- January 12, 1957 (69)
- London, England, UK
- Composer and writer, also producer
- 7 on MovieCove · 10 credits in all
What are Jeremy Sams' films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 3 · Serious 1 · Dark 3
Grounded 7 · Stylized 0 · Heightened 0
A split, not a type: Gentle 3 · Charged 1 · Intense 3
Steady 3 · Shifting 3 · Whiplash 1
Straight-faced 3 · Some laughs 3 · Funny 1
Slow burn 4 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 5 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 2 · Heavy 3
Resolved 5 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jeremy Sams' films?
As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (4).
- BritBox
Subscription and free streaming for Jeremy Sams' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 7 with a MovieCove page.
The Soldier's Tale (not in the MovieCove catalog yet)(2022)
My Blood Is Red(2019)
Midcredits score: 92nd percentile of all films (provisional, few ratings)
Rise and Fall of the City of Mahagonny (not in the MovieCove catalog yet)(2015)
Le Week-End(2013)
Midcredits score: 59th percentile of all films
Hyde Park on Hudson(2012)
Midcredits score: 30th percentile of all films
First Night(2010)
Midcredits score: 21st percentile of all films
Enduring Love(2004)
Midcredits score: 53rd percentile of all films
The Mother(2003)
Midcredits score: 70th percentile of all films
Persuasion(1995)
Midcredits score: 94th percentile of all films
Uncle Vanya (not in the MovieCove catalog yet)(1991)
Career shape
A full career of 9 titles from 1991 to 2022.
Biggest box office
Hyde Park on Hudson (2012)
Highest rated
Persuasion (1995)
Most popular right now
Hyde Park on Hudson (2012)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Jeremy Sams' films land?
Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 75th and up2
- 50th to 74th3
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 7 titles are Crowd Pleasers.
- Universally Loved1
- Loved with Detractors1
- Cult Classic1
- Crowd Pleaser2
- Broadly Agreed2
Reviewers score the sound and music 66/100 in their films, across 7 reviewed titles; fans 71, detractors 35. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Jeremy Sams' work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Jeremy Sams work with?
People who share at least 2 of Jeremy Sams' MovieCove titles, grouped by what they did on them; Roger Michell shares the most, 5.
Directors
- Roger MichellShared titles: Le Week-End (2013), Hyde Park on Hudson (2012), Enduring Love (2004), The Mother (2003), Persuasion (1995)See all 5 shared titles with Roger Michell
Writers
- Hanif KureishiShared titles: Le Week-End (2013), The Mother (2003)See all 2 shared titles with Hanif Kureishi
Actors
- Samuel WestShared titles: Hyde Park on Hudson (2012), Persuasion (1995)See all 2 shared titles with Samuel West
- Corin RedgraveShared titles: Enduring Love (2004), Persuasion (1995)See all 2 shared titles with Corin Redgrave
- Daniel CraigShared titles: Enduring Love (2004), The Mother (2003)See all 2 shared titles with Daniel Craig
Editors
- Nicolas GasterShared titles: Hyde Park on Hudson (2012), Enduring Love (2004), The Mother (2003)See all 3 shared titles with Nicolas Gaster
Producers
- Kevin LoaderShared titles: Le Week-End (2013), Hyde Park on Hudson (2012), Enduring Love (2004), The Mother (2003)See all 4 shared titles with Kevin Loader
- Rosa RomeroShared titles: Le Week-End (2013), Hyde Park on Hudson (2012), Enduring Love (2004), The Mother (2003)See all 4 shared titles with Rosa Romero
- Tessa RossShared titles: Hyde Park on Hudson (2012), Enduring Love (2004)See all 2 shared titles with Tessa Ross
- Stephen EvansShared titles: First Night (2010), The Mother (2003)See all 2 shared titles with Stephen Evans