Muriel Moore
- Actor
- 8 on MovieCove · 14 credits in all
What are Muriel Moore's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 1 · Serious 0 · Dark 2
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Muriel Moore's films?
As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Muriel Moore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 8 with a MovieCove page.

The Truman Show(1998)
Midcredits score: 99th percentile of all films
Midcredits score: 65th percentile of all films
My Cousin Vinny(1992)
Midcredits score: 96th percentile of all films
Paris Trout(1991)
Midcredits score: 58th percentile of all films
Murder in Mississippi (not in the MovieCove catalog yet)(1990)

Driving Miss Daisy(1989)
Midcredits score: 89th percentile of all films
Fast Food (not in the MovieCove catalog yet)(1989)

In a Shallow Grave(1988)
Midcredits score: 48th percentile of all films
Funland (not in the MovieCove catalog yet)(1987)

Impure Thoughts (not in the MovieCove catalog yet)(1986)

The Bear (not in the MovieCove catalog yet)(1984)

The Big Chill(1983)
Midcredits score: 81st percentile of all films
American Playhouse (not in the MovieCove catalog yet)(1982)

Scalpel(1977)
Midcredits score: 58th percentile of all films
Career shape
Star power in the 86th percentile of 239,109 people with a billed film role, over a full career of 14 titles from 1977 to 1998; peak year 1998.
Film career
Peak 1998 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1977Screen debut· False Face
- 1998Career best· The Truman Show
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Muriel Moore's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 8; across a limited sample of 3 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up4
- 50th to 74th3
- 25th to 49th1
Shape of the crowd
4 of their 8 titles are Crowd Pleasers.
- Universally Loved2
- Cult Classic1
- Crowd Pleaser4
- Broadly Agreed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.



