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MovieCove

Keith Salmon

Editor, also producer

Works as
Editor, also producer
Titles
4 on MovieCove · 5 credits in all
TMDB popularity, last 37 days to Oct 26Down 10% in 30 days

What are Keith Salmon's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Society.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 1

A split, not a type: Grounded 2 · Stylized 0 · Heightened 2

Gentle 0 · Charged 2 · Intense 2

A split, not a type: Steady 2 · Shifting 1 · Whiplash 1

Straight-faced 3 · Some laughs 1 · Funny 0

A split, not a type: Slow burn 3 · Even-paced 1 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 0 · Heavy 2

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Melancholic
3
Triumphant
2
Joyful
1
Contemplative
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Keith Salmon's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Keith Salmon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 4 with a MovieCove page.

  • An American Tragedy(2018)

    Editor · Producer

    Midcredits score: 79th percentile of all films
  • Bastards of the Party (not in the MovieCove catalog yet)(2005)

    Editor

  • Midcredits score: 89th percentile of all films
  • Invincible(2001)

    Editor

    Midcredits score: 6th percentile of all films
  • Any Given Sunday(1999)

    Editor

    Midcredits score: 75th percentile of all films

Career shape

A full career of 3 titles from 1999 to 2018.

By role

only this rolewith another role
Editing3 of 3: 3 only editing, 0 with another role

By decade

1990s1 · crew2000s1 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Keith Salmon's films land?

Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 76th percentile for acclaim.

Acclaim · how much people like their films

76thpercentile
Typical film, the median of 4

Approval · how many liked their films

76thpercentile
Typical film, the median of 4

Reach · how many have seen their films

49thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up3
  • Below 25th1

Reviewers score the pacing 41/100 in their films, across 4 reviewed titles; fans 50, detractors 27. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.