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MovieCove

Annie Rees

Producer

Works as
Producer
Titles
5 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are Annie Rees' films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
41%
Self
33%
Survival
16%
Power
7%
Ideas
4%
Family bonds5 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 2 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 2 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 2 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 1 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 2 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
4
Warm
4
Contemplative
3
Tense
2
Joyful
1

How their films linger

Thought-provoking2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end

  • Happy1
  • Bittersweet2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Annie Rees' films?

As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Annie Rees' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

  • In Love with Barbara(2008)

    Producer

    Midcredits score: 72nd percentile of all films (provisional, few ratings)

  • Dad(2005)

    Producer

    Midcredits score: 79th percentile of all films (provisional, few ratings)

  • Servants(2003)

    Show Producer

    Midcredits score: 43rd percentile of all shows

  • The Greatest Store in the World(1999)

    Producer

    Midcredits score: 77th percentile of all films

  • Cider with Rosie(1998)

    Producer

    Midcredits score: 45th percentile of all films

Career shape

Across their 5 MovieCove titles from 1998 to 2008.

Most popular right now

Servants (2003)

By role

only this rolewith another role
Producing5 of 5: 5 only producing, 0 with another role · typical Midcredits score72nd

By decade

1990s2 · crew2000s3 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Annie Rees' films land?

Their typical MovieCove film has a Midcredits score in the 75th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 4

Approval · how many liked their films

64thpercentile
Typical film, the median of 4

Reach · how many have seen their films

32ndpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th2

Shape of the crowd

3 of their 5 titles are Mixed.

  • Crowd Pleaser2
  • Mixed3

Most divisive · producer

In Love with Barbara (2008)

63rd percentile spread · 13% rated it 4 or lower

Most loved · producer

The Greatest Store in the World (1999)

Midcredits 77th · 71% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Annie Rees work with?

People who share at least 2 of Annie Rees' MovieCove titles, grouped by what they did on them; Tim Whitby shares the most, 2.

Directors

Writers

Editors

Producers