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What are Sue Radley's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
36%
Bonds
29%
Morality
18%
Survival
18%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

Grounded 1 · Stylized 1 · Heightened 1

Gentle 1 · Charged 2 · Intense 0

Steady 1 · Shifting 1 · Whiplash 1

Straight-faced 1 · Some laughs 2 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Warm
4
Joyful
2
Thrilling
1
Hopeful
1
Melancholic
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sue Radley's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on Prime Video (1).

Subscription and free streaming for Sue Radley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Midcredits score: 19th percentile of all films (provisional, few ratings)
  • The Ugly Duckling(1997)

    Writer

    Midcredits score: 47th percentile of all films
  • The Snow Queen(1995)

    Writer

    Midcredits score: 38th percentile of all films
  • The Dreamstone(1990)

    Show Writer

    Midcredits score: 86th percentile of all shows

Career shape

Across a limited sample of 4 MovieCove titles from 1990 to 1999.

By role

only this rolewith another role
Writing4 of 4: 4 only writing, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Sue Radley's films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 3

Approval · how many liked their films

32ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

43rdpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 75th and up1
  • 25th to 49th2
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Sue Radley work with?

People who share at least 2 of Sue Radley's MovieCove titles, grouped by what they did on them; Martin Gates shares the most, 4.

Directors

Writers

Actors

Composers and editors

Producers