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Richard Rush

Richard Rush

Director, producer and writer · Died April 8, 2021, aged 91 · New York City, New York, USA

​From Wikipedia, the free encyclopedia. Richard Rush (born April 15, 1929 - April 8, 2021) was an American movie director, scriptwriter, and producer. He was best known for the Oscar-nominated The Stunt Man. His other works, however, have been less celebrated. The next best-known of his movies is Color of Night — also nominated, but in this case for the Golden Raspberry Award. Rush also directed Freebie and The Bean, an over-the-top police buddy comedy/drama starring Alan Arkin and James Caan. He co-wrote the screenplay for the 1990 movie Air America. Description above from the Wikipedia article Richard Rush, licensed under CC-BY-SA, full list of contributors on Wikipedia

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Biography from TMDB.

Born
April 15, 1929
Died
April 8, 2021 (aged 91)
From
New York City, New York, USA
Works as
Director, producer and writer
Titles
9 on MovieCove · 15 credits in all

What are Richard Rush's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 2 · Dark 4

Grounded 3 · Stylized 4 · Heightened 2

Gentle 0 · Charged 5 · Intense 4

Steady 1 · Shifting 6 · Whiplash 2

Straight-faced 4 · Some laughs 4 · Funny 1

Slow burn 1 · Even-paced 7 · Relentless 1

Casual 3 · Engaged 6 · Full focus 0

Resolved 7 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Thrilling
4
Melancholic
4
Absurd
3
Dread
1
Other
4

How their films end · 2 with a twist

  • Happy1
  • Bittersweet6
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Richard Rush's films?

As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service, most on Prime Video (4).

Subscription and free streaming for Richard Rush's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 9 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Love and Other Stunts (not in the MovieCove catalog yet)(2018)

    Actor

  • The Sinister Saga of Making The Stunt Man (not in the MovieCove catalog yet)(2000)

    Director · Producer · Writer · as Narrator

  • Color of Night(1994)

    Director

    Midcredits score: 18th percentile of all films
  • Air America(1990)

    Screenplay

    Midcredits score: 32nd percentile of all films
  • The Stunt Man(1980)

    Director · Adaptation · Producer

    Midcredits score: 78th percentile of all films
  • Freebie and the Bean(1974)

    Director · Producer

    Midcredits score: 66th percentile of all films
  • Getting Straight (not in the MovieCove catalog yet)(1970)

    Director · Producer

  • The Savage Seven(1968)

    Director

    Midcredits score: 26th percentile of all films
  • Psych-Out(1968)

    Director

    Midcredits score: 39th percentile of all films
  • A Man Called Dagger (not in the MovieCove catalog yet)(1968)

    Director

  • The Fickle Finger of Fate (not in the MovieCove catalog yet)(1967)

    Director

  • Midcredits score: 18th percentile of all films
  • Thunder Alley(1967)

    Director

    Midcredits score: 20th percentile of all films
  • Of Love and Desire (not in the MovieCove catalog yet)(1963)

    Director · Screenplay

  • Too Soon to Love(1960)

    Director · Producer · Screenplay · Story

    Midcredits score: 12th percentile of all films

Career shape

A full career of 15 titles from 1960 to 2018.

By role

only this rolewith another role
Acting2 of 15: 1 only acting, 1 with another roleDirecting13 of 15: 7 only directing, 6 with another role · typical Midcredits score23rdWriting5 of 15: 1 only writing, 4 with another roleProducing5 of 15: 0 only producing, 5 with another role

15 titles, 6 with more than one role — directing and producing overlap on 5 of them.

By decade

1960s8 · crew1970s2 · crew1980s1 · crew1990s2 · crew2000s1 · 1 acting · 1 crew2010s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Richard Rush's films land?

Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 33rd percentile for acclaim.

Acclaim · how much people like their films

33rdpercentile
Typical film, the median of 9

Approval · how many liked their films

21stpercentile
Typical film, the median of 9

Reach · how many have seen their films

68thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th3
  • Below 25th4

Reviewers score the atmosphere 63/100 and the pacing 44/100 in their films, across 9 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Richard Rush's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 61 · intenseMedian of all films: 44
Sex & Nudity5 titles32–67 · median 42 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 81 · severeMedian of all films: 36

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Richard Rush work with?

People who share at least 2 of Richard Rush's MovieCove titles, grouped by what they did on them; Adam Roarke shares the most, 4.

Actors

Composers, cinematographers and editors

Producers