Daniel Saint-Hamont
- Writer
- 7 on MovieCove
What are Daniel Saint-Hamont's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 2 · Serious 0 · Dark 5
Grounded 1 · Stylized 6 · Heightened 0
Gentle 0 · Charged 4 · Intense 3
Steady 1 · Shifting 5 · Whiplash 1
A split, not a type: Straight-faced 5 · Some laughs 0 · Funny 2
Slow burn 0 · Even-paced 5 · Relentless 2
Casual 2 · Engaged 5 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 2 · Heavy 2
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet2
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniel Saint-Hamont's films?
As of October 26, 2026, none of Daniel Saint-Hamont's 7 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Daniel Saint-Hamont's titles on MovieCove; rent and buy are not counted.
Filmography
7 credits, 7 with a MovieCove page.
Midcredits score: 97th percentile of all films
Midcredits score: 33rd percentile of all films
Le grand pardon II(1992)
Midcredits score: 14th percentile of all films
For Sasha(1991)
Midcredits score: 30th percentile of all films
Hold-Up(1985)
Midcredits score: 58th percentile of all films
Midcredits score: 3rd percentile of all films
The Big Pardon(1982)
Midcredits score: 43rd percentile of all films
Career shape
Across their 7 MovieCove titles from 1982 to 2012.
How do Daniel Saint-Hamont's films land?
Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th3
- Below 25th2
Shape of the crowd
4 of their 7 titles are Mixed.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser1
- Mixed4
Reviewers score the dialogue 51/100 and the plot and story 47/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Daniel Saint-Hamont work with?
People who share at least 2 of Daniel Saint-Hamont's MovieCove titles, grouped by what they did on them; Alexandre Arcady shares the most, 6.
Directors
- Alexandre ArcadyShared titles: What the Day Owes the Night (2012), Comme les cinq doigts de la main (2010), Le grand pardon II (1992), For Sasha (1991), Hold-Up (1985), The Big Pardon (1982)See all 6 shared titles with Alexandre Arcady

Writers
- Antoine LacomblezShared titles: What the Day Owes the Night (2012), For Sasha (1991)See all 2 shared titles with Antoine Lacomblez

- Cameron WatsonShared titles: Le grand pardon II (1992), For Sasha (1991)See all 2 shared titles with Cameron Watson
Actors
- Gérard DarmonShared titles: Le grand pardon II (1992), For Sasha (1991), The Big Pardon (1982)See all 3 shared titles with Gérard Darmon

- Richard BerryShared titles: Le grand pardon II (1992), For Sasha (1991), The Big Pardon (1982)See all 3 shared titles with Richard Berry

- Jean-Louis TrintignantShared titles: Le grand pardon II (1992), The Big Pardon (1982)See all 2 shared titles with Jean-Louis Trintignant

- Roger HaninShared titles: Le grand pardon II (1992), The Big Pardon (1982)See all 2 shared titles with Roger Hanin

Composers and editors
- Martine BarraquéShared titles: Le grand pardon II (1992), For Sasha (1991)See all 2 shared titles with Martine Barraqué

- Joële Van EffenterreShared titles: Hold-Up (1985), The Big Pardon (1982)See all 2 shared titles with Joële Van Effenterre

- Serge FranklinShared titles: Hold-Up (1985), The Big Pardon (1982)See all 2 shared titles with Serge Franklin
Producers
- Catherine GrandjeanShared titles: What the Day Owes the Night (2012), Comme les cinq doigts de la main (2010)See all 2 shared titles with Catherine Grandjean
- Robert BenmussaShared titles: Le grand pardon II (1992), For Sasha (1991)See all 2 shared titles with Robert Benmussa
