Pat O'Connor

What are Pat O'Connor's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pat O'Connor's films?

As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service.

• The Roku Channel4 titles, browse their movies on this service
  • A Month in the Country (1987) · director · free
  • Sweet November (2001) · director · free
  • Dancing at Lughnasa (1998) · director · free
  • The January Man (1989) · director · free
• Tubi4 titles, browse their movies on this service
  • A Month in the Country (1987) · director · free
  • Sweet November (2001) · director · free
  • Private Peaceful (2012) · director · free
  • The January Man (1989) · director · free
• Prime Video2 titles, browse their movies on this service
  • A Month in the Country (1987) · director
  • Private Peaceful (2012) · director
• MGM+1 title, browse their movies on this service
  • The January Man (1989) · director
• Pluto TV1 title, browse their movies on this service
  • The January Man (1989) · director · free

Subscription and free streaming for Pat O'Connor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 9 with a MovieCove page.

• 

  Private Peaceful(2012)

  Director

  Midcredits score: 50th percentile of all films50^th
• 

  Sweet November(2001)

  Director

  Midcredits score: 64th percentile of all films64^th
• 

  Dancing at Lughnasa(1998)

  Director

  Midcredits score: 51st percentile of all films51^st
• 

  Inventing the Abbotts(1997)

  Director

  Midcredits score: 52nd percentile of all films52^nd
• 

  Circle of Friends(1995)

  Director

  Midcredits score: 67th percentile of all films67^th
• 

  Zelda (not in the MovieCove catalog yet)(1993)

  Director
• 

  Force of Duty (not in the MovieCove catalog yet)(1991)

  Director
• 

  Fools of Fortune (not in the MovieCove catalog yet)(1990)

  Director
• 

  The January Man(1989)

  Director

  Midcredits score: 21st percentile of all films21^st
• 

  Stars and Bars(1988)

  Director

  Midcredits score: 14th percentile of all films14^th
• 

  A Month in the Country(1987)

  Director

  Midcredits score: 74th percentile of all films74^th
• 

  ScreenPlay (not in the MovieCove catalog yet)(1986)

  Show 1 episode · Director
• 

  Cal(1984)

  Director

  Midcredits score: 60th percentile of all films60^th
• 

  Night in Tunisia (not in the MovieCove catalog yet)(1984)

  Director · Producer
• 

  The Ballroom of Romance (not in the MovieCove catalog yet)(1982)

  Director
• Mobile Homes (not in the MovieCove catalog yet)(1979)

  Director

Career shape

A full career of 16 titles from 1979 to 2012.

Biggest box office

Sweet November (2001)

$66M worldwide

Highest rated

A Month in the Country (1987)

Midcredits 74^th

Most popular right now

Sweet November (2001)

How do Pat O'Connor's films land?

Their typical MovieCove film has a Midcredits score in the 52^nd percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 51^st percentile for acclaim.

Shape of the crowd

7 of their 9 titles are Crowd Pleasers.

72

• Crowd Pleaser7
• Mixed2

Most divisive · director

Stars and Bars (1988)

65^th percentile spread · 40% rated it 4 or lower

Most loved · director

A Month in the Country (1987)

Midcredits 74^th · 68% liked

Reviewers score the atmosphere 68/100 and the pacing 41/100 in their films, across 9 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Pat O'Connor's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Pat O'Connor work with?

People who share at least 2 of Pat O'Connor's MovieCove titles, grouped by what they did on them; Jerzy Zielinski shares the most, 4.