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Adam P. Scott

Editor

Works as
Editor
Titles
8 on MovieCove · 10 credits in all
TMDB popularity, last 37 days to Oct 26Down 11% in 30 days

What are Adam P. Scott's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Themes

share of theme weight
Morality
25%
Survival
24%
Self
16%
Power
13%
Bonds
10%
Society
9%
Ideas
5%

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 3 · Stylized 2 · Heightened 1

Gentle 0 · Charged 4 · Intense 2

Steady 2 · Shifting 3 · Whiplash 1

A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 1

Slow burn 1 · Even-paced 5 · Relentless 0

Casual 2 · Engaged 4 · Full focus 0

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
3
Thrilling
2
Warm
2
Dread
1
Other
2

How their films end · 2 with a twist

  • Happy1
  • Bittersweet1
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Adam P. Scott's films?

As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Adam P. Scott's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 8 with a MovieCove page.

  • City of Ember(2008)

    Editor

    Midcredits score: 58th percentile of all films
  • The Red Baron(2008)

    Editor

    Midcredits score: 57th percentile of all films
  • Monster House(2006)

    Editor

    Midcredits score: 73rd percentile of all films
  • Matchstick Men(2003)

    Associate Editor

    Midcredits score: 88th percentile of all films
  • R.S.V.P.(2002)

    Editor

    Midcredits score: 22nd percentile of all films
  • Rocky Road (not in the MovieCove catalog yet)(2001)

    Editor

  • The Insider(1999)

    First Assistant Editor

    Midcredits score: 98th percentile of all films
  • Trash(1999)

    Editor

    Midcredits score: 25th percentile of all films
  • Driven (not in the MovieCove catalog yet)(1998)

    Editor

  • Midcredits score: 7th percentile of all films

Career shape

A full career of 8 titles from 1996 to 2008.

By role

only this rolewith another role
Editing6 of 8: 6 only editing, 0 with another roleOther crew2 of 8: 2 only other crew, 0 with another role

By decade

1990s3 · crew2000s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Adam P. Scott's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 8; across their 6 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 6

Approval · how many liked their films

41stpercentile
Typical film, the median of 6

Reach · how many have seen their films

91stpercentile
Typical film, the median of 6

Midcredits score across 8 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th1
  • Below 25th2

Shape of the crowd

4 of their 8 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser4
  • Mixed2

Reviewers score the pacing 42/100 in their films, across 6 reviewed titles; fans 56, detractors 26. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Adam P. Scott's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 48 · moderateMedian of all films: 44
Sex & Nudity4 titlesmedian 30 · mildMedian of all films: 32
Profanity3 titlesmedian 27 · mildMedian of all films: 36
Frightening / Intense3 titlesmedian 67 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Adam P. Scott work with?

People who share at least 2 of Adam P. Scott's MovieCove titles, grouped by what they did on them; Gil Kenan shares the most, 2.

Directors

Actors

Composers and cinematographers