Masahiro Shinoda

What are Masahiro Shinoda's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Masahiro Shinoda's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, on The Criterion Channel (4).

• The Criterion Channel4 titles, browse their movies on this service
  • Double Suicide (1969) · director, writer, producer
  • Ballad of Orin (1977) · director, writer
  • Under the Blossoming Cherry Trees (1975) · director, writer
  • Demon Pond (1979) · director

Subscription and free streaming for Masahiro Shinoda's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Demon Pond(1979)

  Director

  Midcredits score: 80th percentile of all films80^th
• 

  Ballad of Orin(1977)

  Director · Writer

  Midcredits score: 90th percentile of all films90^th
• 

  Under the Blossoming Cherry Trees(1975)

  Director · Writer

  Midcredits score: 89th percentile of all films89^th
• 

  Double Suicide(1969)

  Director · Producer · Writer

  Midcredits score: 92nd percentile of all films92^nd

Career shape

Across a limited sample of 4 MovieCove titles from 1969 to 1979.

Highest rated

Double Suicide (1969)

Midcredits 92^nd

How do Masahiro Shinoda's films land?

Their typical MovieCove film has a Midcredits score in the 90^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 88^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

13

• Universally Loved1
• Crowd Pleaser3

Most loved · director, writer, producer

Double Suicide (1969)

Midcredits 92^nd · 80% liked

Reviewers score the atmosphere 84/100 and the pacing 44/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Masahiro Shinoda work with?

People who share at least 2 of Masahiro Shinoda's MovieCove titles, grouped by what they did on them; Jun Hamamura shares the most, 4.