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John W. Rogers

Producer

Works as
Producer
Titles
22 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Up 6% in 30 days

What are John W. Rogers' films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Action4 titlesTypical Midcredits score: 49th percentile, at or above their average across these genres
: browse their Action movies
Comedy2 titlesTypical Midcredits score: 28th percentile
: browse their Comedy movies
Crime2 titlesTypical Midcredits score: 43rd percentile
: browse their Crime movies
Drama2 titlesTypical Midcredits score: 59th percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
39%
Morality
33%
Society
15%
Survival
7%
Self
4%
Power
2%
Justice4 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themePrejudice3 titles, browse their movies with this themeLoyalty3 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeRedemption2 titles, browse their movies with this theme

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 8 · Serious 3 · Dark 1

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 7 · Stylized 5 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 5 · Charged 7 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 6 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 6 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 8 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 9 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 11 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Thrilling
5
Joyful
4
Warm
3
Romantic
3
Other
7

How their films linger

Feel-good6 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteRousing3 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy9
  • Bittersweet3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John W. Rogers' films?

As of October 24, 2026, 6 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for John W. Rogers' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 22 with a MovieCove page.

  • Shattered Vows(1984)

    Executive In Charge Of Production

    Midcredits score: 43rd percentile of all films

  • Special Bulletin (not in the MovieCove catalog yet)(1983)

    Production Manager

  • Starflight: The Plane That Couldn't Land(1983)

    Executive In Charge Of Production

    Midcredits score: 16th percentile of all films

  • Blade Runner(1982)

    Unit Production Manager

    Midcredits score: 98th percentile of all films

  • The Two Worlds of Jennie Logan(1979)

    Production Manager

    Midcredits score: 67th percentile of all films

  • 99 and 44/100% Dead!(1974)

    Production Manager

    Midcredits score: 29th percentile of all films

  • The Last American Hero(1973)

    Unit Production Manager

    Midcredits score: 59th percentile of all films

  • Thumb Tripping (not in the MovieCove catalog yet)(1972)

    Production Manager

  • One Is a Lonely Number(1972)

    Unit Production Manager

    Midcredits score: 42nd percentile of all films

  • The Forgotten Man (not in the MovieCove catalog yet)(1971)

    Production Manager

  • Mission Impossible Versus the Mob(1969)

    Producer

    Midcredits score: 78th percentile of all films

  • If He Hollers, Let Him Go!(1968)

    Associate Producer

    Midcredits score: 39th percentile of all films

  • Mission: Impossible - The Slave (not in the MovieCove catalog yet)(1967)

    Associate Producer

  • Mission: Impossible - Old Man Out (not in the MovieCove catalog yet)(1966)

    Assistant Director

  • The Spider(1958)

    Assistant Director

    Midcredits score: 9th percentile of all films

  • War of the Colossal Beast(1958)

    Assistant Director

    Midcredits score: 4th percentile of all films

  • Ride Clear of Diablo(1954)

    Producer

    Midcredits score: 76th percentile of all films

  • Black Horse Canyon(1954)

    Producer

    Midcredits score: 41st percentile of all films

  • War Arrow(1953)

    Producer

    Midcredits score: 37th percentile of all films

  • Law and Order(1953)

    Producer

    Midcredits score: 42nd percentile of all films

  • Here Come the Nelsons(1952)

    Producer

    Midcredits score: 51st percentile of all films

  • Red Ball Express(1952)

    Producer

    Midcredits score: 56th percentile of all films

  • The Raging Tide(1951)

    Associate Producer

    Midcredits score: 47th percentile of all films

  • Iron Man(1951)

    Associate Producer

    Midcredits score: 44th percentile of all films

  • Buccaneer's Girl(1950)

    Associate Producer

    Midcredits score: 41st percentile of all films

  • The Fabulous Dorseys(1947)

    Producer

    Midcredits score: 30th percentile of all films

  • Flying Blind(1941)

    Producer

    Midcredits score: 5th percentile of all films

Career shape

A full career of 21 titles from 1950 to 1984.

Highest rated

Ride Clear of Diablo (1954)

Midcredits 76th

Most popular right now

War Arrow (1953)

By role

only this rolewith another role
Producing8 of 21: 8 only producing, 0 with another role · typical Midcredits score42ndOther crew13 of 21: 13 only other crew, 0 with another role · typical Midcredits score42nd

By decade

1950s8 · crew1960s3 · crew1970s6 · crew1980s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do John W. Rogers' films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 22; across their 12 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 12

Approval · how many liked their films

39thpercentile
Typical film, the median of 12

Reach · how many have seen their films

38thpercentile
Typical film, the median of 12

Midcredits score across 22 titles, by percentile

  • 75th and up3
  • 50th to 74th4
  • 25th to 49th11
  • Below 25th4

Shape of the crowd

7 of their 22 titles are Broadly Agreed.

  • Universally Loved1
  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser6
  • Broadly Agreed7
  • Mixed6

Most divisive · producer

Mission Impossible Versus the Mob (1969)

72nd percentile spread · 15% rated it 4 or lower

Most loved · producer

Mission Impossible Versus the Mob (1969)

Midcredits 78th · 63% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does John W. Rogers work with?

People who share at least 2 of John W. Rogers' MovieCove titles, grouped by what they did on them; Herman Stein shares the most, 4.

Directors

Writers

Actors

Composers and editors

Producers