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What are Stewart Shields' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Society.

Themes

share of theme weight
Self
58%
Society
15%
Bonds
14%
Survival
14%

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
3
Hopeful
2
Tense
2
Warm
1
Cathartic
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Stewart Shields' films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on discovery+ (2).

Subscription and free streaming for Stewart Shields' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Push Girls(2012)

    Show Producer

    Midcredits score: 19th percentile of all shows
  • Decoded(2010)

    Show Producer

    Midcredits score: 23rd percentile of all shows
  • Surviving Death(2010)

    Show Producer

    Midcredits score: 11th percentile of all shows (provisional, few ratings)
  • Little People, Big World(2006)

    Show Producer

    Midcredits score: 26th percentile of all shows

Career shape

Across a limited sample of 4 MovieCove titles from 2006 to 2012.

By role

only this rolewith another role
Producing4 of 4: 4 only producing, 0 with another role

By decade

2000s1 · crew2010s3 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

Who does Stewart Shields work with?

People who share at least 2 of Stewart Shields' MovieCove titles, grouped by what they did on them; Karin Hoving shares the most, 2.

Cinematographers and editors

Producers