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Jennifer Roth

Jennifer Roth

Producer

As a serious young woman Jennifer Roth aspired to do one thing; create peace in the Middle East. This turned out to be very difficult, but fortunately she had a fallback plan as she lived in New York and loved film. Thanks to a handful of contacts and a lot of cold calling, she successfully pivoted from peacemaker to production assistant. Roth quickly became a production coordinator. Her early credits include Bad Lieutenant (the original), Jim Jarmusch's Dead Man and The Crow (tragically she was on set that night and but no, Brandon Lee wasn't murdered). Working from the ground up, she ascended through the ranks to producing. At the advice of no one, a pregnant Roth and her husband moved from New York to Seattle in 2000. This move could easily have been career suicide, but fortunately Roth found a wonderful, intimate community of artists and filmmakers (most notably Lynn Shelton) and has been very proud to call Seattle home ever since. In 2013 Roth made another risky career decision when she accepted a 3-year teaching position at NYU Abu Dhabi. Though not as professionally satisfying, the move was personally transformative. Roth refers to this stint as the best mid-life crisis ever. She has been honored on several occasions, most notably when the French Government made her a Chevalier of the Order of Arts and Letters for her contribution to French cinema. Roth may have found her calling in film, but she's still open to the idea of world peace.

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Biography from IMDb.

Works as
Producer
Titles
30 on MovieCove · 36 credits in all
TMDB popularity, last 155 days to Oct 26Up 2% in 30 days

What are Jennifer Roth's films like?

Across their 24 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 24 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 8 · Dark 11

Grounded 20 · Stylized 4 · Heightened 0

Gentle 5 · Charged 13 · Intense 6

Steady 9 · Shifting 13 · Whiplash 2

A split, not a type: Straight-faced 13 · Some laughs 8 · Funny 3

A split, not a type: Slow burn 12 · Even-paced 10 · Relentless 2

Casual 10 · Engaged 12 · Full focus 2

A split, not a type: Easy watch 5 · Affecting 9 · Heavy 10

Resolved 14 · Open-ended 8 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Melancholic
13
Contemplative
8
Bittersweet
8
Absurd
5
Other
13

How their films end · 2 with a twist

  • Happy4
  • Bittersweet16
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jennifer Roth's films?

As of October 24, 2026, 25 of their 30 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Subscription and free streaming for Jennifer Roth's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

36 credits, 30 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • The Piano Lesson(2024)

    Executive Producer

    Midcredits score: 53rd percentile of all films
  • Finestkind(2023)

    Executive Producer

    Midcredits score: 56th percentile of all films
  • Year of the Fox(2023)

    Producer

    Midcredits score: 15th percentile of all films
  • Montana Story(2021)

    Producer

    Midcredits score: 70th percentile of all films
  • Tall Girl 2(2022)

    Executive Producer

    Midcredits score: 7th percentile of all films
  • The Ambush(2021)

    Producer

    Midcredits score: 58th percentile of all films
  • Desperados(2020)

    Executive Producer

    Midcredits score: 18th percentile of all films
  • The Day Shall Come(2019)

    Executive Producer

    Midcredits score: 43rd percentile of all films
  • Guava Island(2019)

    Producer · Unit Production Manager

    Midcredits score: 71st percentile of all films
  • The Land of Steady Habits(2018)

    Executive Producer

    Midcredits score: 49th percentile of all films
  • Duck Butter(2018)

    Unit Production Manager

    Midcredits score: 18th percentile of all films
  • Mudbound(2017)

    Executive Producer

    Midcredits score: 93rd percentile of all films
  • Blood Father(2016)

    Executive Producer · Producer

    Midcredits score: 57th percentile of all films
  • Hello (not in the MovieCove catalog yet)(2014)

    Producer

  • Laggies(2014)

    Producer

    Midcredits score: 55th percentile of all films
  • Midcredits score: 46th percentile of all films
  • What Maisie Knew(2012)

    Executive Producer

    Midcredits score: 92nd percentile of all films
  • Margaret(2011)

    Unit Production Manager

    Midcredits score: 67th percentile of all films
  • Your Sister's Sister(2011)

    Executive Producer · First Assistant Director · Unit Production Manager

    Midcredits score: 69th percentile of all films
  • Black Swan: Metamorphosis (not in the MovieCove catalog yet)(2011)

    Thanks

  • The Details(2011)

    Producer

    Midcredits score: 43rd percentile of all films
  • Black Swan(2010)

    Executive Producer

    Midcredits score: 98th percentile of all films
  • World's Greatest Dad(2009)

    Executive Producer

    Midcredits score: 76th percentile of all films
  • The Whole Truth (not in the MovieCove catalog yet)(2009)

    Producer

  • Mixing Karma(2009)

    Producer

    Midcredits score: 13th percentile of all films (provisional, few ratings)
  • The Wrestler(2008)

    Executive Producer

    Midcredits score: 98th percentile of all films
  • Smart People(2008)

    Producer

    Midcredits score: 44th percentile of all films
  • UnCivil Liberties (not in the MovieCove catalog yet)(2007)

    as Lt. Mary Mitchell

  • American Loser(2007)

    Producer

    Midcredits score: 27th percentile of all films
  • The Squid and the Whale(2005)

    Co-Producer · Unit Production Manager

    Midcredits score: 90th percentile of all films
  • Songcatcher (not in the MovieCove catalog yet)(2001)

    Co-Producer

  • Love God (not in the MovieCove catalog yet)(1999)

    Production Manager

  • Black & White(1999)

    Line Producer

    Midcredits score: 17th percentile of all films
  • Lawn Dogs(1997)

    Production Supervisor

    Midcredits score: 90th percentile of all films
  • Smoke(1995)

    Production Coordinator

    Midcredits score: 92nd percentile of all films
  • Bad Lieutenant(1992)

    Production Coordinator

    Midcredits score: 81st percentile of all films

Career shape

A full career of 31 titles from 1992 to 2024.

By role

only this rolewith another role
Acting1 of 31: 1 only acting, 0 with another roleProducing23 of 31: 20 only producing, 3 with another role · typical Midcredits score58thOther crew10 of 31: 7 only other crew, 3 with another role · typical Midcredits score76th

31 titles, 3 with more than one role — producing and other crew overlap on 3 of them.

By decade

1990s5 · crew2000s6 · 1 acting · 5 crew2010s13 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jennifer Roth's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 30; across their 24 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 24

Approval · how many liked their films

49thpercentile
Typical film, the median of 24

Reach · how many have seen their films

88thpercentile
Typical film, the median of 24

Midcredits score across 30 titles, by percentile

  • 75th and up9
  • 50th to 74th9
  • 25th to 49th6
  • Below 25th6

Shape of the crowd

11 of their 30 titles are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser11
  • Broadly Agreed4
  • Mixed11

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jennifer Roth's work okay for kids?

Across up to 15 MovieCove titles with content scores, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore11 titles21–86 · median 42 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity15 titles19–72 · median 44 · moderateheavier than most filmsMedian of all films: 32
Profanity12 titles41–86 · median 73 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs11 titles28–64 · median 61 · intenseheavier than most filmsMedian of all films: 33
Frightening / Intense12 titles4–85 · median 49 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jennifer Roth work with?

People who share at least 2 of Jennifer Roth's MovieCove titles, grouped by what they did on them; David Siegel shares the most, 2.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers