze (not in the MovieCove catalog yet)(1976)
The Couples (not in the MovieCove catalog yet)(1970)
Transplant (not in the MovieCove catalog yet)(1970)
Oh, Grandmother's Dead (not in the MovieCove catalog yet)(1969)
Commandos(1968)
Midcredits score: 28th percentile of all films
Midcredits score: 36th percentile of all films
Il marito è mio e l'ammazzo quando mi pare (not in the MovieCove catalog yet)(1968)
Anyone Can Play (not in the MovieCove catalog yet)(1967)
Our Husbands (not in the MovieCove catalog yet)(1966)
The Mandrake (not in the MovieCove catalog yet)(1965)
The Magnificent Cuckold(1964)
Midcredits score: 77th percentile of all films
Easy Love (not in the MovieCove catalog yet)(1964)
The Girl from Parma (not in the MovieCove catalog yet)(1963)
La banda Casaroli (not in the MovieCove catalog yet)(1962)
Il mio amico Benito (not in the MovieCove catalog yet)(1962)
The Orderly (not in the MovieCove catalog yet)(1961)
The Wonders of Aladdin(1961)
Midcredits score: 20th percentile of all films
The Revolt of the Slaves(1960)
Midcredits score: 19th percentile of all films
...And Suddenly It's Murder! (not in the MovieCove catalog yet)(1960)
Sogno a Venezia (not in the MovieCove catalog yet)(1958)
Four of the Thundering Jet (not in the MovieCove catalog yet)(1955)
Der goldene Falke (not in the MovieCove catalog yet)(1955)
Destinazione Piovarolo (not in the MovieCove catalog yet)(1955)
Non scherzare con le donne (not in the MovieCove catalog yet)(1955)
Il bivio (not in the MovieCove catalog yet)(1951)
Career shape
A full career of 26 titles from 1951 to 1992.
Biggest box office
Once Upon a Crime... (1992)
Highest rated
The Magnificent Cuckold (1964)
Most popular right now
Once Upon a Crime... (1992)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Stefano Strucchi's films land?
Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 34th percentile for acclaim.
- 75th and up1
- 25th to 49th3
- Below 25th2
Shape of the crowd
None of their 6 titles divides audiences: 3 are Mixed.
- Crowd Pleaser1
- Broadly Agreed2
- Mixed3
Reviewers score the dialogue 44/100 and the plot and story 48/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Stefano Strucchi work with?
People who share at least 2 of Stefano Strucchi's MovieCove titles, grouped by what they did on them; Duccio Tessari shares the most, 2.
Writers
- Duccio TessariShared titles: The Wonders of Aladdin (1961), The Revolt of the Slaves (1960)See all 2 shared titles with Duccio Tessari
Composers and editors
- Eraldo Da RomaShared titles: The Magnificent Cuckold (1964), The Revolt of the Slaves (1960)See all 2 shared titles with Eraldo Da Roma
- Angelo Francesco LavagninoShared titles: The Wonders of Aladdin (1961), The Revolt of the Slaves (1960)See all 2 shared titles with Angelo Francesco Lavagnino
Producers
- Alfonso SansoneShared titles: Commandos (1968), The Magnificent Cuckold (1964)See all 2 shared titles with Alfonso Sansone
- Henryk ChroscickiShared titles: Commandos (1968), The Magnificent Cuckold (1964)See all 2 shared titles with Henryk Chroscicki