- April 25, 1929
- August 22, 2006 (aged 77)
- New York, New York, United States
- Producer and director
- 12 on MovieCove · 18 credits in all
What are Stuart Millar's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 10
Light 1 · Serious 7 · Dark 3
Grounded 9 · Stylized 0 · Heightened 2
Gentle 1 · Charged 8 · Intense 2
A split, not a type: Steady 7 · Shifting 2 · Whiplash 2
Straight-faced 8 · Some laughs 2 · Funny 1
Slow burn 6 · Even-paced 5 · Relentless 0
Casual 5 · Engaged 5 · Full focus 1
Easy watch 2 · Affecting 7 · Heavy 2
Resolved 9 · Open-ended 0 · Ambiguous 2
Moods and endings
- Bittersweet11
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Stuart Millar's films?
As of October 24, 2026, 7 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Stuart Millar's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 12 with a MovieCove page.

Dream Breakers (not in the MovieCove catalog yet)(1989)

Lady in the Corner(1989)
Midcredits score: 32nd percentile of all films
Killer Instinct (not in the MovieCove catalog yet)(1988)
Vital Signs (not in the MovieCove catalog yet)(1986)

Shoot the Moon(1982)
Midcredits score: 75th percentile of all films
Isabel's Choice (not in the MovieCove catalog yet)(1981)

Rooster Cogburn(1975)
Midcredits score: 72nd percentile of all films
When the Legends Die(1972)
Midcredits score: 54th percentile of all films
M*A*S*H(1972)
Midcredits score: 95th percentile of all shows
Little Big Man(1970)
Midcredits score: 91st percentile of all films
Paper Lion (not in the MovieCove catalog yet)(1968)

The Best Man(1964)
Midcredits score: 95th percentile of all films
Stolen Hours(1963)
Midcredits score: 42nd percentile of all films
I Could Go on Singing(1963)
Midcredits score: 81st percentile of all films
Birdman of Alcatraz(1962)
Midcredits score: 97th percentile of all films
The Young Doctors(1961)
Midcredits score: 59th percentile of all films
Stage Struck (not in the MovieCove catalog yet)(1958)

The Young Stranger(1957)
Midcredits score: 55th percentile of all films
Career shape
A full career of 17 titles from 1957 to 1989.

Biggest box office
Little Big Man (1970)

Highest rated
Birdman of Alcatraz (1962)

Most popular right now
Little Big Man (1970)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Stuart Millar's films land?
Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 67th percentile for acclaim.
- 75th and up6
- 50th to 74th4
- 25th to 49th2
Shape of the crowd
7 of their 12 titles are Crowd Pleasers.
- Universally Loved4
- Crowd Pleaser7
- Mixed1
Reviewers score the atmosphere 68/100 and the pacing 51/100 in their films, across 11 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Stuart Millar's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Stuart Millar work with?
People who share at least 2 of Stuart Millar's MovieCove titles, grouped by what they did on them; Robert Swink shares the most, 4.
Directors
- John FrankenheimerShared titles: Birdman of Alcatraz (1962), The Young Stranger (1957)See all 2 shared titles with John Frankenheimer

Writers
- Robert DozierShared titles: When the Legends Die (1972), I Could Go on Singing (1963), The Young Stranger (1957)See all 3 shared titles with Robert Dozier
- Joseph HayesShared titles: Stolen Hours (1963), The Young Doctors (1961)See all 2 shared titles with Joseph Hayes
Actors
- Jack MullaneyShared titles: When the Legends Die (1972), The Young Stranger (1957)See all 2 shared titles with Jack Mullaney

- Aline MacMahonShared titles: I Could Go on Singing (1963), The Young Doctors (1961)See all 2 shared titles with Aline MacMahon

- Whit BissellShared titles: Birdman of Alcatraz (1962), The Young Stranger (1957)See all 2 shared titles with Whit Bissell

Composers, cinematographers and editors
- Robert SwinkShared titles: Rooster Cogburn (1975), The Best Man (1964), The Young Doctors (1961), The Young Stranger (1957)See all 4 shared titles with Robert Swink
- Mort LindseyShared titles: The Best Man (1964), I Could Go on Singing (1963), Stolen Hours (1963)See all 3 shared titles with Mort Lindsey

- Harry Stradling Jr.Shared titles: Rooster Cogburn (1975), Little Big Man (1970)See all 2 shared titles with Harry Stradling Jr.

- Elmer BernsteinShared titles: Birdman of Alcatraz (1962), The Young Doctors (1961)See all 2 shared titles with Elmer Bernstein

Producers
- Lawrence TurmanShared titles: The Best Man (1964), I Could Go on Singing (1963), Stolen Hours (1963), The Young Doctors (1961)See all 4 shared titles with Lawrence Turman

- Gene LaskoShared titles: When the Legends Die (1972), Little Big Man (1970)See all 2 shared titles with Gene Lasko
- Denis HoltShared titles: I Could Go on Singing (1963), Stolen Hours (1963)See all 2 shared titles with Denis Holt

