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Jim Stewart

Jim Stewart

Editor

Works as
Editor
Titles
18 on MovieCove · 22 credits in all
TMDB popularity, last 155 days to Oct 26Up 24% in 30 days

What are Jim Stewart's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 3 · Dark 2

Grounded 5 · Stylized 5 · Heightened 1

Gentle 2 · Charged 8 · Intense 1

Steady 2 · Shifting 8 · Whiplash 1

Straight-faced 3 · Some laughs 4 · Funny 4

Slow burn 4 · Even-paced 7 · Relentless 0

Casual 7 · Engaged 4 · Full focus 0

Resolved 10 · Open-ended 1 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jim Stewart's films?

As of October 24, 2026, 13 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Jim Stewart's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 18 with a MovieCove page.

  • The Stamp Thief (not in the MovieCove catalog yet)(2025)

    Editor

  • City on a Hill(2019)

    Show 4 episodes · Editor

    Midcredits score: 79th percentile of all shows
  • Sublime (not in the MovieCove catalog yet)(2019)

    Editor

  • Instinct(2018)

    Show 4 episodes · Editor

    Midcredits score: 40th percentile of all shows
  • Quantico(2015)

    Show 3 episodes · Editor

    Midcredits score: 32nd percentile of all shows
  • Live!(2007)

    Editor

    Midcredits score: 35th percentile of all films
  • Valiant(2005)

    Editor

    Midcredits score: 19th percentile of all films
  • Monsters, Inc.(2001)

    Editor

    Midcredits score: 99th percentile of all films
  • Law & Order: Criminal Intent(2001)

    Show 12 episodes · Editor

    Midcredits score: 75th percentile of all shows
  • Toy Story 2(1999)

    Additional Editing

    Midcredits score: 98th percentile of all films
  • Law & Order: Special Victims Unit(1999)

    Show 64 episodes · Editor

    Midcredits score: 88th percentile of all shows
  • Midcredits score: 15th percentile of all films
  • Midcredits score: 44th percentile of all films
  • Midcredits score: 48th percentile of all films
  • Death on the Job (not in the MovieCove catalog yet)(1991)

    Editor

  • Law & Order(1990)

    Show 28 episodes · Editor

    Midcredits score: 79th percentile of all shows
  • Powwow Highway(1989)

    Editor

    Midcredits score: 88th percentile of all films
  • Crack USA: County Under Siege (not in the MovieCove catalog yet)(1989)

    Editor

  • The Nest(1987)

    Editor

    Midcredits score: 21st percentile of all films
  • Munchies(1987)

    Editor

    Midcredits score: 5th percentile of all films
  • Midcredits score: 8th percentile of all films
  • Choices(1981)

    Editor

    Midcredits score: 4th percentile of all films

Career shape

A full career of 20 titles from 1987 to 2025.

By role

only this rolewith another role
Editing19 of 20: 19 only editing, 0 with another role · typical Midcredits score44thOther crew1 of 20: 1 only other crew, 0 with another role

By decade

1980s4 · crew1990s7 · crew2000s4 · crew2010s4 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jim Stewart's films land?

Their typical MovieCove film has a Midcredits score in the 28th percentile, the median of all 12; across their 11 films with reception data, the typical film sits in the 28th percentile for acclaim.

Acclaim · how much people like their films

28thpercentile
Typical film, the median of 11

Approval · how many liked their films

18thpercentile
Typical film, the median of 11

Reach · how many have seen their films

75thpercentile
Typical film, the median of 11

Midcredits score across 18 titles, by percentile

  • 75th and up7
  • 25th to 49th5
  • Below 25th6

Shape of the crowd

8 of their 18 titles are Mixed.

  • Universally Loved3
  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser4
  • Broadly Agreed1
  • Mixed8

Reviewers score the pacing 48/100 in their films, across 9 reviewed titles; fans 66, detractors 28. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jim Stewart's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore4 titlesmedian 43 · moderateMedian of all films: 44
Sex & Nudity4 titlesmedian 18 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Jim Stewart work with?

People who share at least 2 of Jim Stewart's MovieCove titles, grouped by what they did on them; Michael Dinner shares the most, 2.

Directors

Producers