Mauricio Andrade Ramos
- Producer
- 8 on MovieCove · 24 credits in all
What are Mauricio Andrade Ramos' films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 1 · Serious 1 · Dark 3
Grounded 2 · Stylized 2 · Heightened 1
Gentle 0 · Charged 3 · Intense 2
A split, not a type: Steady 1 · Shifting 1 · Whiplash 3
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 2 · Full focus 1
Easy watch 0 · Affecting 2 · Heavy 3
Resolved 1 · Open-ended 3 · Ambiguous 1
Moods and endings
- Bittersweet5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mauricio Andrade Ramos' films?
As of October 24, 2026, 3 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Mauricio Andrade Ramos' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 8 with a MovieCove page.
Midcredits score: 6th percentile of all shows (provisional, few ratings)
On the Road(2012)
Midcredits score: 42nd percentile of all films
Songs (not in the MovieCove catalog yet)(2011)

A Night in 67 (not in the MovieCove catalog yet)(2010)
Midcredits score: 62nd percentile of all films
Linha de Passe (not in the MovieCove catalog yet)(2008)

Playing (not in the MovieCove catalog yet)(2007)

PQD(2007)
Midcredits score: 67th percentile of all films (provisional, few ratings)
Dot.com (not in the MovieCove catalog yet)(2007)

Love for Sale (not in the MovieCove catalog yet)(2006)

The End and the Beginning (not in the MovieCove catalog yet)(2006)

Lower City(2005)
Midcredits score: 69th percentile of all films
Tudo Isto é Fado (not in the MovieCove catalog yet)(2004)

Fala Tu: Lives of Rhyme (not in the MovieCove catalog yet)(2003)

Nelson Freire (not in the MovieCove catalog yet)(2003)

Madame Satã(2002)
Midcredits score: 83rd percentile of all films
City of God(2002)
Midcredits score: 99th percentile of all films
At the Edge of the Earth (not in the MovieCove catalog yet)(2002)

Castanha e Caju Contra o Encouraçado Titanic (not in the MovieCove catalog yet)(2002)

Behind the Sun (not in the MovieCove catalog yet)(2001)
Midcredits score: 91st percentile of all filmsMeu Compadre, Zé Ketti (not in the MovieCove catalog yet)(2001)

Ensaio Geral (not in the MovieCove catalog yet)(2000)
Santa Cruz (not in the MovieCove catalog yet)(2000)
Career shape
A full career of 23 titles from 2000 to 2012.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Mauricio Andrade Ramos' films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 70th percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th1
- Below 25th1
Shape of the crowd
4 of their 8 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser4
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Mauricio Andrade Ramos' work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Mauricio Andrade Ramos work with?
People who share at least 2 of Mauricio Andrade Ramos' MovieCove titles, grouped by what they did on them; Walter Salles shares the most, 5.
Directors
- Sergio MachadoShared titles: The Two Deaths of Quincas Wateryell (2010), Lower City (2005), Madame Satã (2002)See all 3 shared titles with Sergio Machado

Writers
- Karim AïnouzShared titles: Lower City (2005), Madame Satã (2002)See all 2 shared titles with Karim Aïnouz

Actors
- Alice BragaShared titles: On the Road (2012), Lower City (2005), City of God (2002)See all 3 shared titles with Alice Braga

- Lázaro RamosShared titles: Lower City (2005), Madame Satã (2002)See all 2 shared titles with Lázaro Ramos

Cinematographers and editors
- Toca SeabraShared titles: The Two Deaths of Quincas Wateryell (2010), Lower City (2005)See all 2 shared titles with Toca Seabra
- Isabela Monteiro de CastroShared titles: Lower City (2005), Madame Satã (2002)See all 2 shared titles with Isabela Monteiro de Castro
Producers
- Walter SallesShared titles: On the Road (2012), The Two Deaths of Quincas Wateryell (2010), Lower City (2005), City of God (2002), Madame Satã (2002)See all 5 shared titles with Walter Salles

- Donald RanvaudShared titles: Lower City (2005), City of God (2002), Madame Satã (2002)See all 3 shared titles with Donald Ranvaud

- Juliette RenaudShared titles: City of God (2002), Madame Satã (2002)See all 2 shared titles with Juliette Renaud
- Marc BeauchampsShared titles: City of God (2002), Madame Satã (2002)See all 2 shared titles with Marc Beauchamps