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Anthony Marinelli

Anthony Marinelli

Composer · Born March 19, 1959 (67) · Los Angeles, California, USA

Born
March 19, 1959 (67)
From
Los Angeles, California, USA
Works as
Composer
Titles
38 on MovieCove · 58 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 29% in 30 days

What are Anthony Marinelli's films like?

Across their 38 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Genres

Drama10 titlesTypical Midcredits score: 32nd percentile, at or above their average across these genres
: browse their Drama movies
Action6 titlesTypical Midcredits score: 28th percentile
: browse their Action movies
Comedy6 titlesTypical Midcredits score: 21st percentile
: browse their Comedy movies
Crime5 titlesTypical Midcredits score: 26th percentile
: browse their Crime movies
Adventure2 titlesTypical Midcredits score: 32nd percentile, at or above their average across these genres
: browse their Adventure movies
Biography2 titlesTypical Midcredits score: 53rd percentile, at or above their average across these genres
: browse their Biography movies
Thriller2 titlesTypical Midcredits score: 24th percentile
: browse their Thriller movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
34%
Survival
19%
Bonds
14%
Self
14%
Power
10%
Society
7%
Ideas
2%
Justice9 titles, browse their movies with this themeSurvival7 titles, browse their movies with this themeRevenge5 titles, browse their movies with this themeFamily bonds6 titles, browse their movies with this themeDeception5 titles, browse their movies with this themeTrauma5 titles, browse their movies with this themeAmbition5 titles, browse their movies with this themeRedemption4 titles, browse their movies with this theme

What they feel like to watch

their average across 37 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 7 · Serious 13 · Dark 17

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 20 · Stylized 14 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 7 · Charged 19 · Intense 11

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 13 · Shifting 18 · Whiplash 6

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 21 · Some laughs 12 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 14 · Even-paced 20 · Relentless 3

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 10 · Engaged 21 · Full focus 6

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 14 · Affecting 14 · Heavy 9

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 22 · Open-ended 8 · Ambiguous 7

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
25
Melancholic
14
Absurd
10
Dread
8
Thrilling
8
Other
28

How their films linger

Thought-provoking13 titles, browse their movies with this aftertasteFun11 titles, browse their movies with this aftertasteUnsettling13 titles, browse their movies with this aftertasteBittersweet10 titles, browse their movies with this aftertasteHopeful8 titles, browse their movies with this aftertasteCathartic6 titles, browse their movies with this aftertaste

How their films end · 9 with a twist

  • Happy14
  • Bittersweet9
  • Tragic4
  • Ambiguous11

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anthony Marinelli's films?

As of October 24, 2026, 18 of their 38 MovieCove titles stream on a subscription or free service, most on Tubi (11).

Also on these channels

Subscription and free streaming for Anthony Marinelli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

58 credits, 38 with a MovieCove page.

  • Mosquito(2022)

    Composer

    Midcredits score: 27th percentile of all films (provisional, few ratings)

  • River of Gold (not in the MovieCove catalog yet)(2016)

    Composer · Music Producer

  • Midnight Return: The Story of Billy Hayes and Turkey(2016)

    Composer

    Midcredits score: 73rd percentile of all films

  • The Human Contract(2008)

    Composer

    Midcredits score: 16th percentile of all films

  • Grizzly Park(2008)

    Composer

    Midcredits score: 7th percentile of all films

  • Brothel(2008)

    Composer

    Midcredits score: 3rd percentile of all films

  • Chapter 27(2007)

    Composer

    Midcredits score: 26th percentile of all films

  • My Sexiest Year (not in the MovieCove catalog yet)(2007)

    Composer

  • Ripple Effect(2007)

    Composer

    Midcredits score: 18th percentile of all films

  • Sublime(2007)

    Composer

    Midcredits score: 26th percentile of all films

  • Memory (not in the MovieCove catalog yet)(2006)

    Composer

  • Dreamland (not in the MovieCove catalog yet)(2006)

    Composer

  • Code Breakers (not in the MovieCove catalog yet)(2005)

    Composer

  • Consequence(2003)

    Composer

    Midcredits score: 19th percentile of all films

  • Rolling Kansas(2003)

    Composer

    Midcredits score: 50th percentile of all films

  • Quicksand(2003)

    Composer

    Midcredits score: 15th percentile of all films

  • Pavement(2002)

    Composer

    Midcredits score: 26th percentile of all films

  • Borderline(2002)

    Composer · Music Producer

    Midcredits score: 16th percentile of all films

  • American Gun(2002)

    Composer

    Midcredits score: 45th percentile of all films

  • The Man from Elysian Fields(2001)

    Composer

    Midcredits score: 60th percentile of all films

  • Hotel(2001)

    Composer

    Midcredits score: 13th percentile of all films

  • On Golden Pond (not in the MovieCove catalog yet)(2001)

    Composer

  • 15 Minutes(2001)

    Composer · Orchestrator

    Midcredits score: 37th percentile of all films

  • Songs In Ordinary Time (not in the MovieCove catalog yet)(2000)

    Orchestrator

  • Slow Burn(2000)

    Composer

    Midcredits score: 15th percentile of all films

  • Timecode(2000)

    Composer

    Midcredits score: 48th percentile of all films

  • Blast(2000)

    Composer

    Midcredits score: 30th percentile of all films

  • Gideon (not in the MovieCove catalog yet)(1998)

    Composer

  • Scar City(1998)

    Composer

    Midcredits score: 15th percentile of all films

  • Hoods (not in the MovieCove catalog yet)(1998)

    Composer

  • God Said, 'Ha!' (not in the MovieCove catalog yet)(1998)

    Composer

  • Don King: Only in America(1997)

    Composer

    Midcredits score: 80th percentile of all films

  • Hacks(1997)

    Composer

    Midcredits score: 31st percentile of all films

  • Masterminds(1997)

    Composer

    Midcredits score: 25th percentile of all films

  • Seed: A Love Story (not in the MovieCove catalog yet)(1997)

    Composer

  • Invasion of Privacy (not in the MovieCove catalog yet)(1996)

    Composer

  • 2 Days in the Valley(1996)

    Composer

    Midcredits score: 59th percentile of all films

  • One Tough Bastard(1996)

    Composer

    Midcredits score: 30th percentile of all films

  • Underworld(1996)

    Composer

    Midcredits score: 19th percentile of all films

  • Fight for Justice: The Nancy Conn Story(1995)

    Composer

    Midcredits score: 37th percentile of all films

  • Payback(1995)

    Composer

    Midcredits score: 32nd percentile of all films

  • Just Looking(1995)

    Composer

    Midcredits score: 5th percentile of all films

  • The Innocent (not in the MovieCove catalog yet)(1994)

    Composer

  • A Pig's Tale(1994)

    Composer

    Midcredits score: 56th percentile of all films

  • Baby Brokers (not in the MovieCove catalog yet)(1994)

    Composer

  • House of Secrets (not in the MovieCove catalog yet)(1993)

    Composer

  • There Was a Little Boy(1993)

    Composer

    Midcredits score: 54th percentile of all films

  • Reckless Kelly(1993)

    Composer

    Midcredits score: 23rd percentile of all films

  • Marked for Murder (not in the MovieCove catalog yet)(1993)

    Composer

  • Cyber Eden (not in the MovieCove catalog yet)(1992)

    Composer

  • Graveyard Shift(1990)

    Composer

    Midcredits score: 13th percentile of all films

  • Internal Affairs(1990)

    Composer · Orchestrator

    Midcredits score: 61st percentile of all films

  • Fair Game (not in the MovieCove catalog yet)(1988)

    Additional Music

  • Young Guns(1988)

    Composer · Orchestrator

    Midcredits score: 74th percentile of all films

  • Pinocchio and the Emperor of the Night(1987)

    Composer

    Midcredits score: 48th percentile of all films

  • Nice Girls Don't Explode (not in the MovieCove catalog yet)(1987)

    Composer

  • Ghostbusters(1986)

    Show Composer

    Midcredits score: 22nd percentile of all shows

  • Rigged (not in the MovieCove catalog yet)(1985)

    Composer

Career shape

A full career of 52 titles from 1985 to 2022.

Biggest box office

15 Minutes (2001)

$56M worldwide

Highest rated

Don King: Only in America (1997)

Midcredits 80th

Most popular right now

Ghostbusters (1986)

By role

only this rolewith another role
Music51 of 52: 48 only music, 3 with another role · typical Midcredits score27thOther crew4 of 52: 1 only other crew, 3 with another role

52 titles, 3 with more than one role — music and other crew overlap on 3 of them.

By decade

1980s5 · crew1990s25 · crew2000s20 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Anthony Marinelli's films land?

Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 37; across their 37 films with reception data, the typical film sits in the 26th percentile for acclaim.

Acclaim · how much people like their films

26thpercentile
Typical film, the median of 37

Approval · how many liked their films

30thpercentile
Typical film, the median of 37

Reach · how many have seen their films

55thpercentile
Typical film, the median of 37

Midcredits score across 38 titles, by percentile

  • 75th and up1
  • 50th to 74th8
  • 25th to 49th14
  • Below 25th15

Shape of the crowd

27 of their 38 titles are Mixed.

  • Divisive1
  • Cult Classic2
  • Crowd Pleaser6
  • Broadly Agreed2
  • Mixed27

Most divisive · composer

Mosquito (2022)

95th percentile spread · 45% rated it 4 or lower

Most loved · composer

Don King: Only in America (1997)

Midcredits 80th · 71% liked

Reviewers score the sound and music 49/100 in their films, across 25 reviewed titles; fans 60, detractors 34. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Anthony Marinelli's work okay for kids?

Across up to 10 MovieCove titles with content scores, sex & nudity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 69 · intenseMedian of all films: 44
Sex & Nudity10 titles26–64 · median 53 · moderateheavier than most filmsMedian of all films: 32
Profanity4 titlesmedian 62 · intenseMedian of all films: 36
Alcohol & Drugs4 titlesmedian 49 · moderateMedian of all films: 33
Frightening / Intense5 titles42–69 · median 67 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Anthony Marinelli work with?

People who share at least 2 of Anthony Marinelli's MovieCove titles, grouped by what they did on them; Brian Banks shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles