
Paul Rogers
Actor · Died October 6, 2013, aged 96 · Plympton, Devon, England, UK
Widely regarded as one of the greatest stage and screen actors both in his native Great Britain and internationally, Paul Rogers was born in Plympton, Devon, attended Newton Abbot Grammar School, and then trained as an actor at the Michael Chekhov Theatre Studio at Dartington Hall. After serving in the Royal Navy from 1940 to 1946, he returned to acting at the Bristol Old Vic. He became a long-serving member of the Royal Shakespeare Company, where he offered a wide range of memorable roles due to the uniqueness of his acting qualities. Among a very distinguished list of brilliant performances, In 1965 he originated the part of Max in Harold Pinter's "The Homecoming", for which he was honored with Broadway's 1967 Tony Award for Best Performance by a Leading Actor in a Play, and recreated the role for its film version The Homecoming (1973), both directed by Peter Hall, with whom he also worked in A Midsummer Night's Dream (1969). His other marvelous stage work included his 1963 nomination for a Tony Award for Best Performance by a Featured Actor in a Play for Peter Ustinov's "Photo Finish". In 1981 he played the role of Sir in Ronald Harwood's "The Dresser" on Broadway.
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Biography from IMDb.
- March 22, 1917
- October 6, 2013 (aged 96)
- Plympton, Devon, England, UK
- Actor
- 27 on MovieCove · 70 credits in all
What are Paul Rogers' films like?
Across their 18 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 16
A split, not a type: Light 5 · Serious 3 · Dark 9
A split, not a type: Grounded 9 · Stylized 6 · Heightened 2
Gentle 4 · Charged 8 · Intense 5
Steady 9 · Shifting 8 · Whiplash 0
Straight-faced 10 · Some laughs 6 · Funny 1
Slow burn 10 · Even-paced 7 · Relentless 0
Casual 5 · Engaged 10 · Full focus 2
A split, not a type: Easy watch 4 · Affecting 3 · Heavy 10
A split, not a type: Resolved 10 · Open-ended 4 · Ambiguous 3
Roles they play
Usually the Threshold guardian: 4 of 5 analyzed roles.
- Threshold guardianas Rev. Owen Jones in The Beachcomber (1954)
- Threshold guardianas Prof. George Chown in Young and Willing (1962)
- Threshold guardianas Max in The Homecoming (1973)
- Allyas James Jarvis in Lost in the Stars (1974)
- Threshold guardianas Dean in Porterhouse Blue (1987)
Moods and endings
- Happy3
- Bittersweet8
- Tragic4
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Paul Rogers' films?
As of October 24, 2026, 17 of their 27 MovieCove titles stream on a subscription or free service, most on Tubi (5).
- BritBox
Subscription and free streaming for Paul Rogers' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
70 credits, 27 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

Kavanagh QC(1995)
Midcredits score: 80th percentile of all shows
The Return of the Native(1994)
Midcredits score: 46th percentile of all films
As Time Goes By(1992)
Midcredits score: 93rd percentile of all shows
Police Rescue(1989)
Midcredits score: 60th percentile of all shows
The Tenth Man(1988)
Midcredits score: 73rd percentile of all films
The Fear (not in the MovieCove catalog yet)(1988)

Hannay (not in the MovieCove catalog yet)(1988)

Porterhouse Blue(1987)
Midcredits score: 76th percentile of all shows
The Lady's Not For Burning (not in the MovieCove catalog yet)(1987)

Lovejoy (not in the MovieCove catalog yet)(1986)

Connie (not in the MovieCove catalog yet)(1985)

Brigadista (not in the MovieCove catalog yet)(1985)
A Life (not in the MovieCove catalog yet)(1984)

Nothing Lasts Forever (not in the MovieCove catalog yet)(1984)

Edwin (not in the MovieCove catalog yet)(1984)
Struggle (not in the MovieCove catalog yet)(1983)

Barriers (not in the MovieCove catalog yet)(1981)

The Executioner (not in the MovieCove catalog yet)(1980)

Butterflies Don't Count (not in the MovieCove catalog yet)(1978)
Little Lord Fauntleroy (not in the MovieCove catalog yet)(1976)

Rumpole of the Bailey(1978)
Midcredits score: 92nd percentile of all shows
Mr. Quilp(1975)
Midcredits score: 42nd percentile of all filmsThe Secret Agent (not in the MovieCove catalog yet)(1975)

The Abdication(1974)
Midcredits score: 34th percentile of all films
Lost in the Stars(1974)
Midcredits score: 50th percentile of all films
Wessex Tales (not in the MovieCove catalog yet)(1973)

The Homecoming(1973)
Midcredits score: 71st percentile of all films
Centre Play (not in the MovieCove catalog yet)(1973)

I Want What I Want(1972)
Midcredits score: 35th percentile of all films
Play for Today (not in the MovieCove catalog yet)(1970)

The Reckoning (not in the MovieCove catalog yet)(1970)

The Looking Glass War(1970)
Midcredits score: 34th percentile of all films
3 Into 2 Won't Go (not in the MovieCove catalog yet)(1969)
Midcredits score: 82nd percentile of all films
Midcredits score: 23rd percentile of all films
Midcredits score: 58th percentile of all films
Boy Meets Girl (not in the MovieCove catalog yet)(1967)

BBC Play of the Month (not in the MovieCove catalog yet)(1965)

He Who Rides a Tiger (not in the MovieCove catalog yet)(1965)

Public Eye (not in the MovieCove catalog yet)(1965)
Thursday Theatre (not in the MovieCove catalog yet)(1964)

The Wednesday Play (not in the MovieCove catalog yet)(1964)
Story Parade (not in the MovieCove catalog yet)(1964)

The Third Secret (not in the MovieCove catalog yet)(1964)

The Chocolate Tree (not in the MovieCove catalog yet)(1963)
Festival (not in the MovieCove catalog yet)(1963)

Stolen Hours(1963)
Midcredits score: 42nd percentile of all films
Billy Budd(1962)
Midcredits score: 96th percentile of all films
Young and Willing(1962)
Midcredits score: 29th percentile of all films
Life for Ruth (not in the MovieCove catalog yet)(1962)
Midcredits score: 59th percentile of all films
The Pot Carriers (not in the MovieCove catalog yet)(1962)

No Love for Johnnie(1961)
Midcredits score: 70th percentile of all filmsHoneymoon Postponed (not in the MovieCove catalog yet)(1961)

The Mark (not in the MovieCove catalog yet)(1961)

Circle of Deception (not in the MovieCove catalog yet)(1960)

Danger Man(1960)
Midcredits score: 83rd percentile of all shows
Midcredits score: 84th percentile of all films
Our Man in Havana(1959)
Midcredits score: 85th percentile of all films
Look at Life (not in the MovieCove catalog yet)(1959)

A Midsummer Night's Dream (not in the MovieCove catalog yet)(1958)

Armchair Theatre (not in the MovieCove catalog yet)(1956)

Othello (not in the MovieCove catalog yet)(1955)

Beau Brummell(1954)
Midcredits score: 57th percentile of all films
The Wonderful World of Disney (not in the MovieCove catalog yet)(1954)

Svengali (not in the MovieCove catalog yet)(1954)

The Beachcomber(1954)
Midcredits score: 41st percentile of all films
Hallmark Hall of Fame (not in the MovieCove catalog yet)(1951)

Murder in the Cathedral(1951)
Midcredits score: 43rd percentile of all films
Sunday Night Theatre (not in the MovieCove catalog yet)(1950)
Career shape
Star power in the 88th percentile of 239,109 people with a billed film role, over a full career of 69 titles from 1950 to 1995; peak year 1961.

Biggest box office
Our Man in Havana (1959)

Highest rated
Billy Budd (1962)

Most popular right now
The Prince and the Pauper (1962)
Film career
Peak 1961 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1954Screen debut· Beau Brummell
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Paul Rogers' films land?
Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 21; across their 17 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 75th and up9
- 50th to 74th8
- 25th to 49th9
- Below 25th1
Shape of the crowd
14 of their 27 titles are Crowd Pleasers.
- Universally Loved3
- Cult Classic1
- Crowd Pleaser14
- Broadly Agreed1
- Mixed8
Reviewers score the acting 72/100 in their films, across 17 reviewed titles; fans 80, detractors 49. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Paul Rogers work with?
People who share at least 2 of Paul Rogers' MovieCove titles, grouped by what they did on them; Cyril Cusack shares the most, 3.
Directors
- Jack GoldShared titles: The Return of the Native (1994), The Tenth Man (1988)See all 2 shared titles with Jack Gold

- Peter HallShared titles: The Homecoming (1973), A Midsummer Night's Dream (1969)See all 2 shared titles with Peter Hall

Writers
- Graham GreeneShared titles: The Tenth Man (1988), Our Man in Havana (1959)See all 2 shared titles with Graham Greene

Actors
- Cyril CusackShared titles: The Tenth Man (1988), The Abdication (1974), The Homecoming (1973)See all 3 shared titles with Cyril Cusack

- Anthony HopkinsShared titles: The Tenth Man (1988), The Looking Glass War (1970)See all 2 shared titles with Anthony Hopkins

- Barbara JeffordShared titles: Porterhouse Blue (1987), A Midsummer Night's Dream (1969)See all 2 shared titles with Barbara Jefford

- Ian RichardsonShared titles: Porterhouse Blue (1987), A Midsummer Night's Dream (1969)See all 2 shared titles with Ian Richardson

Cinematographers and editors
- Alan HumeShared titles: The Return of the Native (1994), The Tenth Man (1988)See all 2 shared titles with Alan Hume

- Jack HarrisShared titles: A Midsummer Night's Dream (1969), Billy Budd (1962)See all 2 shared titles with Jack Harris
- Oswald MorrisShared titles: Our Man in Havana (1959), Beau Brummell (1954)See all 2 shared titles with Oswald Morris

Producers
- William HillShared titles: The Tenth Man (1988), The Abdication (1974)See all 2 shared titles with William Hill
- Ely A. LandauShared titles: Lost in the Stars (1974), The Homecoming (1973)See all 2 shared titles with Ely A. Landau
- Robert A. GoldstonShared titles: Lost in the Stars (1974), The Homecoming (1973)See all 2 shared titles with Robert A. Goldston
- Earl St. JohnShared titles: Young and Willing (1962), The Beachcomber (1954)See all 2 shared titles with Earl St. John







