Heinrich Mis
- Producer
- 12 on MovieCove
What are Heinrich Mis' films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 11
Light 0 · Serious 3 · Dark 9
Grounded 4 · Stylized 5 · Heightened 3
Gentle 0 · Charged 5 · Intense 7
Steady 4 · Shifting 6 · Whiplash 2
Straight-faced 11 · Some laughs 1 · Funny 0
A split, not a type: Slow burn 6 · Even-paced 4 · Relentless 2
Casual 1 · Engaged 8 · Full focus 3
Easy watch 0 · Affecting 5 · Heavy 7
A split, not a type: Resolved 6 · Open-ended 4 · Ambiguous 2
Moods and endings
- Bittersweet8
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Heinrich Mis' films?
As of October 24, 2026, 8 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Heinrich Mis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 12 with a MovieCove page.
3 Days in Quiberon(2018)
Midcredits score: 74th percentile of all films
Cold Hell(2017)
Midcredits score: 62nd percentile of all films
Iceman(2017)
Midcredits score: 58th percentile of all films
Tehran Taboo(2017)
Midcredits score: 81st percentile of all films
Center of My World(2016)
Midcredits score: 81st percentile of all films
Beloved Sisters(2014)
Midcredits score: 48th percentile of all films
The Dark Valley(2014)
Midcredits score: 83rd percentile of all films
Amour(2012)
Midcredits score: 97th percentile of all films
The Wall(2012)
Midcredits score: 71st percentile of all films
Henri 4(2010)
Midcredits score: 42nd percentile of all films
Mahler on the Couch(2010)
Midcredits score: 49th percentile of all films
The White Ribbon(2009)
Midcredits score: 97th percentile of all films
Career shape
Across their 12 MovieCove titles from 2009 to 2018.
How do Heinrich Mis' films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 72nd percentile for acclaim.
- 75th and up5
- 50th to 74th4
- 25th to 49th3
Shape of the crowd
7 of their 12 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser7
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Heinrich Mis' work okay for kids?
Across up to 6 MovieCove titles with content scores, violence & gore and sex & nudity run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Heinrich Mis work with?
People who share at least 2 of Heinrich Mis' MovieCove titles, grouped by what they did on them; Veit Heiduschka shares the most, 4.
Directors
- Michael HanekeShared titles: Amour (2012), The White Ribbon (2009)See all 2 shared titles with Michael Haneke
Writers
- Martin AmbroschShared titles: Cold Hell (2017), The Dark Valley (2014)See all 2 shared titles with Martin Ambrosch
Actors
- Tobias MorettiShared titles: Cold Hell (2017), The Dark Valley (2014)See all 2 shared titles with Tobias Moretti
- Violetta SchurawlowShared titles: Cold Hell (2017), Iceman (2017)See all 2 shared titles with Violetta Schurawlow
Cinematographers and editors
- Thomas W. KiennastShared titles: 3 Days in Quiberon (2018), The Dark Valley (2014)See all 2 shared titles with Thomas W. Kiennast
- Benedict NeuenfelsShared titles: Cold Hell (2017), Mahler on the Couch (2010)See all 2 shared titles with Benedict Neuenfels
- Monika WilliShared titles: Amour (2012), The White Ribbon (2009)See all 2 shared titles with Monika Willi
Producers
- Veit HeiduschkaShared titles: Beloved Sisters (2014), Amour (2012), Henri 4 (2010), The White Ribbon (2009)See all 4 shared titles with Veit Heiduschka
- Andreas SchreitmüllerShared titles: Iceman (2017), Beloved Sisters (2014), The Wall (2012)See all 3 shared titles with Andreas Schreitmüller
- Ulli NeumannShared titles: Cold Hell (2017), The Dark Valley (2014), The White Ribbon (2009)See all 3 shared titles with Ulli Neumann
- Bettina RicklefsShared titles: Beloved Sisters (2014), Amour (2012), Henri 4 (2010)See all 3 shared titles with Bettina Ricklefs
Mixed roles
- Martin GschlachtShared titles: Tehran Taboo (2017), The Wall (2012)See all 2 shared titles with Martin Gschlacht
