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Jennifer Scudder Trent

Producer

Jennifer Scudder Trent is an American film producer at Blumhouse Productions. She is best known for producing the films The Invisible Man (2020), Freaky (2020), The Black Phone (2021), M3GAN (2022), The Exorcist: Believer (2023), Five Nights at Freddy's (2023), Speak No Evil (2024) and Wolf Man (2025).

Read more

Biography from TMDB.

Works as
Producer
Titles
68 on MovieCove · 70 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 63 days to Oct 26

What are Jennifer Scudder Trent's films like?

Across their 30 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Genres

Horror14 titlesTypical Midcredits score: 22nd percentile
: browse their Horror movies
Drama6 titlesTypical Midcredits score: 36th percentile
: browse their Drama movies
Comedy5 titlesTypical Midcredits score: 49th percentile, at or above their average across these genres
: browse their Comedy movies
Action2 titlesTypical Midcredits score: 45th percentile, at or above their average across these genres
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
30%
Bonds
22%
Morality
18%
Self
18%
Society
5%
Power
5%
Ideas
3%
Family bonds15 titles, browse their movies with this themeIdentity8 titles, browse their movies with this themeTrauma9 titles, browse their movies with this themeSurvival8 titles, browse their movies with this themeDeception4 titles, browse their movies with this themeGrief4 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeCommunity3 titles, browse their movies with this theme

What they feel like to watch

their average across 30 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 4 · Serious 9 · Dark 17

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 17 · Stylized 12 · Heightened 1

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 7 · Intense 22

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 18 · Whiplash 8

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 23 · Some laughs 5 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 24 · Relentless 3

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 21 · Full focus 6

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 1 · Affecting 16 · Heavy 13

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 13 · Open-ended 16 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
27
Dread
21
Melancholic
12
Absurd
4
Thrilling
3
Other
15

How their films linger

Unsettling15 titles, browse their movies with this aftertasteBittersweet10 titles, browse their movies with this aftertasteThought-provoking9 titles, browse their movies with this aftertasteCathartic8 titles, browse their movies with this aftertasteHopeful8 titles, browse their movies with this aftertasteFun4 titles, browse their movies with this aftertaste

How their films end · 17 with a twist

  • Happy3
  • Bittersweet19
  • Tragic1
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jennifer Scudder Trent's films?

As of October 24, 2026, 57 of their 68 MovieCove titles stream on a subscription or free service, most on Peacock (17).

Also on these channels

Subscription and free streaming for Jennifer Scudder Trent's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

70 credits, 68 with a MovieCove page.

  • Insidious: Out of the Further(2026)

    Co-Producer

    Midcredits score: 45th percentile of all films

  • Soulm8te(2026)

    Co-Producer

    Midcredits score: 33rd percentile of all films

  • Strung(2026)

    Co-Producer

    Midcredits score: 29th percentile of all films

  • Lee Cronin's The Mummy(2026)

    Co-Producer

    Midcredits score: 48th percentile of all films

  • Five Nights at Freddy's 2(2025)

    Co-Producer

    Midcredits score: 27th percentile of all films

  • Black Phone 2(2025)

    Co-Producer

    Midcredits score: 49th percentile of all films

  • M3GAN 2.0(2025)

    Co-Producer

    Midcredits score: 45th percentile of all films

  • Drop(2025)

    Co-Producer

    Midcredits score: 45th percentile of all films

  • The Woman in the Yard(2025)

    Co-Producer

    Midcredits score: 12th percentile of all films

  • Wolf Man(2025)

    Co-Producer

    Midcredits score: 21st percentile of all films

  • Speak No Evil(2024)

    Co-Producer

    Midcredits score: 76th percentile of all films

  • Afraid(2024)

    Co-Producer

    Midcredits score: 11th percentile of all films

  • Imaginary(2024)

    Co-Producer

    Midcredits score: 9th percentile of all films

  • Night Swim(2024)

    Co-Producer

    Midcredits score: 9th percentile of all films

  • Five Nights at Freddy's(2023)

    Co-Producer

    Midcredits score: 39th percentile of all films

  • The Exorcist: Believer(2023)

    Co-Producer

    Midcredits score: 12th percentile of all films

  • Insidious: The Red Door(2023)

    Co-Producer

    Midcredits score: 24th percentile of all films

  • M3GAN(2022)

    Co-Producer

    Midcredits score: 59th percentile of all films

  • Halloween Ends(2022)

    Co-Producer

    Midcredits score: 13th percentile of all films

  • Vengeance(2022)

    Co-Producer

    Midcredits score: 76th percentile of all films

  • They/Them(2022)

    Co-Producer

    Midcredits score: 3rd percentile of all films

  • The Black Phone(2021)

    Co-Producer

    Midcredits score: 78th percentile of all films

  • Dashcam(2021)

    Co-Producer

    Midcredits score: 10th percentile of all films

  • Firestarter(2022)

    Co-Producer

    Midcredits score: 6th percentile of all films

  • This Is the Night(2021)

    Co-Producer

    Midcredits score: 27th percentile of all films

  • The Forever Purge(2021)

    Co-Producer

    Midcredits score: 22nd percentile of all films

  • Freaky(2020)

    Co-Producer

    Midcredits score: 58th percentile of all films

  • The Craft: Legacy(2020)

    Co-Producer

    Midcredits score: 11th percentile of all films

  • You Should Have Left(2020)

    Co-Producer

    Midcredits score: 23rd percentile of all films

  • The Hunt(2020)

    Co-Producer

    Midcredits score: 67th percentile of all films

  • The Invisible Man(2020)

    Co-Producer

    Midcredits score: 82nd percentile of all films

  • Fantasy Island(2020)

    Co-Producer

    Midcredits score: 9th percentile of all films

  • Run Sweetheart Run(2020)

    Co-Producer

    Midcredits score: 26th percentile of all films

  • Black Christmas(2019)

    Co-Producer

    Midcredits score: 1st percentile of all films

  • Don't Let Go(2019)

    Co-Producer

    Midcredits score: 60th percentile of all films

  • Ma(2019)

    Co-Producer

    Midcredits score: 26th percentile of all films

  • Fighting with My Family(2019)

    Post Production Supervisor

    Midcredits score: 83rd percentile of all films

  • Happy Death Day 2U(2019)

    Co-Producer

    Midcredits score: 49th percentile of all films

  • The Lie(2018)

    Co-Producer

    Midcredits score: 39th percentile of all films

  • The Happytime Murders(2018)

    Post Production Supervisor

    Midcredits score: 21st percentile of all films

  • Truth or Dare(2018)

    Post Production Supervisor

    Midcredits score: 17th percentile of all films

  • Insidious: The Last Key(2018)

    Post Production Supervisor

    Midcredits score: 31st percentile of all films

  • Happy Death Day(2017)

    Post Production Supervisor

    Midcredits score: 65th percentile of all films

  • The Keeping Hours(2017)

    Post Production Supervisor

    Midcredits score: 62nd percentile of all films

  • Lowriders(2016)

    Post Production Supervisor

    Midcredits score: 42nd percentile of all films

  • Get Out(2017)

    Post Production Supervisor

    Midcredits score: 97th percentile of all films

  • Incarnate(2016)

    Post Production Supervisor

    Midcredits score: 15th percentile of all films

  • The Darkness(2016)

    Post Production Supervisor

    Midcredits score: 3rd percentile of all films

  • Jem and the Holograms(2015)

    Post Production Supervisor

    Midcredits score: 14th percentile of all films

  • Curve(2015)

    Post Production Supervisor

    Midcredits score: 20th percentile of all films

  • Sinister 2(2015)

    Post Production Supervisor

    Midcredits score: 20th percentile of all films

  • Insidious: Chapter 3(2015)

    Post Production Supervisor

    Midcredits score: 44th percentile of all films

  • We the Economy: 20 Short Films You Can't Afford to Miss(2014)

    Post Production Supervisor

    Midcredits score: 19th percentile of all films

  • Mercy(2014)

    Post Production Supervisor

    Midcredits score: 11th percentile of all films

  • World War Z(2013)

    Post Production Coordinator

    Midcredits score: 78th percentile of all films

  • Jack Reacher(2012)

    Post Production Coordinator

    Midcredits score: 76th percentile of all films

  • Fun Size(2012)

    Post Production Coordinator

    Midcredits score: 24th percentile of all films

  • Katy Perry: Part of Me(2012)

    Post Production Coordinator

    Midcredits score: 65th percentile of all films

  • The Devil Inside(2012)

    Post Production Supervisor

    Midcredits score: 4th percentile of all films

  • Young Adult(2011)

    Post Production Supervisor

    Midcredits score: 51st percentile of all films

  • Footloose(2011)

    Post Production Coordinator

    Midcredits score: 48th percentile of all films

  • Justin Bieber: Never Say Never(2011)

    Post Production Coordinator

    Midcredits score: 3rd percentile of all films

  • No Strings Attached(2011)

    Post Production Coordinator

    Midcredits score: 46th percentile of all films

  • Morning Glory(2010)

    Post Production Coordinator

    Midcredits score: 60th percentile of all films

  • Up in the Air(2009)

    Post Production Coordinator

    Midcredits score: 91st percentile of all films

  • G.I. Joe: The Rise of Cobra(2009)

    Post Production Coordinator

    Midcredits score: 29th percentile of all films

  • The Haunting(1999)

    Producer's Assistant

    Midcredits score: 14th percentile of all films

  • Small Soldiers(1998)

    Producer's Assistant

    Midcredits score: 57th percentile of all films

  • Alan & Naomi (not in the MovieCove catalog yet)(1992)

    Editorial Staff

  • Shaving (not in the MovieCove catalog yet)(1992)

    Editor

Career shape

A full career of 70 titles from 1992 to 2026.

Biggest box office

Five Nights at Freddy's (2023)

$292M worldwide

Highest rated

The Invisible Man (2020)

Midcredits 82nd

Most popular right now

Five Nights at Freddy's (2023)

By role

only this rolewith another role
Producing40 of 70: 40 only producing, 0 with another role · typical Midcredits score27thEditing1 of 70: 1 only editing, 0 with another roleOther crew29 of 70: 29 only other crew, 0 with another role · typical Midcredits score37th

By decade

1990s4 · crew2000s2 · crew2010s31 · crew2020s33 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jennifer Scudder Trent's films land?

Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 68; across their 30 films with reception data, the typical film sits in the 30th percentile for acclaim.

Acclaim · how much people like their films

30thpercentile
Typical film, the median of 30

Approval · how many liked their films

21stpercentile
Typical film, the median of 30

Reach · how many have seen their films

95thpercentile
Typical film, the median of 30

Midcredits score across 68 titles, by percentile

  • 75th and up9
  • 50th to 74th10
  • 25th to 49th20
  • Below 25th29

Shape of the crowd

30 of their 68 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Cult Classic2
  • Crowd Pleaser17
  • Broadly Agreed17
  • Mixed30

Most divisive · producer

They/Them (2022)

74th percentile spread · 61% rated it 4 or lower

Most loved · producer

The Invisible Man (2020)

Midcredits 82nd · 72% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jennifer Scudder Trent's work okay for kids?

Across up to 29 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films and sex & nudity lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore29 titles49–91 · median 66 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity29 titles9–49 · median 21 · mildlighter than most filmsMedian of all films: 32
Profanity28 titles39–84 · median 56 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs28 titles12–44 · median 31 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense28 titles48–84 · median 65 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jennifer Scudder Trent work with?

People who share at least 2 of Jennifer Scudder Trent's MovieCove titles, grouped by what they did on them; Jason Blum shares the most, 30.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

  • Jason Blum30 titles    See newest 12 of 30 shared titles with Jason Blum
  • Ryan Turek15 titles    See newest 12 of 15 shared titles with Ryan Turek
  • Jeanette Volturno14 titles    See newest 12 of 14 shared titles with Jeanette Volturno
  • Beatriz Sequeira12 titles    See all 12 shared titles with Beatriz Sequeira