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Albert Hay Malotte

Composer · Died November 16, 1964, aged 69 · Philadelphia, Pennsylvania, USA

American composer and educator best known as the composer of the most popular musical setting of The Lord's Prayer in the English language, composed in 1935 and introduced on radio by John Charles Thomas.

Biography from TMDB.

Born
May 19, 1895
Died
November 16, 1964 (aged 69)
From
Philadelphia, Pennsylvania, USA
Works as
Composer
Titles
9 on MovieCove · 25 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 13% in 30 days

What are Albert Hay Malotte's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Animation5 titlesTypical Midcredits score: 90th percentile, at or above their average across these genres
: browse their Animation movies
Drama2 titlesTypical Midcredits score: 37th percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
27%
Self
22%
Morality
19%
Society
19%
Survival
7%
Power
7%
Identity2 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 5 · Serious 2 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 4 · Heightened 2

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 4 · Charged 4 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 2 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 3 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 4 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 8 · Engaged 0 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
4
Tense
2
Hopeful
2
Melancholic
2
Absurd
2
Other
6

How their films linger

Feel-good6 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end

  • Happy5
  • Bittersweet2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Albert Hay Malotte's films?

As of October 24, 2026, 7 of their 9 MovieCove titles stream on a subscription or free service, most on Disney+ (5).

Subscription and free streaming for Albert Hay Malotte's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 9 with a MovieCove page.

  • Everybody Loves Mickey (not in the MovieCove catalog yet)(2001)

    Composer

  • The Big Fisherman(1959)

    Composer · Orchestrator

    Midcredits score: 23rd percentile of all films

  • The Incredible Stranger (not in the MovieCove catalog yet)(1942)

    Composer

  • Pirates on Horseback(1941)

    Composer

    Midcredits score: 50th percentile of all films

  • Dr. Cyclops (not in the MovieCove catalog yet)(1940)

    Composer

  • Ugly Duckling(1939)

    Composer

    Midcredits score: 92nd percentile of all films

  • Ferdinand the Bull(1938)

    Composer

    Midcredits score: 81st percentile of all films

  • Brave Little Tailor(1938)

    Composer

    Midcredits score: 90th percentile of all films

  • The Whalers (not in the MovieCove catalog yet)(1938)

    Composer

  • Moth and the Flame (not in the MovieCove catalog yet)(1938)

    Composer

  • Lonesome Ghosts(1937)

    Composer

    Midcredits score: 92nd percentile of all films

  • Little Hiawatha (not in the MovieCove catalog yet)(1937)

    Composer

  • Magician Mickey (not in the MovieCove catalog yet)(1937)

    Composer

  • Mickey's Elephant (not in the MovieCove catalog yet)(1936)

    Composer

  • Three Blind Mouseketeers(1936)

    Composer

    Midcredits score: 55th percentile of all films

  • Alpine Climbers (not in the MovieCove catalog yet)(1936)

    Composer

  • Moving Day (not in the MovieCove catalog yet)(1936)

    Composer

  • Orphan's Picnic (not in the MovieCove catalog yet)(1936)

    Composer

  • Broken Toys (not in the MovieCove catalog yet)(1935)

    Composer

  • Cock o' the Walk (not in the MovieCove catalog yet)(1935)

    Composer

  • We're Rich Again(1934)

    Songs

    Midcredits score: 58th percentile of all films

  • The Girl from Calgary (not in the MovieCove catalog yet)(1932)

    Composer

  • The Three Sisters (not in the MovieCove catalog yet)(1930)

    Composer

  • Such Men Are Dangerous (not in the MovieCove catalog yet)(1930)

    Composer

  • Born Reckless(1930)

    Composer

    Midcredits score: 22nd percentile of all films

Career shape

A full career of 23 titles from 1930 to 2001.

Highest rated

Lonesome Ghosts (1937)

Midcredits 92nd

Most popular right now

Ferdinand the Bull (1938)

By role

only this rolewith another role
Music22 of 23: 21 only music, 1 with another role · typical Midcredits score86thOther crew2 of 23: 1 only other crew, 1 with another role

By decade

1930s19 · crew1940s2 · crew1950s1 · crew2000s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Albert Hay Malotte's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 8

Approval · how many liked their films

67thpercentile
Typical film, the median of 8

Reach · how many have seen their films

64thpercentile
Typical film, the median of 8

Midcredits score across 9 titles, by percentile

  • 75th and up4
  • 50th to 74th3
  • Below 25th2

Shape of the crowd

4 of their 9 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser4
  • Broadly Agreed1
  • Mixed1

Most divisive · composer

The Big Fisherman (1959)

59th percentile spread · 26% rated it 4 or lower

Most loved · composer

Lonesome Ghosts (1937)

Midcredits 92nd · 81% liked

Reviewers score the sound and music 68/100 in their films, across 8 reviewed titles; fans 74, detractors 39. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Albert Hay Malotte work with?

People who share at least 2 of Albert Hay Malotte's MovieCove titles, grouped by what they did on them; Walt Disney shares the most, 5.

Directors

Writers

Actors