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Isabelle Lorente

Editor

Works as
Editor
Titles
8 on MovieCove · 13 credits in all
TMDB popularity, last 37 days to Oct 26Up 13% in 30 days

What are Isabelle Lorente's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 3 · Dark 3

Grounded 1 · Stylized 4 · Heightened 1

A split, not a type: Gentle 2 · Charged 1 · Intense 3

A split, not a type: Steady 3 · Shifting 2 · Whiplash 1

Straight-faced 6 · Some laughs 0 · Funny 0

Slow burn 4 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 4 · Full focus 0

Easy watch 1 · Affecting 2 · Heavy 3

Resolved 4 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
4
Tense
4
Dread
2
Romantic
2
Bittersweet
3
Other
3

How their films end

  • Happy1
  • Bittersweet4
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Isabelle Lorente's films?

As of October 24, 2026, 3 of their 8 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (2).

Subscription and free streaming for Isabelle Lorente's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 8 with a MovieCove page.

  • D'où que vienne la douleur (not in the MovieCove catalog yet)(2014)

    Editor

  • Un Mardi (not in the MovieCove catalog yet)(2010)

    Editor

  • Hell (not in the MovieCove catalog yet)(2006)

    Editor

  • Le Pays des ours (not in the MovieCove catalog yet)(2003)

    Editor

  • The Governess(1998)

    Editor

    Midcredits score: 47th percentile of all films
  • Bent(1997)

    Editor

    Midcredits score: 82nd percentile of all films
  • Total Eclipse(1995)

    Editor

    Midcredits score: 55th percentile of all films
  • Jefferson in Paris(1995)

    Editor

    Midcredits score: 26th percentile of all films
  • The Secret Garden(1993)

    Editor

    Midcredits score: 90th percentile of all films
  • Olivier, Olivier (not in the MovieCove catalog yet)(1992)

    Editor

  • Europa Europa(1990)

    Editor

    Midcredits score: 93rd percentile of all films
  • Kung-Fu Master!(1988)

    Assistant Editor

    Midcredits score: 77th percentile of all films
  • Santa Claus Is a Stinker(1982)

    Assistant Sound Editor

    Midcredits score: 90th percentile of all films

Career shape

A full career of 12 titles from 1982 to 2014.

By role

only this rolewith another role
Editing10 of 12: 10 only editing, 0 with another role · typical Midcredits score82ndOther crew2 of 12: 2 only other crew, 0 with another role

By decade

1980s2 · crew1990s6 · crew2000s2 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Isabelle Lorente's films land?

Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 8; across their 6 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 6

Approval · how many liked their films

72ndpercentile
Typical film, the median of 6

Reach · how many have seen their films

87thpercentile
Typical film, the median of 6

Midcredits score across 8 titles, by percentile

  • 75th and up5
  • 50th to 74th1
  • 25th to 49th2

Shape of the crowd

None of their 8 titles divides audiences: 3 are Universally Loved.

  • Universally Loved3
  • Crowd Pleaser3
  • Mixed2

Reviewers score the pacing 40/100 in their films, across 6 reviewed titles; fans 48, detractors 25. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Isabelle Lorente's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 69 · intenseMedian of all films: 44
Sex & Nudity5 titles40–76 · median 68 · intenseheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 55 · moderateMedian of all films: 36
Frightening / Intense3 titlesmedian 64 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Isabelle Lorente work with?

People who share at least 2 of Isabelle Lorente's MovieCove titles, grouped by what they did on them; Agnieszka Holland shares the most, 3.

Directors

Composers and cinematographers