Jacques Sigurd

What are Jacques Sigurd's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Power and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jacques Sigurd's films?

As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).

• The Criterion Channel1 title, browse their movies on this service
  • Such a Pretty Little Beach (1949) · writer

Subscription and free streaming for Jacques Sigurd's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Three Rooms in Manhattan(1965)

  Writer

  Midcredits score: 54th percentile of all films54^th
• 

  Sweet Skin(1963)

  Writer

  Midcredits score: 50th percentile of all films50^th
• 

  Lafayette(1962)

  Writer

  Midcredits score: 35th percentile of all films35^th
• 

  Air of Paris(1954)

  Writer

  Midcredits score: 68th percentile of all films68^th
• 

  Lucrèce Borgia(1953)

  Writer

  Midcredits score: 21st percentile of all films21^st
• 

  Such a Pretty Little Beach(1949)

  Writer

  Midcredits score: 86th percentile of all films86^th

Career shape

Across their 6 MovieCove titles from 1949 to 1965.

Highest rated

Such a Pretty Little Beach (1949)

Midcredits 86^th

Most popular right now

Sweet Skin (1963)

How do Jacques Sigurd's films land?

Their typical MovieCove film has a Midcredits score in the 52^nd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 56^th percentile for acclaim.

Shape of the crowd

4 of their 6 titles are Mixed.

24

• Crowd Pleaser2
• Mixed4

Most divisive · writer

Three Rooms in Manhattan (1965)

64^th percentile spread · 17% rated it 4 or lower

Most loved · writer

Such a Pretty Little Beach (1949)

Midcredits 86^th · 76% liked

Reviewers score the dialogue 52/100 and the plot and story 46/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jacques Sigurd work with?

People who share at least 2 of Jacques Sigurd's MovieCove titles, grouped by what they did on them; Maurice Thiriet shares the most, 3.