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F.C. Mehra

F.C. Mehra

Producer

Works as
Producer
Titles
12 on MovieCove

What are F.C. Mehra's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 3 · Dark 6

Grounded 3 · Stylized 5 · Heightened 4

A split, not a type: Gentle 1 · Charged 4 · Intense 7

Steady 2 · Shifting 10 · Whiplash 0

A split, not a type: Straight-faced 7 · Some laughs 3 · Funny 2

Slow burn 3 · Even-paced 8 · Relentless 1

Casual 3 · Engaged 8 · Full focus 1

A split, not a type: Easy watch 4 · Affecting 3 · Heavy 5

Resolved 10 · Open-ended 2 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch F.C. Mehra's films?

As of October 24, 2026, all 12 MovieCove titles stream on a subscription or free service, on Netflix (12).

Subscription and free streaming for F.C. Mehra's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

  • Aakhri Adaalat(1988)

    Producer

    Midcredits score: 15th percentile of all films
  • Jaal(1986)

    Producer

    Midcredits score: 26th percentile of all films
  • Sohni Mahiwal(1984)

    Producer

    Midcredits score: 44th percentile of all films
  • Ek Jaan Hain Hum(1983)

    Producer

    Midcredits score: 37th percentile of all films
  • Bandie(1978)

    Producer

    Midcredits score: 10th percentile of all films (provisional, few ratings)
  • Manoranjan(1974)

    Producer

    Midcredits score: 59th percentile of all films
  • Khoon Khoon(1973)

    Producer

    Midcredits score: 7th percentile of all films (provisional, few ratings)
  • Elaan(1971)

    Producer

    Midcredits score: 19th percentile of all films
  • Lal Patthar(1971)

    Producer

    Midcredits score: 46th percentile of all films
  • Prince(1969)

    Producer

    Midcredits score: 64th percentile of all films
  • Amrapali(1966)

    Producer

    Midcredits score: 61st percentile of all films
  • Professor(1962)

    Producer

    Midcredits score: 64th percentile of all films

Career shape

Across their 12 MovieCove titles from 1962 to 1988.

By role

only this rolewith another role
Producing12 of 12: 12 only producing, 0 with another role · typical Midcredits score41st

By decade

1960s3 · crew1970s5 · crew1980s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do F.C. Mehra's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 25th percentile for acclaim.

Acclaim · how much people like their films

25thpercentile
Typical film, the median of 12

Approval · how many liked their films

55thpercentile
Typical film, the median of 12

Reach · how many have seen their films

13thpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 50th to 74th4
  • 25th to 49th4
  • Below 25th4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does F.C. Mehra work with?

People who share at least 2 of F.C. Mehra's MovieCove titles, grouped by what they did on them; Pran Mehra shares the most, 8.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers