- Producer and editor
- 19 on MovieCove · 26 credits in all
What are Frederick Muller's films like?
Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 1 · Earnest 12
A split, not a type: Light 5 · Serious 4 · Dark 6
A split, not a type: Grounded 6 · Stylized 3 · Heightened 6
Gentle 3 · Charged 8 · Intense 4
Steady 7 · Shifting 7 · Whiplash 1
Straight-faced 10 · Some laughs 4 · Funny 1
A split, not a type: Slow burn 8 · Even-paced 7 · Relentless 0
Casual 6 · Engaged 6 · Full focus 3
A split, not a type: Easy watch 6 · Affecting 4 · Heavy 5
A split, not a type: Resolved 11 · Open-ended 1 · Ambiguous 3
Moods and endings
- Happy4
- Bittersweet6
- Tragic3
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Frederick Muller's films?
As of October 24, 2026, 7 of their 19 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Frederick Muller's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 19 with a MovieCove page.
Silence Becomes You(2005)
Midcredits score: 9th percentile of all films
Tea with Mussolini(1999)
Midcredits score: 73rd percentile of all films
Zoya(1995)
Midcredits score: 60th percentile of all films
Fatherland(1994)
Midcredits score: 58th percentile of all films
Remember (not in the MovieCove catalog yet)(1993)
Midcredits score: 36th percentile of all films
Death Has a Bad Reputation (not in the MovieCove catalog yet)(1990)
A Casualty of War (not in the MovieCove catalog yet)(1989)
The Bourne Identity (not in the MovieCove catalog yet)(1988)
Noble House(1988)
Midcredits score: 75th percentile of all shows
Midcredits score: 21st percentile of all films
Gulag(1985)
Midcredits score: 62nd percentile of all films
Lassiter(1984)
Midcredits score: 32nd percentile of all films
High Road to China(1983)
Midcredits score: 44th percentile of all films
The Boys from Brazil(1978)
Midcredits score: 77th percentile of all films
The Golden Mass (not in the MovieCove catalog yet)(1975)
Don't Look Now(1973)
Midcredits score: 85th percentile of all films
Midcredits score: 82nd percentile of all films
Midcredits score: 69th percentile of all films
Killer's Carnival(1966)
Midcredits score: 13th percentile of all films
Midcredits score: 4th percentile of all films
Seven Dollars to Kill(1966)
Midcredits score: 20th percentile of all films
Chimes at Midnight(1965)
Midcredits score: 94th percentile of all films
The Castle of the Living Dead (not in the MovieCove catalog yet)(1964)
Escapade in Florence (not in the MovieCove catalog yet)(1962)
The Trial(1962)
Midcredits score: 93rd percentile of all films
Career shape
A full career of 19 titles from 1962 to 1999.
Biggest box office
High Road to China (1983)
Highest rated
Chimes at Midnight (1965)
Most popular right now
Don't Look Now (1973)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Frederick Muller's films land?
Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 18; across their 15 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 75th and up6
- 50th to 74th5
- 25th to 49th3
- Below 25th5
Shape of the crowd
9 of their 19 titles are Crowd Pleasers.
- Universally Loved2
- Universally Panned1
- Crowd Pleaser9
- Broadly Agreed2
- Mixed5
Reviewers score the pacing 43/100 in their films, across 13 reviewed titles; fans 57, detractors 25. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Frederick Muller's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Frederick Muller work with?
People who share at least 2 of Frederick Muller's MovieCove titles, grouped by what they did on them; Roger Young shares the most, 2.
Directors
- Roger YoungShared titles: Gulag (1985), Lassiter (1984)See all 2 shared titles with Roger Young
- Alberto CardoneShared titles: Killer's Carnival (1966), Seven Dollars to Kill (1966)See all 2 shared titles with Alberto Cardone
- Orson WellesShared titles: Chimes at Midnight (1965), The Trial (1962)See all 2 shared titles with Orson Welles
Actors
- Warren ClarkeShared titles: Gulag (1985), Lassiter (1984)See all 2 shared titles with Warren Clarke
- Tom SelleckShared titles: Lassiter (1984), High Road to China (1983)See all 2 shared titles with Tom Selleck
- Jeanne MoreauShared titles: Chimes at Midnight (1965), The Trial (1962)See all 2 shared titles with Jeanne Moreau
Composers, cinematographers and editors
- Tariq AnwarShared titles: Tea with Mussolini (1999), Fatherland (1994)See all 2 shared titles with Tariq Anwar
- Cristiano PoganyShared titles: A Little Piece of Sunshine (1990), Noble House (1988)See all 2 shared titles with Cristiano Pogany
- Paul ChiharaShared titles: A Little Piece of Sunshine (1990), Noble House (1988)See all 2 shared titles with Paul Chihara
- Alan StrachanShared titles: Noble House (1988), The Dirty Dozen: Next Mission (1985)See all 2 shared titles with Alan Strachan
Producers
- Raymond Man-Wai ChowShared titles: Lassiter (1984), High Road to China (1983)See all 2 shared titles with Raymond Man-Wai Chow
Mixed roles
- Mario SicilianoShared titles: Killer's Carnival (1966), Seven Dollars to Kill (1966)See all 2 shared titles with Mario Siciliano