- Writer and producer
- 9 on MovieCove · 19 credits in all
What are Malcolm MacRury's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
A split, not a type: Casual 1 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Malcolm MacRury's films?
As of October 24, 2026, 8 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Malcolm MacRury's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 9 with a MovieCove page.
Departure(2019)
Midcredits score: 58th percentile of all shows
Between(2015)
Midcredits score: 17th percentile of all shows
Midcredits score: 67th percentile of all films
Saving Hope(2012)
Midcredits score: 70th percentile of all showsSunshine Sketches of a Little Town (not in the MovieCove catalog yet)(2012)
Cra$h & Burn (not in the MovieCove catalog yet)(2009)
ZOS: Zone of Separation (not in the MovieCove catalog yet)(2009)
Canada Russia '72 (not in the MovieCove catalog yet)(2006)
Canada Russia '72 (not in the MovieCove catalog yet)(2006)
Lives of the Saints (not in the MovieCove catalog yet)(2004)
Deadwood(2004)
Midcredits score: 97th percentile of all shows
Hemingway vs. Callaghan(2003)
Midcredits score: 62nd percentile of all films (provisional, few ratings)
Earth: Final Conflict(1997)
Midcredits score: 25th percentile of all shows
Wojeck: Out of the Fire (not in the MovieCove catalog yet)(1997)
Harvest for the Heart (not in the MovieCove catalog yet)(1994)
The Man Without a Face(1993)
Midcredits score: 70th percentile of all films
Lost in the Barrens II: The Curse of the Viking Grave (not in the MovieCove catalog yet)(1992)
Bordertown (not in the MovieCove catalog yet)(1989)
Street Legal(1987)
Midcredits score: 53rd percentile of all shows
Career shape
A full career of 19 titles from 1987 to 2019.
Biggest box office
The Man Without a Face (1993)
Highest rated
The Man Without a Face (1993)
Most popular right now
Between (2015)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Malcolm MacRury's films land?
Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up1
- 50th to 74th6
- 25th to 49th1
- Below 25th1
Shape of the crowd
4 of their 9 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser4
- Mixed4
Reviewers score the dialogue 45/100 and the plot and story 47/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.