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Robert Stitzel

Writer

Works as
Writer
Titles
4 on MovieCove · 5 credits in all
TMDB popularity, last 37 days to Oct 26Down 21% in 30 days

What are Robert Stitzel's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

Themes

share of theme weight
Bonds
33%
Power
23%
Survival
16%
Ideas
13%
Society
8%
Morality
7%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 1 · Dark 2

Grounded 3 · Stylized 1 · Heightened 0

Gentle 1 · Charged 3 · Intense 0

Steady 0 · Shifting 4 · Whiplash 0

A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 1

Slow burn 0 · Even-paced 4 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Warm
2
Contemplative
2
Joyful
1
Melancholic
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert Stitzel's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Robert Stitzel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 4 with a MovieCove page.

  • Eyes of an Angel(1991)

    Writer

    Midcredits score: 37th percentile of all films
  • Distant Thunder(1988)

    Story · Writer

    Midcredits score: 38th percentile of all films
  • Brainstorm(1983)

    Screenplay

    Midcredits score: 58th percentile of all films
  • Midcredits score: 49th percentile of all films
  • James Thurber’s The Night the Ghost Got In (not in the MovieCove catalog yet)(1976)

    Director · Adaptation

Career shape

A full career of 5 titles from 1976 to 1991.

By role

only this rolewith another role
Directing1 of 5: 0 only directing, 1 with another roleWriting5 of 5: 4 only writing, 1 with another role

By decade

1970s2 · crew1980s2 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Robert Stitzel's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 4

Approval · how many liked their films

34thpercentile
Typical film, the median of 4

Reach · how many have seen their films

61stpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th1
  • 25th to 49th3

Reviewers score the dialogue 36/100 and the plot and story 43/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.