Giorgio Silvagni

What are Giorgio Silvagni's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Giorgio Silvagni's films?

As of October 24, 2026, 2 of their 9 MovieCove titles stream on a subscription or free service.

• Prime Video1 title, browse their movies on this service
  • Black and White in Color (1976) · producer
• The Criterion Channel1 title, browse their movies on this service
  • That Night in Varennes (1982) · producer
• The Roku Channel1 title, browse their movies on this service
  • Black and White in Color (1976) · producer · free
• Tubi1 title, browse their movies on this service
  • Black and White in Color (1976) · producer · free

Subscription and free streaming for Giorgio Silvagni's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 9 with a MovieCove page.

• 

  Trilogia: To livadi pou dakryzei(2004)

  Co-Producer · Writer

  Midcredits score: 97th percentile of all films97^th
• 

  Eternity and a Day(1998)

  Co-Writer · Producer

  Midcredits score: 97th percentile of all films97^th
• 

  Ulysses' Gaze(1995)

  Co-Writer · Producer

  Midcredits score: 94th percentile of all films94^th
• 

  Especially on Sunday (not in the MovieCove catalog yet)(1991)

  Producer
• 

  Wait Until Spring, Bandini(1989)

  Executive Producer

  Midcredits score: 47th percentile of all films47^th
• 

  My Brother-in-law Killed My Sister (not in the MovieCove catalog yet)(1986)

  Producer
• 

  Le Bal (not in the MovieCove catalog yet)(1983)

  Producer
• 

  That Night in Varennes(1982)

  Producer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Heat of Desire(1981)

  Producer

  Midcredits score: 30th percentile of all films30^th
• 

  I Sent a Letter to My Love (not in the MovieCove catalog yet)(1980)

  Producer
• 

  Sugar (not in the MovieCove catalog yet)(1978)

  Producer
• 

  The Desert of the Tartars(1976)

  Producer

  Midcredits score: 91st percentile of all films91^st
• 

  Black and White in Color(1976)

  Producer

  Midcredits score: 67th percentile of all films67^th
• 

  Special Section(1975)

  Producer

  Midcredits score: 93rd percentile of all films93^rd

Career shape

A full career of 13 titles from 1975 to 2004.

Biggest box office

Eternity and a Day (1998)

$107K worldwide

Highest rated

Eternity and a Day (1998)

Midcredits 97^th

How do Giorgio Silvagni's films land?

Their typical MovieCove film has a Midcredits score in the 91^st percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 89^th percentile for acclaim.

Shape of the crowd

5 of their 9 titles are Universally Loved.

52

• Universally Loved5
• Crowd Pleaser2
• Broadly Agreed1
• Mixed1

Most divisive · producer

Heat of Desire (1981)

50^th percentile spread · 28% rated it 4 or lower

Most loved · writer, producer

Eternity and a Day (1998)

Midcredits 97^th · 84% liked

Reviewers score the dialogue 55/100 and the plot and story 49/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Giorgio Silvagni work with?

People who share at least 2 of Giorgio Silvagni's MovieCove titles, grouped by what they did on them; Amedeo Pagani shares the most, 4.