Bob Simmons (Fulham, London, England, 31 March 1923 – 21 October 1987) was an English actor and stunt man who worked in many British-made films, most notably the James Bond series. Simmons was a former Army Physical Training Instructor at Royal Military Academy Sandhurst who had initially planned to be an actor but thought a career in performing stunts would be more lucrative and interesting. Simmons first worked for Albert R. Broccoli and Irving Allen's Warwick Films on the film The Red Beret, which included future Bond film regulars director Terence Young, screenwriter Richard Maibaum and cameraman, later director of photography Ted Moore. Simmons later worked in many other Warwick Films and worked for Allen in his The Long Ships and Genghis Khan, where he had his eye injured when kicked by a horse. When Albert R. Broccoli began to produce the James Bond films, Simmons tested as an actor for the Bond role, but until his death in 1987, he became the stunt coordinator for every Bond film except From Russia with Love, which he joined later in the production, On Her Majesty's Secret Service and The Man with the Golden Gun. He appeared in the gun barrel sequence for Sean Connery in three James Bond films: Dr. No, From Russia with Love, and Goldfinger. Simmons is the only person to officially perform the scene, while not starring in the main role of James Bond. Simmons was also Connery's stunt double. Simmons also had a role as SPECTRE agent Jacques Bouvar in the pre-title sequence of the fourth film, Thunderball. Simmons developed a stunt technique involving trampolines, first used in You Only Live Twice, whereby stuntmen would bounce off a trampoline in concert with a triggered explosion so as to simulate being blown into the air. This was used in many other films, including by Simmons again in The Wild Geese, where Simmons also doubled for Richard Burton. Upon retirement, Simmons wrote an autobiography entitled Nobody Does It Better titled after the theme song for the 1977 Bond film The Spy Who Loved Me. He died on 21 October 1987.
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Biography from TMDB.
- March 31, 1922
- October 21, 1987 (aged 65)
- Fulham, London, England
- Actor, also producer
- 29 on MovieCove · 36 credits in all
Known for
What are Bob Simmons' films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 2 · Dark 1
Grounded 3 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 1
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Bob Simmons' films?
As of October 24, 2026, 19 of their 29 MovieCove titles stream on a subscription or free service, most on Prime Video (11).
- Goldfinger (1964) · actor
- Dr. No (1962) · actor
- The Wild Geese (1978) · stunts
- You Only Live Twice (1967) · stunt double
- Live and Let Die (1973) · stunts
- For Your Eyes Only (1981) · actor
- Octopussy (1983) · stunts
- Diamonds Are Forever (1971) · stunts
- The Wilby Conspiracy (1975) · stunts
- Moonraker (1979) · actor
- A View to a Kill (1985) · stunt coordinator
- A Night to Remember (1958) · actor · free
- The Man Who Would Be King (1975) · stunts · free
- The Final Option (1982) · stunt coordinator · free
- The Wilby Conspiracy (1975) · stunts · free
- Jamaica Inn (1939) · stunts · free
- The Man Called Noon (1973) · producer · free
- Bad Blonde (1953) · actor · free
- The Next Man (1976) · actor · free
Subscription and free streaming for Bob Simmons' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
36 credits, 29 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

A View to a Kill(1985)
Midcredits score: 47th percentile of all films
Octopussy(1983)
Midcredits score: 58th percentile of all films
Midcredits score: 53rd percentile of all films (provisional, few ratings)
James Bond in India (not in the MovieCove catalog yet)(1983)

The Final Option(1982)
Midcredits score: 61st percentile of all films
The Wall (not in the MovieCove catalog yet)(1982)

For Your Eyes Only(1981)
Midcredits score: 67th percentile of all films
Moonraker(1979)
Midcredits score: 49th percentile of all films
The Wild Geese(1978)
Midcredits score: 75th percentile of all films
The Spy Who Loved Me(1977)
Midcredits score: 81st percentile of all films
The Next Man(1976)
Midcredits score: 13th percentile of all films
Montana Trap (not in the MovieCove catalog yet)(1976)
Midcredits score: 96th percentile of all films
The Wilby Conspiracy(1975)
Midcredits score: 56th percentile of all films
Caravan to Vaccarès (not in the MovieCove catalog yet)(1974)

Live and Let Die(1973)
Midcredits score: 68th percentile of all films
The Man Called Noon(1973)
Midcredits score: 37th percentile of all films
Diamonds Are Forever(1971)
Midcredits score: 58th percentile of all films
Murphy's War(1971)
Midcredits score: 70th percentile of all films
You Only Live Twice(1967)
Midcredits score: 72nd percentile of all films
Thunderball(1965)
Midcredits score: 75th percentile of all films
Goldfinger(1964)
Midcredits score: 96th percentile of all films
From Russia with Love(1963)
Midcredits score: 91st percentile of all films
Dr. No(1962)
Midcredits score: 87th percentile of all films
The Road to Hong Kong(1962)
Midcredits score: 54th percentile of all films
The Guns of Navarone(1961)
Midcredits score: 94th percentile of all films
The Secret Ways(1961)
Midcredits score: 44th percentile of all films
Fury at Smugglers' Bay (not in the MovieCove catalog yet)(1961)

The Great Van Robbery(1959)
Midcredits score: 20th percentile of all films
A Night to Remember(1958)
Midcredits score: 97th percentile of all films
Tank Force! (not in the MovieCove catalog yet)(1958)

Billete para Tánger (not in the MovieCove catalog yet)(1955)

The Black Knight(1954)
Midcredits score: 24th percentile of all films
The Sword and the Rose(1953)
Midcredits score: 55th percentile of all films
Bad Blonde(1953)
Midcredits score: 27th percentile of all films
Jamaica Inn(1939)
Midcredits score: 48th percentile of all films
Career shape
Star power in the 73rd percentile of 239,109 people with a billed film role, over a full career of 35 titles from 1939 to 1985; peak year 1962.
Film career
Peak 1962 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1962Screen debut· The Road to Hong Kong
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Bob Simmons' films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 29; across a limited sample of 4 films with reception data, the typical film sits in the 37th percentile for acclaim.
- 75th and up9
- 50th to 74th11
- 25th to 49th6
- Below 25th3
Shape of the crowd
17 of their 29 titles are Crowd Pleasers.
- Universally Loved4
- Cult Classic1
- Crowd Pleaser17
- Broadly Agreed5
- Mixed2
Reviewers score the acting 62/100 in their films, across 3 reviewed titles; fans 75, detractors 40. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.



