Marian Rees

What are Marian Rees' films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marian Rees' films?

As of October 24, 2026, 9 of their 18 MovieCove titles stream on a subscription or free service, most on Hallmark+ (4).

• Hallmark+4 titles, browse their movies on this service
  • Decoration Day (1990) · producer
  • Foxfire (1987) · producer
  • Sweet Nothing in My Ear (2008) · producer
  • The Shell Seekers (1989) · producer
• Tubi3 titles, browse their movies on this service
  • Decoration Day (1990) · producer · free
  • Is There Life Out There? (1994) · producer · free
  • Just Breathe (2008) · producer · free
• MGM+2 titles, browse their movies on this service
  • For the Love of Aaron (1994) · producer
  • Miss All-American Beauty (1982) · producer
• The Roku Channel2 titles, browse their movies on this service
  • Decoration Day (1990) · producer · free
  • Is There Life Out There? (1994) · producer · free
• HBO Max1 title, browse their movies on this service
  • In Pursuit of Honor (1995) · producer
• Pluto TV1 title, browse their movies on this service
  • Is There Life Out There? (1994) · producer · free

Subscription and free streaming for Marian Rees' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 18 with a MovieCove page.

• 

  Just Breathe(2008)

  Producer

  Midcredits score: 44th percentile of all films44^th
• 

  Sweet Nothing in My Ear(2008)

  Producer

  Midcredits score: 65th percentile of all films65^th
• 

  A Death in the Family(2002)

  Producer

  Midcredits score: 47th percentile of all films47^th
• 

  In Pursuit of Honor(1995)

  Producer

  Midcredits score: 77th percentile of all films77^th
• 

  When the Vows Break(1995)

  Producer

  Midcredits score: 38th percentile of all films (provisional, few ratings)~38^th
• 

  For the Love of Aaron(1994)

  Producer

  Midcredits score: 57th percentile of all films57^th
• 

  Is There Life Out There?(1994)

  Producer

  Midcredits score: 75th percentile of all films75^th
• 

  One More Mountain(1994)

  Producer

  Midcredits score: 28th percentile of all films28^th
• 

  The Gift of Love(1994)

  Producer

  Midcredits score: 66th percentile of all films (provisional, few ratings)~66^th
• 

  Decoration Day(1990)

  Producer

  Midcredits score: 84th percentile of all films84^th
• 

  Home Fires Burning(1989)

  Producer

  Midcredits score: 29th percentile of all films29^th
• 

  The Shell Seekers(1989)

  Producer

  Midcredits score: 63rd percentile of all films63^rd
• 

  Foxfire(1987)

  Producer

  Midcredits score: 71st percentile of all films71^st
• 

  Resting Place(1986)

  Producer

  Midcredits score: 58th percentile of all films58^th
• 

  Love Is Never Silent(1985)

  Producer

  Midcredits score: 90th percentile of all films90^th
• 

  License to Kill(1984)

  Producer

  Midcredits score: 29th percentile of all films29^th
• 

  Miss All-American Beauty(1982)

  Producer

  Midcredits score: 11th percentile of all films11^th
• 

  The Marva Collins Story(1981)

  Producer

  Midcredits score: 90th percentile of all films90^th

Career shape

Across their 18 MovieCove titles from 1981 to 2008.

Highest rated

In Pursuit of Honor (1995)

Midcredits 77^th

Most popular right now

Resting Place (1986)

How do Marian Rees' films land?

Their typical MovieCove film has a Midcredits score in the 61^st percentile, the median of all 18; across their 18 films with reception data, the typical film sits in the 59^th percentile for acclaim.

Shape of the crowd

9 of their 18 titles are Mixed.

359

• Universally Loved1
• Cult Classic3
• Crowd Pleaser5
• Mixed9

Most divisive · producer

A Death in the Family (2002)

87^th percentile spread · 33% rated it 4 or lower

Most loved · producer

Love Is Never Silent (1985)

Midcredits 90^th · 85% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Marian Rees work with?

People who share at least 2 of Marian Rees' MovieCove titles, grouped by what they did on them; Anne Hopkins shares the most, 15.