Esther Robinson
- Producer
- 5 on MovieCove · 7 credits in all
Known for
What are Esther Robinson's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Ideas.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 1 · Dark 1
Grounded 2 · Stylized 2 · Heightened 0
A split, not a type: Gentle 3 · Charged 0 · Intense 1
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 4 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1
Resolved 0 · Open-ended 4 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Esther Robinson's films?
As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Esther Robinson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 5 with a MovieCove page.
Midcredits score: 67th percentile of all films (provisional, few ratings)
The Velvet Underground(2021)
Midcredits score: 92nd percentile of all films
Strong Island(2017)
Midcredits score: 62nd percentile of all films
Memories of a Penitent Heart (not in the MovieCove catalog yet)(2016)
Midcredits score: 65th percentile of all films
A Walk Into the Sea: Danny Williams and the Warhol Factory (not in the MovieCove catalog yet)(2007)
Miami Blues(1990)
Midcredits score: 61st percentile of all films
Career shape
A full career of 5 titles from 1990 to 2021.
How do Esther Robinson's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 77th percentile for acclaim.
- 75th and up1
- 50th to 74th4
Shape of the crowd
3 of their 5 titles are Crowd Pleasers.
- Crowd Pleaser3
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Esther Robinson work with?
People who share at least 2 of Esther Robinson's MovieCove titles; Shannon Kennedy shares the most, 2.
- Shannon KennedyShared titles: Strong Island (2017), La Camioneta: The Journey of One American School Bus (2012)See all 2 shared titles with Shannon Kennedy
- Laura PoitrasShared titles: How to Have an American Baby (2023), Strong Island (2017)See all 2 shared titles with Laura Poitras
