Paul Sirmons

What are Paul Sirmons' films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Paul Sirmons' films?

As of October 24, 2026, 7 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (6).

• Tubi6 titles, browse their movies on this service
  • Te Ata (2016) · producer · free
  • The Way Back Home (2006) · producer · free
  • Grace and Gravity (2018) · producer · free
  • Home Run (2013) · producer · free
  • Dunsmore (2003) · producer · free
  • Killjoy (1981) · second assistant director · free
• Prime Video3 titles, browse their movies on this service
  • The Way Back Home (2006) · producer
  • Grace and Gravity (2018) · producer
  • Killjoy (1981) · second assistant director
• Peacock2 titles, browse their movies on this service
  • Te Ata (2016) · producer
  • Montford: The Chickasaw Rancher (2021) · producer
• The Roku Channel2 titles, browse their movies on this service
  • The Way Back Home (2006) · producer · free
  • Killjoy (1981) · second assistant director · free

Subscription and free streaming for Paul Sirmons' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 9 with a MovieCove page.

• 

  Montford: The Chickasaw Rancher(2021)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Grace and Gravity(2018)

  Producer

  Midcredits score: 52nd percentile of all films (provisional, few ratings)~52^nd
• 

  Te Ata(2016)

  Producer

  Midcredits score: 85th percentile of all films85^th
• 

  To Write Love on Her Arms(2012)

  Line Producer

  Midcredits score: 63rd percentile of all films63^rd
• 

  Home Run(2013)

  Producer

  Midcredits score: 46th percentile of all films46^th
• 

  The Way Back Home(2006)

  Producer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Dunsmore(2003)

  Producer

  Midcredits score: 44th percentile of all films44^th
• 

  Small Town Conspiracy (not in the MovieCove catalog yet)(2003)

  Producer
• 

  The First of May(1999)

  Director · Producer

  Midcredits score: 76th percentile of all films76^th
• 

  Killjoy(1981)

  Second Assistant Director

  Midcredits score: 40th percentile of all films40^th
• 

  Rodeo Girl (not in the MovieCove catalog yet)(1980)

  Second Assistant Director

Career shape

A full career of 7 titles from 1980 to 2017.

Biggest box office

Home Run (2013)

$2.9M worldwide

Highest rated

Te Ata (2016)

Midcredits 85^th

How do Paul Sirmons' films land?

Their typical MovieCove film has a Midcredits score in the 53^rd percentile, the median of all 9; across their 7 films with reception data, the typical film sits in the 55^th percentile for acclaim.

Shape of the crowd

5 of their 9 titles are Crowd Pleasers.

52

• Divisive1
• Cult Classic1
• Crowd Pleaser5
• Mixed2

Most divisive · producer

Grace and Gravity (2018)

98^th percentile spread · 40% rated it 4 or lower

Most loved · producer

Te Ata (2016)

Midcredits 85^th · 77% liked

Reviewers score the atmosphere 57/100 and the pacing 48/100 in their films, across 6 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Paul Sirmons work with?

People who share at least 2 of Paul Sirmons' MovieCove titles, grouped by what they did on them; Ralph Clemente shares the most, 3.