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Casey Robinson

Casey Robinson

Writer and producer · Died December 6, 1979, aged 76

Born
October 17, 1903
Died
December 6, 1979 (aged 76)
Works as
Writer and producer
Titles
30 on MovieCove · 65 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 5% in 30 days

What are Casey Robinson's films like?

Across their 29 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Drama13 titlesTypical Midcredits score: 88th percentile, at or above their average across these genres
: browse their Drama movies
Comedy5 titlesTypical Midcredits score: 53rd percentile
: browse their Comedy movies
Action4 titlesTypical Midcredits score: 41st percentile
: browse their Action movies
Adventure3 titlesTypical Midcredits score: 65th percentile, at or above their average across these genres
: browse their Adventure movies
Crime2 titlesTypical Midcredits score: 54th percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
29%
Morality
26%
Self
23%
Society
8%
Survival
6%
Power
6%
Ideas
2%
Romantic love11 titles, browse their movies with this themeDuty5 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeSacrifice5 titles, browse their movies with this themeSelf-worth4 titles, browse their movies with this themeJustice5 titles, browse their movies with this themeIdentity4 titles, browse their movies with this themePurpose4 titles, browse their movies with this theme

What they feel like to watch

their average across 29 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 9 · Serious 7 · Dark 13

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 11 · Stylized 17 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 14 · Intense 9

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 13 · Shifting 13 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 16 · Some laughs 9 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 16 · Even-paced 12 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 16 · Engaged 12 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 11 · Affecting 8 · Heavy 10

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 25 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
13
Melancholic
12
Romantic
10
Thrilling
6
Bittersweet
7
Other
31

How their films linger

Bittersweet14 titles, browse their movies with this aftertasteFeel-good9 titles, browse their movies with this aftertasteHopeful11 titles, browse their movies with this aftertasteRousing4 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertasteFun4 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy11
  • Bittersweet12
  • Tragic3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Casey Robinson's films?

As of October 24, 2026, 10 of their 30 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for Casey Robinson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

65 credits, 30 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Sex Galaxy (not in the MovieCove catalog yet)(2008)

    as Willa

  • Scobie Malone (not in the MovieCove catalog yet)(1975)

    Producer · Writer

  • Ballerina (not in the MovieCove catalog yet)(1966)

    Writer

  • The Son of Captain Blood(1962)

    Writer

    Midcredits score: 16th percentile of all films

  • This Earth Is Mine(1959)

    Producer · Writer

    Midcredits score: 47th percentile of all films

  • While the City Sleeps(1956)

    Screenplay

    Midcredits score: 81st percentile of all films

  • Alfred Hitchcock Presents(1955)

    Show 2 episodes · Teleplay

    Midcredits score: 96th percentile of all shows

  • A Bullet Is Waiting(1954)

    Writer

    Midcredits score: 27th percentile of all films

  • The Egyptian(1954)

    Screenplay

    Midcredits score: 63rd percentile of all films

  • The Snows of Kilimanjaro(1952)

    Screenplay

    Midcredits score: 45th percentile of all films

  • Diplomatic Courier (not in the MovieCove catalog yet)(1952)

    Producer · Screenplay

  • Two Flags West(1950)

    Producer · Screenplay

    Midcredits score: 69th percentile of all films

  • Under My Skin (not in the MovieCove catalog yet)(1950)

    Producer · Screenplay

  • Father Was a Fullback(1949)

    Screenplay

    Midcredits score: 53rd percentile of all films

  • The Mating of Millie(1948)

    Producer · Writer

    Midcredits score: 86th percentile of all films

  • Desire Me(1947)

    Adaptation

    Midcredits score: 46th percentile of all films

  • The Macomber Affair(1947)

    Producer · Screenplay

    Midcredits score: 65th percentile of all films

  • Saratoga Trunk(1945)

    Screenplay

    Midcredits score: 55th percentile of all films

  • The Corn Is Green(1945)

    Screenplay

    Midcredits score: 88th percentile of all films

  • Adventure(1945)

    Writer

    Midcredits score: 49th percentile of all films

  • Days of Glory(1944)

    Producer · Writer

    Midcredits score: 42nd percentile of all films

  • Passage to Marseille(1944)

    Screenplay

    Midcredits score: 74th percentile of all films

  • The Racket Man (not in the MovieCove catalog yet)(1944)

    Story

  • This Is the Army(1943)

    Screenplay

    Midcredits score: 36th percentile of all films

  • Now, Voyager(1942)

    Screenplay

    Midcredits score: 96th percentile of all films

  • Kings Row(1942)

    Screenplay

    Midcredits score: 90th percentile of all films

  • Casablanca(1942)

    Writer

    Midcredits score: 99th percentile of all films

  • One Foot in Heaven(1941)

    Writer

    Midcredits score: 64th percentile of all films

  • Million Dollar Baby (not in the MovieCove catalog yet)(1941)

    Screenplay

  • All This, and Heaven Too(1940)

    Screenplay

    Midcredits score: 90th percentile of all films

  • The Old Maid(1939)

    Screenplay

    Midcredits score: 91st percentile of all films

  • Dark Victory(1939)

    Screenplay

    Midcredits score: 92nd percentile of all films

  • Yes, My Darling Daughter(1939)

    Screenplay

    Midcredits score: 45th percentile of all films

  • Four's a Crowd(1938)

    Screenplay

    Midcredits score: 54th percentile of all films

  • Tovarich (not in the MovieCove catalog yet)(1937)

    Writer

  • It's Love I'm After (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Call It a Day (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Stolen Holiday (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Give Me Your Heart (not in the MovieCove catalog yet)(1936)

    Screenplay

  • Hearts Divided (not in the MovieCove catalog yet)(1936)

    Screenplay

  • Captain Blood(1935)

    Screenplay

    Midcredits score: 95th percentile of all films

  • I Found Stella Parish (not in the MovieCove catalog yet)(1935)

    Screenplay

  • Here Comes the Groom (not in the MovieCove catalog yet)(1934)

    Screenplay

  • She Made Her Bed (not in the MovieCove catalog yet)(1934)

    Scenario Writer

  • Golden Harvest (not in the MovieCove catalog yet)(1933)

    Writer

  • I Love That Man (not in the MovieCove catalog yet)(1933)

    Writer

  • Song of the Eagle (not in the MovieCove catalog yet)(1933)

    Writer

  • Strictly Personal (not in the MovieCove catalog yet)(1933)

    Dialogue

  • Lucky Devils(1933)

    Original Story

    Midcredits score: 45th percentile of all films

  • Renegades of the West (not in the MovieCove catalog yet)(1932)

    Director

  • Is My Face Red?(1932)

    Screenplay

    Midcredits score: 36th percentile of all films

  • Singapore Sue (not in the MovieCove catalog yet)(1932)

    Director · Writer

  • Roaming (not in the MovieCove catalog yet)(1931)

    Director

  • Quit Yer Kickin' (not in the MovieCove catalog yet)(1931)

    Director

  • A Lesson in Love (not in the MovieCove catalog yet)(1931)

    Director

  • What Price Pants (not in the MovieCove catalog yet)(1931)

    Director

  • The Last Parade (not in the MovieCove catalog yet)(1931)

    Story

  • Times Square (not in the MovieCove catalog yet)(1929)

    Writer

  • The River Woman (not in the MovieCove catalog yet)(1928)

    Writer

  • Companionate Marriage (not in the MovieCove catalog yet)(1928)

    Writer

  • Do Your Duty (not in the MovieCove catalog yet)(1928)

    Script

  • Waterfront (not in the MovieCove catalog yet)(1928)

    Writer

  • The Hawk's Nest (not in the MovieCove catalog yet)(1928)

    Writer

  • Turn Back the Hours (not in the MovieCove catalog yet)(1928)

    Writer

  • Bare Knees (not in the MovieCove catalog yet)(1928)

    Writer

Career shape

A full career of 63 titles from 1928 to 2008.

Biggest box office

Kings Row (1942)

$5.1M worldwide

Highest rated

Casablanca (1942)

Midcredits 99th

By role

only this rolewith another role
Acting1 of 63: 1 only acting, 0 with another roleDirecting6 of 63: 5 only directing, 1 with another roleWriting55 of 63: 47 only writing, 8 with another role · typical Midcredits score63rdProducing8 of 63: 1 only producing, 7 with another role · typical Midcredits score65thOther crew1 of 63: 1 only other crew, 0 with another role

63 titles, 8 with more than one role — writing and producing overlap on 7 of them.

By decade

1920s8 · crew1930s27 · crew1940s15 · crew1950s9 · crew1960s2 · crew1970s1 · crew2000s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Casey Robinson's films land?

Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 29; across their 29 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 29

Approval · how many liked their films

61stpercentile
Typical film, the median of 29

Reach · how many have seen their films

54thpercentile
Typical film, the median of 29

Midcredits score across 30 titles, by percentile

  • 75th and up11
  • 50th to 74th8
  • 25th to 49th10
  • Below 25th1

Shape of the crowd

12 of their 30 titles are Crowd Pleasers.

  • Universally Loved9
  • Crowd Pleaser12
  • Broadly Agreed5
  • Mixed4

Most divisive · writer

This Is the Army (1943)

54th percentile spread · 20% rated it 4 or lower

Most loved · writer

Casablanca (1942)

Midcredits 99th · 90% liked

Reviewers score the dialogue 54/100 and the plot and story 48/100 in their films, across 29 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Casey Robinson work with?

People who share at least 2 of Casey Robinson's MovieCove titles, grouped by what they did on them; Hal B. Wallis shares the most, 12.

Directors

Writers

Actors

Composers and cinematographers

Producers