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Peter Nashel

Peter Nashel

Composer · Ridgewood, New Jersey, U.S.

From
Ridgewood, New Jersey, U.S.
Works as
Composer
Titles
26 on MovieCove · 32 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 34% in 30 days

What are Peter Nashel's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Documentary5 titlesTypical Midcredits score: 87th percentile, at or above their average across these genres
: browse their Documentary movies
Crime4 titlesTypical Midcredits score: 48th percentile
: browse their Crime movies
Drama3 titlesTypical Midcredits score: 31st percentile
: browse their Drama movies
Action2 titlesTypical Midcredits score: 65th percentile, at or above their average across these genres
: browse their Action movies
Comedy2 titlesTypical Midcredits score: 37th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
26%
Bonds
22%
Power
16%
Self
15%
Survival
10%
Society
6%
Ideas
5%
Justice5 titles, browse their movies with this themeCorruption4 titles, browse their movies with this themeIdentity4 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeBetrayal3 titles, browse their movies with this themeOppression3 titles, browse their movies with this themeAmbition3 titles, browse their movies with this theme

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 4 · Dark 11

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 14 · Stylized 4 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 1 · Charged 7 · Intense 10

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 8 · Whiplash 5

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 13 · Some laughs 3 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 11 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 10 · Full focus 3

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 4 · Affecting 6 · Heavy 8

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 10 · Open-ended 5 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
15
Melancholic
12
Dread
6
Contemplative
5
Absurd
4
Other
17

How their films linger

Thought-provoking16 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteInfuriating4 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy2
  • Bittersweet10
  • Tragic2
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Nashel's films?

As of October 24, 2026, 21 of their 26 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

Subscription and free streaming for Peter Nashel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 26 with a MovieCove page.

  • The Dark Money Game(2025)

    Show Composer

    Midcredits score: 64th percentile of all shows

  • Don't be late, Myra (not in the MovieCove catalog yet)(2024)

    Composer · Executive Producer

  • Boom! Boom! The World vs Boris Becker (not in the MovieCove catalog yet)(2023)

    Show 2 episodes · Composer

  • Alaska Daily(2022)

    Show 11 episodes · Composer

    Midcredits score: 76th percentile of all shows

  • Mike(2022)

    Show 8 episodes · Composer

    Midcredits score: 49th percentile of all shows

  • Last Looks(2021)

    Composer

    Midcredits score: 35th percentile of all films

  • Ready to Wear (not in the MovieCove catalog yet)(2021)

    Sound Designer

  • The Crime of the Century(2021)

    Show 2 episodes · Composer

    Midcredits score: 94th percentile of all shows

  • Totally Under Control(2020)

    Composer

    Midcredits score: 91st percentile of all films

  • The Innocence Files(2020)

    Show 3 episodes · Composer

    Midcredits score: 86th percentile of all shows

  • Book Club(2018)

    Composer

    Midcredits score: 47th percentile of all films

  • Nigerian Prince(2018)

    Composer

    Midcredits score: 45th percentile of all films

  • I, Tonya(2017)

    Composer

    Midcredits score: 96th percentile of all films

  • Risky Drinking(2016)

    Composer

    Midcredits score: 66th percentile of all films

  • Marco Polo: One Hundred Eyes(2015)

    Composer

    Midcredits score: 95th percentile of all films

  • Marco Polo(2014)

    Show 10 episodes · Composer

    Midcredits score: 87th percentile of all shows

  • Dukhtar(2014)

    Composer

    Midcredits score: 80th percentile of all films

  • The Trials of Cate McCall(2013)

    Composer

    Midcredits score: 50th percentile of all films

  • Deep Powder (not in the MovieCove catalog yet)(2013)

    Composer

  • Client 9(2010)

    Composer

    Midcredits score: 87th percentile of all films

  • Uncertainty(2008)

    Composer

    Midcredits score: 31st percentile of all films

  • Carriers(2009)

    Composer

    Midcredits score: 33rd percentile of all films

  • New York, I Love You(2008)

    Composer

    Midcredits score: 40th percentile of all films

  • No End in Sight(2007)

    Composer

    Midcredits score: 99th percentile of all films

  • The Night Listener(2006)

    Composer

    Midcredits score: 33rd percentile of all films

  • Wedding Daze(2006)

    Composer

    Midcredits score: 27th percentile of all films

  • Bee Season(2005)

    Composer

    Midcredits score: 23rd percentile of all films

  • Deadline (not in the MovieCove catalog yet)(2004)

    Composer

  • Overnight(2003)

    Composer

    Midcredits score: 78th percentile of all films

  • The Deep End(2001)

    Composer

    Midcredits score: 64th percentile of all films

  • The Head(1994)

    Show Composer

    Midcredits score: 43rd percentile of all shows

  • The Trophy King (not in the MovieCove catalog yet)

    Sound

Career shape

A full career of 26 titles, 25 of them dated from 2001 to 2024.

Biggest box office

Book Club (2018)

$104M worldwide

Highest rated

No End in Sight (2007)

Midcredits 99th

Most popular right now

I, Tonya (2017)

By role

only this rolewith another role
Producing1 of 26: 0 only producing, 1 with another roleMusic24 of 26: 23 only music, 1 with another role · typical Midcredits score57thOther crew2 of 26: 2 only other crew, 0 with another role

By decade

2000s7 · crew2010s9 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Peter Nashel's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 19; across their 18 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 18

Approval · how many liked their films

55thpercentile
Typical film, the median of 18

Reach · how many have seen their films

84thpercentile
Typical film, the median of 18

Midcredits score across 26 titles, by percentile

  • 75th and up11
  • 50th to 74th4
  • 25th to 49th10
  • Below 25th1

Shape of the crowd

10 of their 26 titles are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser10
  • Broadly Agreed5
  • Mixed7

Most divisive · composer

Nigerian Prince (2018)

68th percentile spread · 23% rated it 4 or lower

Most loved · composer

No End in Sight (2007)

Midcredits 99th · 91% liked

Reviewers score the sound and music 60/100 in their films, across 11 reviewed titles; fans 68, detractors 48. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Peter Nashel's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles17–62 · median 56 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity8 titles21–59 · median 41 · moderatenear the median of all filmsMedian of all films: 32
Profanity6 titles39–84 · median 61 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 44 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 36 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Peter Nashel work with?

People who share at least 2 of Peter Nashel's MovieCove titles, grouped by what they did on them; Alex Gibney shares the most, 5.

Directors

Actors

Composers, cinematographers and editors

Producers