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Terilyn A. Shropshire

Terilyn A. Shropshire

Editor

Primetime Emmy nominee

Terilyn A. Shropshire is an American motion picture and television editor. She is the daughter of Thomas B. Shropshire, a corporate executive. Her big break as a motion picture editor came when she was hired to cut Eve's Bayou, the auspicious feature directing debut of actress Kasi Lemmons. The film went on to become the highest-grossing independent film of 1997, and it received numerous awards, including Best First Feature at the Independent Spirit Awards. After the success of the film, Spike Lee suggested that she go to director Gina Prince-Bythewood for her breakout film Love & Basketball. She has collaborated with both Lemmons and Prince-Bythewood on nearly all of their films. Shropshire has received an Eddie Award from the American Cinema Editors and has been nominated for an Emmy Award. She has been elected as a member of the American Cinema Editors. Description above from the Wikipedia article Terilyn A. Shropshire, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Works as
Editor
Titles
29 on MovieCove · 34 credits in all
TMDB popularity, last 155 days to Oct 26Up 16% in 30 days

What are Terilyn A. Shropshire's films like?

Across their 22 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 22 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 10 · Dark 10

A split, not a type: Grounded 12 · Stylized 9 · Heightened 1

A split, not a type: Gentle 2 · Charged 9 · Intense 11

Steady 4 · Shifting 14 · Whiplash 4

Straight-faced 17 · Some laughs 4 · Funny 1

Slow burn 8 · Even-paced 13 · Relentless 1

Casual 8 · Engaged 11 · Full focus 3

A split, not a type: Easy watch 4 · Affecting 6 · Heavy 12

Resolved 15 · Open-ended 6 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
16
Melancholic
13
Hopeful
7
Dread
4
Thrilling
4
Other
18

How their films end · 3 with a twist

  • Happy5
  • Bittersweet11
  • Tragic1
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Terilyn A. Shropshire's films?

As of October 24, 2026, 22 of their 29 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Subscription and free streaming for Terilyn A. Shropshire's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 29 with a MovieCove page.

  • Children of Blood and Bone (not in the MovieCove catalog yet)(2027)

    Editor

  • Twisters(2024)

    Editor

    Midcredits score: 64th percentile of all films
  • The Woman King(2022)

    Editor

    Midcredits score: 74th percentile of all films
  • Bruised(2020)

    Editor

    Midcredits score: 57th percentile of all films
  • Cops and Robbers(2020)

    Editor

    Midcredits score: 69th percentile of all films
  • Midcredits score: 84th percentile of all films
  • The Old Guard(2020)

    Editor

    Midcredits score: 72nd percentile of all films
  • When They See Us(2019)

    Show 1 episode · Editor

    Midcredits score: 99th percentile of all shows
  • Miss Bala(2019)

    Editor

    Midcredits score: 35th percentile of all films
  • A Wrinkle in Time(2018)

    Additional Editor

    Midcredits score: 6th percentile of all films
  • Shots Fired(2017)

    Show 1 episode · Editor

    Midcredits score: 35th percentile of all shows
  • Quantico(2015)

    Show 6 episodes · Editor

    Midcredits score: 32nd percentile of all shows
  • Beyond the Lights(2014)

    Editor

    Midcredits score: 77th percentile of all films
  • Among Ravens (not in the MovieCove catalog yet)(2014)

    Editor

  • Black Nativity(2013)

    Editor

    Midcredits score: 25th percentile of all films
  • Sparkle(2012)

    Editor

    Midcredits score: 46th percentile of all films
  • Jumping the Broom(2011)

    Editor

    Midcredits score: 37th percentile of all films
  • Midcredits score: 87th percentile of all films
  • American Violet(2008)

    Editor

    Midcredits score: 76th percentile of all films
  • Talk to Me(2007)

    Editor

    Midcredits score: 86th percentile of all films
  • Waist Deep(2006)

    Editor

    Midcredits score: 39th percentile of all films
  • Midcredits score: 48th percentile of all films
  • Midcredits score: 58th percentile of all films
  • Biker Boyz(2003)

    Editor

    Midcredits score: 17th percentile of all films
  • Midcredits score: 35th percentile of all films
  • Love & Basketball(2000)

    Editor

    Midcredits score: 89th percentile of all films
  • Mean Streak (not in the MovieCove catalog yet)(1999)

    Editor

  • The Joyriders (not in the MovieCove catalog yet)(1999)

    Editor

  • Eve's Bayou(1997)

    Editor

    Midcredits score: 86th percentile of all films
  • Another 9½ Weeks(1997)

    Editor

    Midcredits score: 2nd percentile of all films
  • Poison Ivy II(1996)

    Editor

    Midcredits score: 9th percentile of all films
  • Strange Days(1995)

    Assistant Editor

    Midcredits score: 87th percentile of all films
  • Midcredits score: 9th percentile of all films
  • Book of Joe (not in the MovieCove catalog yet)(1984)

    Editor

Career shape

A full career of 33 titles, 32 of them dated from 1984 to 2024.

By role

only this rolewith another role
Editing32 of 33: 32 only editing, 0 with another role · typical Midcredits score48thOther crew1 of 33: 1 only other crew, 0 with another role

By decade

1980s1 · crew1990s7 · crew2000s8 · crew2010s10 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for a Primetime Emmy in 2002, Outstanding Multi-Camera Picture Editing for a Miniseries, Movie or a Special.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Terilyn A. Shropshire's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 26; across their 22 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 22

Approval · how many liked their films

55thpercentile
Typical film, the median of 22

Reach · how many have seen their films

87thpercentile
Typical film, the median of 22

Midcredits score across 29 titles, by percentile

  • 75th and up9
  • 50th to 74th6
  • 25th to 49th9
  • Below 25th5

Reviewers score the pacing 43/100 in their films, across 20 reviewed titles; fans 52, detractors 29. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Terilyn A. Shropshire's work okay for kids?

Across up to 14 MovieCove titles with content scores, violence & gore, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore11 titles53–83 · median 64 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity14 titles22–69 · median 36 · moderatenear the median of all filmsMedian of all films: 32
Profanity9 titles35–86 · median 51 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles24–67 · median 48 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense9 titles38–64 · median 58 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Terilyn A. Shropshire work with?

People who share at least 2 of Terilyn A. Shropshire's MovieCove titles, grouped by what they did on them; Terence Blanchard shares the most, 6.

Directors

Actors

Composers and cinematographers

Producers

Mixed roles