- Writer and director, also producer
- 16 on MovieCove · 21 credits in all
What are Thomas Rickman's films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 14
A split, not a type: Light 5 · Serious 3 · Dark 7
Grounded 14 · Stylized 1 · Heightened 0
Gentle 2 · Charged 10 · Intense 3
A split, not a type: Steady 7 · Shifting 8 · Whiplash 0
Straight-faced 12 · Some laughs 2 · Funny 1
A split, not a type: Slow burn 8 · Even-paced 7 · Relentless 0
Casual 8 · Engaged 6 · Full focus 1
Easy watch 2 · Affecting 10 · Heavy 3
Resolved 14 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy6
- Bittersweet7
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Thomas Rickman's films?
As of October 24, 2026, 8 of their 16 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Thomas Rickman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 16 with a MovieCove page.
Midcredits score: 92nd percentile of all films
Front of the Class(2008)
Midcredits score: 98th percentile of all films
The Reagans(2003)
Midcredits score: 51st percentile of all films
The Reagans (not in the MovieCove catalog yet)(2003)
Midcredits score: 41st percentile of all films
Bless the Child(2000)
Midcredits score: 15th percentile of all films
Tuesdays with Morrie (not in the MovieCove catalog yet)(1999)

Eye of God(1997)
Midcredits score: 88th percentile of all films
Truman (not in the MovieCove catalog yet)(1995)

Everybody's All-American(1988)
Midcredits score: 45th percentile of all films
The New Alfred Hitchcock Presents (not in the MovieCove catalog yet)(1985)

The River Rat(1984)
Midcredits score: 55th percentile of all films
Coal Miner's Daughter(1980)
Midcredits score: 93rd percentile of all films
Hooper(1978)
Midcredits score: 64th percentile of all films
Delta County, U.S.A.(1977)
Midcredits score: 47th percentile of all films (provisional, few ratings)
Bethune (not in the MovieCove catalog yet)(1977)
Midcredits score: 46th percentile of all films
The White Dawn(1974)
Midcredits score: 77th percentile of all films
The Laughing Policeman(1973)
Midcredits score: 56th percentile of all films
Midcredits score: 39th percentile of all films (provisional, few ratings)
Kansas City Bomber(1972)
Midcredits score: 26th percentile of all films
Career shape
A full career of 21 titles from 1972 to 2012.

Biggest box office
Hooper (1978)

Highest rated
Front of the Class (2008)

Most popular right now
Hooper (1978)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Thomas Rickman's films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 16; across their 15 films with reception data, the typical film sits in the 59th percentile for acclaim.
- 75th and up5
- 50th to 74th4
- 25th to 49th6
- Below 25th1
Shape of the crowd
7 of their 16 titles are Crowd Pleasers.
- Universally Loved2
- Divisive1
- Crowd Pleaser7
- Broadly Agreed1
- Mixed5
Reviewers score the dialogue 50/100 and the plot and story 47/100 in their films, across 13 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Thomas Rickman's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Thomas Rickman work with?
People who share at least 2 of Thomas Rickman's MovieCove titles, grouped by what they did on them; Tommy Lee Jones shares the most, 2.
Actors
- Tommy Lee JonesShared titles: The River Rat (1984), Coal Miner's Daughter (1980)See all 2 shared titles with Tommy Lee Jones

- Burt ReynoldsShared titles: Hooper (1978), W.W. and the Dixie Dancekings (1975)See all 2 shared titles with Burt Reynolds

- Louis Gossett Jr.Shared titles: The White Dawn (1974), The Laughing Policeman (1973)See all 2 shared titles with Louis Gossett Jr.

Producers
- Brent ShieldsShared titles: A Smile as Big as the Moon (2012), Front of the Class (2008)See all 2 shared titles with Brent Shields

- Cameron JohannShared titles: A Smile as Big as the Moon (2012), Front of the Class (2008)See all 2 shared titles with Cameron Johann

- Robert LarsonShared titles: The River Rat (1984), Coal Miner's Daughter (1980)See all 2 shared titles with Robert Larson
Mixed roles
- Michael AptedShared titles: The River Rat (1984), Coal Miner's Daughter (1980)See all 2 shared titles with Michael Apted




