- Producer and writer
- 9 on MovieCove · 11 credits in all
What are Wolfgang Reinhardt's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Power and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 9
Light 1 · Serious 4 · Dark 4
Grounded 3 · Stylized 5 · Heightened 1
Gentle 1 · Charged 6 · Intense 2
A split, not a type: Steady 5 · Shifting 4 · Whiplash 0
Straight-faced 7 · Some laughs 1 · Funny 1
A split, not a type: Slow burn 5 · Even-paced 3 · Relentless 1
Casual 1 · Engaged 6 · Full focus 2
Easy watch 1 · Affecting 6 · Heavy 2
A split, not a type: Resolved 4 · Open-ended 5 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet4
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Wolfgang Reinhardt's films?
As of October 24, 2026, 2 of their 9 MovieCove titles stream on a subscription or free service, most on The Roku Channel (2).
Subscription and free streaming for Wolfgang Reinhardt's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 9 with a MovieCove page.
Midcredits score: 60th percentile of all films
Freud(1962)
Midcredits score: 79th percentile of all films
The Trapp Family (not in the MovieCove catalog yet)(1956)
Midcredits score: 74th percentile of all films
Stazione Termini(1953)
Midcredits score: 45th percentile of all films
Caught(1949)
Midcredits score: 80th percentile of all films
Three Strangers(1946)
Midcredits score: 76th percentile of all films
The Male Animal (not in the MovieCove catalog yet)(1942)
Midcredits score: 88th percentile of all films
My Love Came Back(1940)
Midcredits score: 44th percentile of all films
Juarez(1939)
Midcredits score: 76th percentile of all films
Career shape
A full career of 10 titles from 1939 to 1973.
Biggest box office
Freud (1962)
Highest rated
Dr. Ehrlich's Magic Bullet (1940)
Most popular right now
Juarez (1939)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Wolfgang Reinhardt's films land?
Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 70th percentile for acclaim.
- 75th and up5
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
None of their 9 titles divides audiences: 7 are Crowd Pleasers.
- Crowd Pleaser7
- Broadly Agreed2
Reviewers score the dialogue 59/100 and the plot and story 54/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Wolfgang Reinhardt work with?
People who share at least 2 of Wolfgang Reinhardt's MovieCove titles, grouped by what they did on them; John Huston shares the most, 4.
Directors
- William DieterleShared titles: Dr. Ehrlich's Magic Bullet (1940), Juarez (1939)See all 2 shared titles with William Dieterle
Writers
- John HustonShared titles: Freud (1962), Three Strangers (1946), Dr. Ehrlich's Magic Bullet (1940), Juarez (1939)See all 4 shared titles with John Huston
Actors
- Montgomery CliftShared titles: Freud (1962), Stazione Termini (1953)See all 2 shared titles with Montgomery Clift
- Donald CrispShared titles: Dr. Ehrlich's Magic Bullet (1940), Juarez (1939)See all 2 shared titles with Donald Crisp
- Henry O'NeillShared titles: Dr. Ehrlich's Magic Bullet (1940), Juarez (1939)See all 2 shared titles with Henry O'Neill
Cinematographers and editors
- Douglas SlocombeShared titles: Freud (1962), Ludwig II: Glanz und Ende eines Königs (1955)See all 2 shared titles with Douglas Slocombe
- James Wong HoweShared titles: Dr. Ehrlich's Magic Bullet (1940), My Love Came Back (1940)See all 2 shared titles with James Wong Howe
- Warren LowShared titles: Dr. Ehrlich's Magic Bullet (1940), Juarez (1939)See all 2 shared titles with Warren Low
Producers
- Hal B. WallisShared titles: Dr. Ehrlich's Magic Bullet (1940), My Love Came Back (1940), Juarez (1939)See all 3 shared titles with Hal B. Wallis
