Yuriko Matsubara
- Producer
- 3 on MovieCove
What are Yuriko Matsubara's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 2 · Serious 0 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 2 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Yuriko Matsubara's films?
As of October 24, 2026, none of Yuriko Matsubara's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Yuriko Matsubara's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
The Hunted(1995)
Midcredits score: 41st percentile of all films
3 Ninjas(1992)
Midcredits score: 30th percentile of all films
Fried Green Tomatoes(1991)
Midcredits score: 96th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1991 to 1995.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Yuriko Matsubara's films land?
Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 75th and up1
- 25th to 49th2
Shape of the crowd
2 of their 3 titles are Mixed.
- Universally Loved1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Yuriko Matsubara's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.